On Sunday, June 16, Washington, D.C.'s theatre community gathered to celebrate the end of MICHAEL KAHN's 33-year tenure as Artistic Director of Shakespeare Theatre Company with musical and dramatic performances, special guests from the worlds of entertainment, politics, and media, and a mayoral proclamation.
What price would you pay for respect and love? John Henry Davis directs Arthur Miller's riveting tour de force, The Price, for International City Theatre, opening May 10 at ICT's home in the Long Beach Performing Arts Center. Two low-priced previews are set for May 8 and May 9.
BroadwayWorld has a first look at Berkeley Repertory Theatre's Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman. Check out the photos below!
As BroadwayWorld sadly reported earlier this week, the legendary Carol Channing. Channing died at 12:31am on Tuesday, January 15th, 2019, at home in Rancho Mirage, CA of natural causes.
This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.
Geva Theatre Center presents Hair, with book and lyrics by Gerome Ragni and James Rado, music by Galt MacDermot, directed by Melissa Rain Anderson, with musical direction by Don Kot, and choreography by Liz Ramos in the Elaine P. Wilson Stage from September 4 through October 7.
The 3rd annual Hip Hop Film Festival was held, fittingly, at the historic National Black Theatre founded by Dr. Barbara Ann Teer who moved to Harlem in 1968 and saw that the once vibrant neighborhood was suffering from a sense of hopelessness after the losses of African American leaders Dr. Martin Luther King Jr. and Malcolm X and desperately needed a community space and cultural arts institution that would 'be reflective of the power, grace and excellence of a people' (according to her daughter and current CEO Sade Lythcott).
Director Mitchell Butel has gathered a wonderful group of women, and one man, to deliver a captivating expression of the life of Fanny Brice in FUNNY GIRL THE MUSICAL, presented in concert with the Sydney Symphony Orchestra
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