Ragtime - 1997 - Los Angeles Articles Page 7

The Harlem Cultural Collaborative closes out the 2020 Harlem Renaissance community centennial celebration with Strike Up The Band: HBCUs Marching Into The Harlem Renaissance. on Saturday, December 12th at 4pm.

TheatreWorks Silicon Valley's Artistic Director Tim Bond and Executive Director Phil Santora announced today that the Tony Award-winning theatre will postpone the opening of its 51st mainstage season to March 2021, with eight plays presented through May 2022.

Terrence McNally, the legendary American playwright, screenwriter, and librettist will posthumously receive The Dallas Opera's most prestigious honor, 'The Maria Callas Award,' in recognition of his contribution to two landmark events in the company's history.

Today (May 28) in live streaming: Josh Groban is back for movie night, Steven Pasquale has a Classic Conversation, and so much more!

Today (May 27) in live streaming: Chad Kimball visits Backstage Live, Debra Messing and Victoria Clark visit Stars in the House, and so much more!

Today (May 26) in live streaming: Star Trek Voyager reunites, a new episode of It's the Day of the Show Y'all, and so much more!

TheatreWorks Silicon Valley's Founding Artistic Director Robert Kelley, Artistic Director Designate Tim Bond, and Executive Director Phil Santora announced changes to TheatreWorks's 2020-21 Season, which is now scheduled to begin in October 2020.

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

Included in the questions for this column, I ask each performer to send an inspirational quote that they love. This artist sent the following thought, which sits upon an image of a green door, a?oeIf it doesn't open, it's not your door.a?? Being a TONY Award nominated actress, this quote speaks volumes about this week's artist, Christiane Noll.

The Philly POPS kicks off Spring Break with a splash of Broadway magic at The Met Philadelphia in Disney's Broadway Hits.

A single-act show, it could use an occasional shot in the arm. Some of the songs drag and none are especially memorable. As bus stories goes, the pacing is a long, long way from Speed. The central love triangle between Violet and two boys on the bus (military officers Monty and Flick) feels all too familiar, and its engagement with the theme of interracial romance (Flick is African-American, Monty and Violet are white) feels underserved in a show that is ultimately about self-shame and misguided faith. Still, the show...

Whether he is best known to audiences from his work in film (Ragtime, Yentl, The Princess Bride), on television (Chicago Hope, Criminal Minds, Homeland) or on Broadway (Evita, Sunday in the Park With George, The Secret Garden, The Wild Party), Mandy Patinkin has embodied countless unforgettable characters, created memorable moments in performance that continue to resonate with his fans and established himself as a star whose light continues to shine brightly and vividly.

With Seth's Big Fat Broadway Vacations, you can cruise the seven seas with Broadway favorites Jenn Colella, Jason Danieley and LaChanze, who will join in on the fun to Bermuda and Newport (July 12 - 19, 2020). The Caribbean is calling on this Bermuda and Newport voyage, round trip from New York aboard the incredible Celebrity Summit. Seth and company have some incredible events and exclusive Broadway shows in store!

After spending a year on an extended visit to his original hometown of Chicago, Illinois, veteran and award-winning stage actor and play director Darryl Maximilian Robinson, The Founder, Artistic Director and Producer of the multiracial, non-Equity professional chamber theatre, The Excaliber Shakespeare Company of Chicago and Los Angeles-based theatre artist, has returned to The City of Angels, and will discuss both his most recent on-and-off stage endeavors in Chicago and Los Angeles on the Monday December 30, 2019 edition of the internet performing arts program 'The Actor's Choice' hosted by long-time entertainment journalist Ron Brewington in a program that can be viewed live on Youtube at 11:00 am PST.

After spending a year on an extended visit to his original hometown of Chicago, Illinois, veteran and award-winning stage actor and play director Darryl Maximilian Robinson, The Founder, Artistic Director and Producer of the multiracial, non-Equity professional chamber theatre, The Excaliber Shakespeare Company of Chicago and Los Angeles-based theatre artist, has returned to The City of Angels, and will discuss both his most recent on-and-off stage endeavors on the Monday December 30, 2019 edition of the internet performing arts program 'The Actor's Choice' hosted by long-time entertainment journalist Ron Brewington in a program that can be viewed live on Youtube at 11:00 am PST.

