Semi-Detached - 1963 - Broadway Articles Page 2

The Museum of Modern Art and Cinecittà present Federico Fellini, a complete retrospective honoring the famed Italian director. The series will be presented entirely in person at MoMA's Debra and Leon Black Family Film Center in the Roy and Niuta Titus Theaters from December 1, 2021, through January 12, 2022.

The season continues with Mat Smart's “Naperville” directed by Naebig (Jan. 27-Feb. 27), and Richard Bean's “One Man Two Guvnors” an English adaptation of “The Servant of Two Masters (Italian: Il servitore di due padroni)” directed by Canaday Howard (April 28-May 29).

Exhibitions by the Icelandic artist Hreinn Fridfinnsson, Cuban American Jorge Pardo, and Miami-based Venezuelan American Loriel Beltrán offer viewers comprehensive looks at the practices of three of the most compelling artists—both local and international—working today.

At the age of 92 and still going strong, singer-songwriter Sheila Jordan has been one of the most revered and utterly unique voices in jazz for decades.

Sideshow Theatre Company is pleased to welcome eleven new ensemble members and artistic associates. Ensemble members include Wardell Julius Clark, Greg Geffrard, Arti Ishak, Krystal Ortiz, Gabrielle Randle-Bent and Netta Walker. Artistic Associates include Patrick Agada, J. Nicole Brooks, Brynne Frauenhoffer, Jyreika Guest and Sarah Price.

Film at Lincoln Center announces the 25 films that comprise the Main Slate of the 58th New York Film Festival, September 17 - October 11.

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

Fifty six years ago a little musical shot a young actress to super stardom. The musical was Funny Girl; the actress was Barbra Streisand, and today, we reflect on the show that launched her legendary career!

The Village Playwrights Present LOVE IS QUEER, staged reading of 10 minute plays to celebrate Valentine's Day, on Monday, February 10 at 7 pm at St. John's, 81 Christopher St., NYC. Suggested donation $10. For reservations email villageplaywrights@gmail.com.

Stage Directors and Choreographers Society (SDC), the theatrical union that represents over 4,000 professional stage directors and choreographers announced that due to an overwhelming number of a?oeStandout Momentsa?? nominations for the 2018-2019 season, SDC will add an eleventh a?oeStandout Moments,a?? to the traditional list of ten.

I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!

Though the 1976 musical SO LONG, 174th STREET didn't even last a fortnight on Broadway, it wouldn't be surprising to see the York Theater Company's completely delightful revised version, ENTER LAUGHING, THE MUSICAL, return the Joseph Stein/Stan Daniels effort to the main stem someday, especially if director/adaptor Stuart Ross' slam-bang mounting keeps getting a little snazzier and a little funnier every time they bring it back.

CAROLINE, OR CHANGE is Tony Kushner's (book and lyrics) semi-autobiographical, sung-through musical, with music by Jeanine Tesori (FUN HOME), that had its origins Off-Broadway in 2003, before transferring to Broadway in 2004 for 136 performances and receiving six Tony nominations. In the ensuing years, it had numerous productions in regional theaters and London, and it has long been on Moonbox Productions' short list, according to Producer and Artistic Director Sharman Altshuler. Under the direction of Allison Olivia Choat, the Moonbox staging is a solid effort with a cohesive ensemble, excellent musical direction and vocals, and vivid design elements. Yewande Odetoyinbo is a force in the title role.

Fifty five years ago a little musical shot a young actress to super stardom. The musical was Funny Girl; the actress was Barbra Streisand, and today, we reflect on the show that launched her legendary career!

The famous Broadway musical from the 1960s, Funny Girl, was recently revived in London. A high definition film of that staged production has been produced and the River Street Theatre (RST) in Jaffrey will exclusively screen it for one day only on Wednesday, October 24 at 2pm and 7pm.

BroadwayWorld is sad to report that legendary playwright Neil Simon has died at 91. 

The John F. Kennedy Center for the Performing Arts today announced programming for its 2018-2019 theater season. The upcoming season not only exemplifies the Kennedy Center as a home for the best theater productions from Broadway and around the world, but also reinvigorates the Center's commitment to self-producing world-class theatrical work at the nation's performing arts center.

Fifty four years ago a little musical shot a young actress to superstardom. The musical was Funny Girl; the actress was Barbra Streisand. Today, she reflects on the show that launched her legendary career!

Park (1963) was such a tremendous hit. Corie Banks Bratter (Stephanie Skewes) and Paul Bratter (Joshua Evans) are the adorable young newlyweds next-door, that everyone can relate to. Typical as well, they have day vs.night personalities.She is as sparkling, fun-loving and open-minded as he is sedate, serious and closed-in.They are different, but in the long run it does not get in the way.Today, sadly, they might actually divorce and never reconcile. After all, in this advanced technological age, a dissatisfied young couple may take their hopes and dreams and go shopping online for new, readily accessible partners. Round and round it goes. So, it is nice to look back and see two lovers really try to change or at least compromise in order to work things out. Simon's crisp dialogue and funny offbeat situations are certainly as timely as ever, and in GCT's sturdy production, the look and feel of the 60s are kept vibrantly alive thanks to a great cast and George Strattan's meticulous direction.

The upcoming 28th annual The Donald M. Ephraim Palm Beach Jewish Film Festival will present movies from around the world, opening with BODY AND SOUL: An American Bridge, focusing on the early performance history and cross-cultural impact of the jazz standard by Jewish composer Johnny Green.

A new production of Playwright Neil Simon's beloved comedy BAREFOOT IN THE PARK, produced by Adrienne Visnic and directed by Brandon Baer strolls into LA's Lyric Hyperion Theatre with an all-star ensemble cast of five set for a limited run November 30 December 3.

A new production of Playwright Neil Simon's beloved comedy BAREFOOT IN THE PARK, produced by Adrienne Visnic and directed by Brandon Baer strolls into LA's Lyric Hyperion Theatre with an all-star ensemble cast of five set for a limited run November 30 December 3.

Networks Presentations LLC presents The Sound of Music, featuring music by Richard Rodgers, lyrics by Oscar Hammerstein II and book by Howard Lindsay and Russel Crouse. The musical was adapted into an Academy Award winning film in 1965 starring Julie Andrews and Christopher Plummer. It is this beloved film version that is firmly and fondly remembered by many. Several songs from the musical have become familiar standards, including 'Edelweiss,' 'My Favorite Things,' 'Climb Every Mountain,' Do-Re-Mi' and the title song. The Sound of Music understandably remains one of America's favorite family musicals.

The Guthrie Theater announced that Managing Director Jennifer Bielstein has been elected as president of the League of Resident Theatres (LORT), the largest professional theater association of its kind in the United States, boasting 72 member Theatres in 29 states and the District of Columbia. Bielstein succeeds Timothy J. Shields, the managing director of McCarter Theatre Center, and began her three-year term in May 2017.

Seattle Repertory Theatre today announced the full ensemble cast of its highly anticipated West Coast premiere of Kate Hamill's (Bedlam's Sense & Sensibility) playful stage adaptation of arguably the most popular of Jane Austen's novels, Pride and Prejudice.