Review: Raleigh Little Theatre’s SCHOOL OF ROCK
by Jeffrey Kare - Jun 6, 2026
Based on Richard Linklater's 2003 film of the same name. School of Rock follows Dewey Finn, a down-on-his-luck wannabe rock star who poses as a substitute teacher at a prestigious prep school.
Review: Defying Gravity - An Evening with Stephen Schwartz Flies to the Irvine Barclay
by Michael Quintos - Jun 4, 2026
It's a very rare treat—particularly all the way here in Orange County, California—to hear Broadway songs and the stories behind them performed directly by the legendary composer himself, even for just a one-night-only event. But that is exactly the gift bestowed upon a rapt audience recently when the Irvine Barclay Theatre presented DEFYING GRAVITY: AN EVENING WITH STEPHEN SCHWARTZ & FRIENDS to a sold-out crowd on the evening of May 23, 2026.
PRIDEFEST 2026 to Showcase New Queer Works at The Tank NYC
by A.A. Cristi - May 29, 2026
The Tank NYC announced the lineup for PRIDEFEST 2026, an annual festival of new performances by queer artists curated by Max Mooney, featuring theater, comedy, puppetry, storytelling, and music at The Tank in New York City.
Review: Music Carries the Day in The Umbrella Stage Company's HAIRSPRAY
by R. Scott Reedy - May 6, 2026
In most, if not all, other mountings of “Hairspray: The Broadway Musical,” Tracy Turnblad is tucked under her bedcovers when audiences first see the young heroine, ready to show off her high-teased bouffant and let loose with the first notes of the rousing opener, “Good Morning, Baltimore.”
A History of Musicals About Friendship
by Jennifer Ashley Tepper - May 10, 2026
Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event.
Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Interview: Theatre Life with David Andrews Rogers
by Elliot Lanes - Mar 16, 2026
Today’s subject David Andrews Rogers Is currently living his theatre life and a lifelong dream on the conductor’s podium as the Musical Director and Conductor of the new touring production of Disney’s Beauty and The Beast. The show begins performances here in DC on March 18th and will play through April 5th at the National Theatre.
Meet the Cast of GIANT, Now Playing on Broadway
by Stephi Wild - Mar 11, 2026
Performances are now underway for the Broadway run of the Olivier Award-winning hit play Giant, directed by two-time Tony Award winner Nicholas Hytner and written by Mark Rosenblatt. Meet the cast here!
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
Feature: DAM SHORT FILM FESTIVAL RETURNS FEBRUARY 11–16 TO BOULDER CITY
by Debbie Hall - Feb 3, 2026
Movie lovers and cinephiles can once again experience Nevada's largest short film festival as the 22nd Annual Dam Short Film Festival returns to downtown Boulder City from February 11-16, showcasing more than 150 short films from around the world and continuing a two-decade legacy of championing independent storytelling and diverse cinematic voices.