The Rehearsal - 1963 - Broadway Articles Page 4

Kennedy Caughell gives a heartfelt performance as Carole King in 'Beautiful,' an otherwise flawed musical that does to King's career what most Broadway musicals do to the subjects of jukebox musicals. The musical element of the show, however, overcomes its many deficiencies to result in an overall enjoyable production.

Pennsylvania Ballet begins the spring season with Artistic Director Angel Corella's first ever re-staging of the passionate and dramatic masterpiece La Bayadère. Visually and technically impressive, this iconicballet runs from March 5 - 15 at the Academy of Music.

Much-lauded cabaret singer Karen Oberlin opens this month at The Birdland Theater and next month at The Beach Café. Stephen Mosher talks with her about her life in the arts, feminism, and raising a child who wants to sing.

The Martha Graham Dance Company's Studio Series continues with GrahamDeconstructed featuring Martha Graham's 1963 work Circe. GrahamDeconstructed will take place on Tuesday, February 25, and Wednesday, February 26, at 7pm, at the Martha Graham Studio Theater, 55 Bethune Street (11th floor), in Manhattan.

Go inside the creation and 63-year evolution of the musical theatre masterpiece, West Side Story.

Following announcements earlier this year of a new annual residency at the historic Winter Garden Theatre and the inaugural production of the residency - a reimagined and expanded staging of their 2012 hit, CAROLINE, OR CHANGE, again in co-production with frequent collaborators Obsidian Theatre  - The Musical Stage Company shares a sneak peek at this hotly anticipated show.

Theatre Tuscaloosa will present The Watsons Go To Birmingham - 1963, December 6-15, 2019 in the Bean-Brown Theatre on the Martin Campus of Shelton State Community College (9500 Old Greensboro Rd).

Today a consortium of New York City cultural, educational, and media institutions announce Peter Brook/NY (Karen Brooks Hopkins, Executive Producer), a citywide recognition of Brook's work and his collaborations with Marie-Hélène Estienne from 1953 to the present. In addition to the U.S. Premiere of Brook and Estienne's Why? which Theatre for a New Audience (TFANA) presents September 21 a?" October 6 at Polonsky Shakespeare Center, Peter Brook/NY features programing from BAM, The Center for Fiction, Columbia University, French Institute Alliance Française's Crossing the Line Festival, Hunter College, The Juilliard School, TFANA, and WNET.  A booklet produced by BAM Hamm Archivesa?"featuring historic photographs, a timeline of Brook's productions and New York presence, an essay by writer Violaine Huisman, and information about Peter Brook/NY eventsa?"will be available to all attendees and online at BAM.org and TFANA.org.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

'Vanities' traces the lives of three Texas high school cheerleaders, as their personalities diverge in five-year increments, ending in 1974.

In a time when many arts organizations are struggling to stay afloat, two companies dedicated to classical music have found a way not only to survive, but to thrive. Beginning in early 2020, Seattle Opera and KING FM 98.1 will be housed under one roof: the opera's civic home on the Seattle Center campus. While the Opera Center was completed in December 2018, the second-floor office has remained intentionally vacant. Seattle Opera General Director Aidan Lang said the company was looking for an organization to rent the space who shared a similar vision and mission.

Hartford Stage will present The Flamingo Kid, which closes the 2018-19 season. Performances for The Flamingo Kid begin on Thursday, May 9, and run through Sunday, June 9.

A number of families packed the Kennedy Center's Eisenhower Theatre Friday for the world premiere of 'The Watsons Go to Birmingham - 1963.'

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2018-19 season with Nina Simone: Four Women, written by Christina Ham and directed by Kenneth L. Roberson.Nina Simone: Four Women runs January 24 - March 2, 2019 at Northlight Theatre, 9501 Skokie Blvd in Skokie. The press opening is scheduled for Friday, February 1, 2019 at 8pm.

Come celebrate the Grand Opening of Seattle Opera's new civic home! This state-of-the-art building will allow the company to expand its work with communities across Washington State, and, from 2-5 p.m. on Saturday, December 15, members of the public are invited to a free open house. 

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert today, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert on Thursday, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

Eat your heart out, THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE.  Paul Weiss' 1963 historical drama, better known as MARAT/SADE, now hands over the crown for play with the longest title to mount a major New York production to Jen Silverman's delightful bit of heartfelt absurdism, COLLECTIVE RAGE: A PLAY IN 5 BETTIES; IN ESSENCE, A QUEER AND OCCASIONALLY HAZARDOUS EXPLORATION; DO YOU REMEMBER WHEN YOU WERE IN MIDDLE SCHOOL AND YOU READ ABOUT SHACKLETON AND HOW HE EXPLORED THE ANTARTIC? IMAGINE THE ANTARCTIC AS A PUSSY AND IT'S SORT OF LIKE THAT.

Rehearsal images have been released for the new 2018/19 UK tour of Dirty Dancing - The Classic Story On Stage, which opens in Brighton on Thursday 20 September 2018. Check out the photos below!

Fall activities for the Centennial, which begins this month and extends through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, and new works by other artists in conversation with Cunningham's work.

'What matters is not whether a play is light-hearted or serious, but--be it comedic or otherwise--whether it speaks to people about their problems, how it speaks to them, what impact it has on them. . . We wish only to put on plays that meet certain standards of urgency, that are intellectually penetrating, complex, challenging, and powerful.'

'What matters is not whether a play is light-hearted or serious, but--be it comedic or otherwise--whether it speaks to people about their problems, how it speaks to them, what impact it has on them. . . We wish only to put on plays that meet certain standards of urgency, that are intellectually penetrating, complex, challenging, and powerful.'

'What matters is not whether a play is light-hearted or serious, but--be it comedic or otherwise--whether it speaks to people about their problems, how it speaks to them, what impact it has on them. . . We wish only to put on plays that meet certain standards of urgency, that are intellectually penetrating, complex, challenging, and powerful.'

'What matters is not whether a play is light-hearted or serious, but--be it comedic or otherwise--whether it speaks to people about their problems, how it speaks to them, what impact it has on them. . . We wish only to put on plays that meet certain standards of urgency, that are intellectually penetrating, complex, challenging, and powerful.'

Bay Street Theater and Sag Harbor Center for the Arts is pleased to announce the cast of FROST/ NIXON, the second production of 2018 Mainstage Season, is now in rehearsal in NYC. FROST/NIXON, a play by Peter Morgan, directed by Sarna Lapine, will run June 26 - July 22, 2018. Single tickets are now on sale, and tickets are also still available as part of a Mainstage Subscription. To purchase tickets and subscriptions, call the Box Office at 631-725-9500 or purchase online at www.baystreet.org.