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The Sound of Music 1964 Regional (US) — Photo Coverage Page 2


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Photos: SHE LOVES ME is Now Playing at Bucks County Playhouse

Photos: SHE LOVES ME is Now Playing at Bucks County Playhouse

by Stephi Wild • Aug 20, 2025

Bucks County Playhouse will continue its summer season with a new revival of the beloved musical romance “She Loves Me,” directed and choreographed by two-time Tony-nominee Denis Jones. Check out all new photos here!

Photos: FIDDLER ON THE ROOF at The Argyle Theatre First Look

Photos: FIDDLER ON THE ROOF at The Argyle Theatre First Look

by Chloe Rabinowitz • Apr 28, 2025

The Argyle Theatre is presenting the Tony Award winning musical Fiddler on the Roof directed by Evan Pappas and choreographed by Debbie Roshe with musical direction by Jonathan Brenner. Get a first look at photos here!

Photos: FIDDLER ON THE ROOF Opens at The Argyle Theatre

Photos: FIDDLER ON THE ROOF Opens at The Argyle Theatre

by Genevieve Rafter Keddy • Apr 28, 2025

The Argyle Theatre opened its production of the Tony Award winning musical Fiddler on the Roof directed by Evan Pappas and choreographed by Debbie Roshe with musical direction by Jonathan Brenner. Check out photos!

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE

by Valerie-Jean Miller • May 28, 2024

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.

Review: GIRL FROM THE NORTH COUNTRY at Connor Palace

Review: GIRL FROM THE NORTH COUNTRY at Connor Palace

by Roy Berko • Nov 6, 2023

What did our critic think of GIRL FROM THE NORTH COUNTRY at Connor Palace? David Greene, the Senior Vice President of Programming at Playhouse Square, informs theater-goers in his program notes for GIRL FROM THE NORTH COUNTRY that “it is a non-traditional musical which features songs by music legend and Rock and Roll Hall of Famer Bob Dylan.” 

Photos: Inside Opening Night of FIDDLER ON THE ROOF in Yiddish

Photos: Inside Opening Night of FIDDLER ON THE ROOF in Yiddish

by Stephi Wild • Nov 22, 2022

 The acclaimed National Yiddish Theatre Folksbiene production of Fiddler on the Roof in Yiddish opened its limited engagement last night at New World Stages. The production, a New York Times Critic’s Pick, plays through January 1, 2023. Check out opening night photos here!

Photos: First Look at the Cast of MY FAIR LADY at the London Coliseum

Photos: First Look at the Cast of MY FAIR LADY at the London Coliseum

by Stephi Wild • May 16, 2022

Bartlett Sher’s glorious multi award-winning production of Lerner & Loewe’s much loved My Fair Lady which will transfer to the London Coliseum for a limited summer engagement in what will be the first major West End revival of the show for 21 years.

Photos: Inside Rehearsal For the West End Revival of MY FAIR LADY

Photos: Inside Rehearsal For the West End Revival of MY FAIR LADY

by Stephi Wild • Apr 26, 2022

New rehearsal images have been released today of the company of My Fair Lady. The company features Harry Hadden-Paton as Henry Higgins, Amara Okereke as Eliza Doolittle, Stephen K Amos as Alfred P Doolittle, Dame Vanessa Redgrave as Mrs Higgins, Malcolm Sinclair as Colonel Pickering, Maureen Beattie as Mrs Pearce, and Sharif Afifi as Freddy Eynsford-Hill.

Photo Flash: South Bay Musical Theatre Presents SHE LOVES ME

Photo Flash: South Bay Musical Theatre Presents SHE LOVES ME

by A.A. Cristi • Jan 27, 2020

South Bay Musical Theatre (SBMT) is pleased the announce the full cast and creative team for the Company's first 2020 production, the charming musical comedy SHE LOVES ME. Described by The New York Times as “a bonbon of a musical” and a “tasty tale of love lost and found at the workplace,” the original Broadway production of SHE LOVES ME was nominated for five 1964 Tony Awards; the show has since enjoyed two successful Broadway revivals, in 1993 (Winner, Tony Award “Best Revival of a Musical”) and 2016. SHE LOVES ME features a book by Joe Masteroff, music by Jerry Bock and lyrics by Sheldon Harnick. It is based on the play Parfumerie by Miklós László (which has also served as the basis for the films The Shop Around the Corner, In the Good Old Summertime and You've Got Mail).

Photo Flash: Odyssey Theatre Presents Sam Shepard's THE UNSEEN HAND

Photo Flash: Odyssey Theatre Presents Sam Shepard's THE UNSEEN HAND

by A.A. Cristi • Jan 20, 2020

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary “Circa '69” Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 25 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at V

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at Vienna State Opera

by Cindy Sibilsky • Dec 31, 2019

Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

Review: The Zmed Brothers Honor the Early Rock and Roll Icons in THE EVERLY BROTHERS

Review: The Zmed Brothers Honor the Early Rock and Roll Icons in THE EVERLY BROTHERS EXPERIENCE

by Shari Barrett • Oct 10, 2019

For those too young to remember, from 1957 to 1962 The Everly Brothers sold more than 35 million records and had 35 Billboard top-100 singles, 26 in the top 40, and to this day, carry the record for most Billboard charting hits of any American Duo. Their success at that time was only rivaled by Elvis. The Zmeds are absolutely thrilled to be able to contribute to a cause that supports the recognition and preservation of the intimate origins of America's greatest Rock 'n Roll sibling duo, stating, 'We are not impersonators. Our aim is to honor the aesthetics of the Everly Brothers' iconic sound and their unique place in music history, all while having a little fun telling our own personal story.' And that they certainly did with great style, talent, and humor.

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