Paper Mill Playhouse (Mark S. Hoebee-Producing Artistic Director, Michael Stotts- Managing Director), recipient of the Regional Theatre Tony Award, begins the new year with the world premiere Unmasked: The Music of Andrew Lloyd Webber with music by Andrew Lloyd Webber and written with Richard Curtis. Unmasked: The Music of Andrew Lloyd Webber begins performances Thursday, January 30, 2020, and will continue through Sunday, March 1, 2020 at Paper Mill Playhouse (22 Brookside Drive, Millburn, NJ). JPMorgan Chase & Co. is the major sponsor of Unmasked: The Music of Andrew Lloyd Webber. Paper Mill Playhouse's 2019-2020 season is proudly sponsored by Investors Bank. Opening Night is Sunday evening, February 9, 2020 at 7:00pm.

The Old Globe's 2020 Summer Season brings to Balboa Park an extraordinarily talented group of artists who will delight audiences with their unique takes on four great works of theatre. The season incudes a classic American musical, a new adaptation of a 20th century thriller, and two of Shakespeare's masterworks on our outdoor stage.

At first glance, the musical stage adaptation of ANASTASIA looks and feels like an appropriately grand, luxe affaira?"from its gorgeous costumes designed to the lush soundscapes created by the orchestra and the vocal talents that have been assembled for this tour. But the undeniable wow factor of the show is, of course, the stunning visual trifecta of its scenic design working in keen harmony with dazzling projections and stage lighting. The overall technical prowess of this stage musical is just jaw-droppinga?"and, I must say, is quite an adequate enough reason to experience the show. The adaptation's execution of the story itself, however, suffers slightly from its well-meaning intentionsa?"revealing a stage show that feels stilted by its own drama, and with an unsure footing of what it truly wants to be.

The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

Based on the 1997 animated film 'Anastasia', Anastasia the New Broadway Musical, bowing on broadway in 2017, is an entertaining whirlwind of sight and sound. It will make you laugh and cry. You will undoubtedly leave the theatre with a lasting impression of grande theatricality and how it weaves its magic into our humdrum lives. Plus, it is based on fact. Currently onstage at the Hollywood Pantages until October 27 only, this Anastasia has the makings of a great big hit.

Long Island's newest year-round professional theatrical venue, The Argyle Theatre presents the hit Broadway musical The Full Monty with music and lyrics by David Yazbek and book by Terrence McNally, based on the 1997 film of the same name. Performances began September 12, 2019 for a limited engagement through Sunday afternoon, October 20, 2019 at The Argyle Theatre (34 West Main Street, Babylon, Long Island). Opening Night is Saturday evening, September 14, 2019 at 7:30 p.m. The Full Monty is sponsored by The Post Office Café (Babylon). Presented through special arrangement with Music Theatre International (MTI).

Long Island's newest year-round professional theatrical venue, The Argyle Theatre presents the hit Broadway musical The Full Monty with music and lyrics by David Yazbek and book by Terrence McNally, based on the 1997 film of the same name. Performances began September 12, 2019 for a limited engagement through Sunday afternoon, October 20, 2019 at The Argyle Theatre (34 West Main Street, Babylon, Long Island). Opening Night is Saturday evening, September 14, 2019 at 7:30 p.m. The Full Monty is sponsored by The Post Office Café (Babylon). Presented through special arrangement with Music Theatre International (MTI).

The Argyle Theatre presents the hit Broadway musical The Full Monty with music and lyrics by David Yazbek and book by Terrence McNally, based on the 1997 film of the same name.

This Month, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

The Argyle Theatre presents the hit Broadway musical The Full Monty with music and lyrics by David Yazbek and book by Terrence McNally, based on the 1997 film of the same name.