The Orchard Project has announced the artists and companies selected for its 2026 Summer Performance Lab in Saratoga Springs, NY. Learn more about the project here.
Walter Bobbie’s 1996 Broadway Revival of CHICAGO is receiving a fourth Australian season with a fabulous new cast.
It is a brilliant production of the second-most produced American opera. (After 'Porgy and Bess') Gorgeous scenic effects and world-class voices.
Georgina Hopson and Emily Havea deliver the requisite sass and shine as the leading ladies of GENTLEMEN PERFER BLONDES.
People's Light celebrates 15 years of madcap merriment with Cinderella: A Musical Panto. As "the nation's primary creator of such specialized tomfoolery" (Newsworks), People's Light has adapted the theatrical form of British pantomime into their own unique brand of holiday hilarity. Over 200,000 people ages 5-105 have attended the panto since People's Light began producing them over a decade ago. Following the tradition of putting a new spin on old fairytales, this year's panto transports the Cinderella story to the roaring 1920s. Cinderella: A Musical Panto runs November 14 - January 6 on the Leonard C. Haas Stage. Tickets range from $21.50-$53. To purchase, call 610.644.3500 or visit peopleslight.org. People's Light is located at 39 Conestoga Road, Malvern, PA 19355.
'Hey Nonny Nonny!' 'Sigh No More!' Shakespeare's classic, playful comedy, Much Ado About Nothing, is this year's rip-roaring Season 5 opener for the vibrant, 30 by Ninety Theatre in Mandeville, Louisiana. This suburban playhouse, positioned just across the lake from New Orleans, is named for its' common latitude and longitude, but doesn't hold back on big city ambitions to invigorate, entertain, and challenge local audiences to grow from shared experiences through the stage. It is an idea not lost on Shakespeare himself nearly five millennials ago.
For the past several summers, I have attended the Festival of Arts and The Pageant of the Masters in Laguna Beach. But this year, I also decided to also visit two other art festivals along Laguna Canyon Road rather than spend any time cruising the town as I had done before. The full-day of exploring all the artistic delights on display this year at all three locations left me dazzled by all the talent on display, while wishing I had lot of extra income to purchase and bring home many of the awe-inspiring items that caught my fancy. But the real highlight of the day was viewing the abundance of 'local color' on display in this summer's 'Under the Sun' themed Pageant of the Masters.
Circus, cabaret, vaudeville and comedy combine in the World Premiere of THE UNBELIEVABLES.
The Theatre Group at SBCC opens the 17/18 season with Cole Porter's sparkling musical, HIGH SOCIETY, July 12-29 in the Garvin Theatre.
Written by Bertolt Brecht during World War II, The Resistible Rise of Arturo Ui serves as a parable for Adolf Hitler. Germany becomes Chicago, Hitler becomes gangster Arturo Ui, as we witness his sociopathic rise. Today, this play proves 'all too current'. Immersive, Simon Evans' production breaks down the fourth wall as the titular character endeavours to build one up.
The Museum of Modern Art delivers a stunning one-artist showcase, and puts forward powerful evidence of Francis Picabia's sly, sensitive genius.
Trevor Ashley returns to Hayes Theatre, this time to direct Jerry Herman (Music) and Michael Stewart's (Book) a moving MACK & MABEL.
One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get. Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.
Next week the Memphis Orpheum will teem with gun-toting lugs in pinstripes and leggy Jazz Age chorines as BULLETS OVER BROADWAY takes the stage. This roaring twenties crime comedy, based on Woody Allen's 1994 film by the same title was transformed for the stage with Susan Stroman's guidance. In Allen's film, the lead character, David Shayne, was played by John Cusack. In this stage version, a young actor named Michael Williams inhabits the role.
With a fearsomely coherent exhibition, the Neue Galerie transports its visitors to the streets, theaters, and artists' studios of 1918-1933 Berlin.
Featuring book and lyrics by Kathie Lee Gifford and music by David Pomeranz and David Friedman, SCANDALOUS begins performances at Broadway's Neil Simon Theatre (250 W. 52nd St.) on Saturday, October 13, 2012. Opening Night is set for Thursday, November 15 (6:30 p.m.). Tickets are on sale now by visiting www.ScandalousOnBroadway.com. The cast and creative team met the press yesterday, September 5, and you can check out photos from the event below!
... The other impression I got from "Singin'" was the incredible depth of talent required of all the actors. The legendary Gene Kelly was the original choreographer, setting a high bar for anyone to follow (or vault over), to belabour the metaphor. This performance is meant to be extremely high intensity; highly athletic. To pull it off, actors must have a huge vocal range, a powerful voice, be highly gifted dancers in a number of genre's including tap, flamenco, ballet, have the agility of an acrobat, be incredibly funny and posses the ability to act ! They were all so physically beautiful, (or perfectly caste, befitting their role). One imagines a vast pool of players and an extreme vetting process to have achieved so many creme de la creme in one show.
