Public Servant - 2019 - Off-Broadway Articles Page 6

With a successful Berkeley world premiere under its belt, the new musical Kiss My Aztec! headed to the southern end of California for a late summer run at the famed La Jolla Playhouse.

House of Bards Theatre Company has announced the cast of their first production, Shakespeare's dynamic drama Macbeth directed by Michael Richey. The new company, headed by television and film actors and producers Reneé O'Connor and Jed Sura, opens their inaugural show on October 11 at the Grand Annex located in the Arts District of San Pedro, California.

Samuel Beckett's classic play, WAITING FOR GODOT, opens the Wilbury Theatre Group's 2019/2020 Main Series with a production that gets to the heart of the text a?" at equal turns funny, philosophic, and sad.

San Francisco Opera presents Wolfgang Amadeus Mozart's The Marriage of Figaro (Le Nozze di Figaro) in a new production by director Michael Cavanagh at the War Memorial Opera House, October 11a?"November 1. The production marks the beginning of a multi-year project to weave together Mozart and librettist Lorenzo Da Ponte's three operasa?"Le Nozze di Figaro, Così fan tutte and Don Giovannia?"as a trilogy set within an American manor house during three time periods. Conductor Henrik Nánási leads the San Francisco Opera Orchestra and an international cast in this enduring comic masterpiece.

A mysterious island. Young love. Dark magic. Those are some of the elements that enthralled the entire 11th grade of Collier County when they attended last week's production of a?oeShipwrecked,a?? a new adaptation of Shakespeare's a?oeThe Tempesta?? performed by Gulfshore Playhouse and the Naples Philharmonic at Artisa?"Naples.

Buffalo's Irish Classical Theatre Company has chosen to open their 2019-20 season with a rarity,  'TIS PITY SHE'S A WHORE by John Ford. First seen in 1633, the question arises as to whether this Jacobean drama still deserves to be produced. Happily, this often shocking play has enough intrigue to  keep the audience engaged. By it's final moments, the elements of incest, murder, poisoning, and deception lead to a drama of epic proportions that grips the viewer.

BWW Review: FREE FOR ALL - A NEW 'MISS JULIE' FOR A NEW WORLD at Cutting Ball Theater is a sensational modern spin on Strinberg's 'Miss Julie' .

Davis Shakespeare Festival (DSF) is closing out their 2019 season with Comedy of Errors, one of Shakespeare's earliest and shortest works. This adaptation was born of a project by the Oregon Shakespeare Festival called Play On Shakespeare in which playwrights are challenged with making the Bard's works relatable to a wider audience by modernizing the language and adding their own flair. Playwright Christina Anderson has succeeded in bringing a fresh and vital version of this work to life and the artists at DSF have personalized it more by introducing some gender switching in a funky 70s setting.

King Henry had an insatiable desire to continue the Tudor dynasty. His legacy remains in the women he wronged and murdered in order to obtain this goal which ultimately fell to a female heir. His wives shaped his legacy and they won't let him forget it.

KC Lyric's 'Seraglio' delivers a fun production, despite the subject matter.

TheaterWorks presents Arthur Miller's modern classic The Crucible, opening on Friday, October 11, 2019 at the Peoria Center for the Performing Arts. This fictional masterpiece centers around a farmer, his wife and a young servant girl, all three of which are dangerously intertwined in a story of deceit, jealousy and hostility. How far can a young girl's word go in the court of law? 

Lyric Opera of Chicago continues the 2019/20 season with a revival of its original, provocative Don Giovanni, marking the return of Tony Award-winning Goodman Theatre Artistic Director Robert Falls. Set in 1920s Spain, Falls' 'jazz age' Don Giovanni is riveting and bold and won enthusiastic acclaim when it opened Lyric's 60th anniversary season in 2014.

When stage director Lindy Hume last worked at Seattle Opera, her powerful Rigoletto sparked important #MeToo conversations with a story intended to be devoid of hope. Next up, she's bringing something completely different to McCaw Halla?"a sparkling fairytale that families will fall in love with.

Notre Dame's Department of Film, Television, and Theatre (FTT) announces The Fornés Festival, a series of staged play readings and academic engagement events celebrating the legacy of the prolific Cuban American playwright María Irene Fornés (1930-2018), in the Philbin Studio Theatre at the DeBartolo Performing Arts Center, October 2 through October 13.

Charles Askenaizer, Artistic Director of Invictus Theatre, today announced his cast for the company's production of Shakespeare's THE MERCHANT OF VENICE, which Askenaizer will direct

Apple® today announced Apple TV+, the first all-original video subscription service and home for today's most imaginative storytellers, will launch November 1 in over 100 countries and regions. Apple TV+ will offer a powerful and inspiring lineup of original shows, movies and documentaries, including “The Morning Show,” “Dickinson,” “See,” “For All Mankind” and “The Elephant Queen.” The service will be available on the Apple TV® app on iPhone®, iPad®, Apple TV, iPod touch®, Mac® and other platforms, including online at https://tv.apple.com, for $4.99 per month with a seven-day free trial. Starting today, customers who purchase any iPhone, iPad, Apple TV, iPod touch or Mac can enjoy one year of Apple TV+ for free. Through Family Sharing, up to six family members can share one Apple TV+ subscription.

Mad Cow Theatre opens Season 23 with Pride and Prejudice by Kate Hamill, based on the classic novel by Jane Austen. This madcap adaptation is full of irreverent surprises, but committed fans to the text will find the story intact, simply told through Hamill's unique, critically acclaimed lens. The play runs September 18 through October 13, 2019. Tickets are available at madcowtheatre.com or by calling patron services at Mad Cow Theatre at 407-297-8788 ext. 1.

'Drink to the cause, and pure vapours.' We've reached the end of August, which for us means the summer bank holiday and Notting Hill Carnival - but go back a few centuries and the only thing on Londoners' minds would be Bartholomew Fair. An annual event that sprung up in Smithfield around St Bartholomew's Day, it saw all manner of people from every part of society come together in one place for roast hog, a variety of stalls, and all the fun of the fair. It's this melting pot upon which Ben Jonson focused when writing his city play of the same name, and that Blanche McIntyre has brought to the Sam Wanamaker Playhouse for a limited run this summer.

David Hare's award-winning play roars to life in a provocative new site-specific staging performed in The Vaults, London's alternative subterranean venue beneath Waterloo Station, running from Friday 13 September - Sunday 17 November, with a press night on Thursday 19 September. Casting has been announced for the first major revival of The Permanent Way, which first had an award-winning run in York and then at the National Theatre in 2003

South Bend Civic Theatre is constantly evolving in order to find new and dynamic ways to engage EVERY member of our community. Our growing education program-- the Civic Academy and Company-- is one of the exciting ways we are meeting our commitment of inclusivity, excellence, and equity. 

'Mrs. Christie' by Heidi Armbruster runs August 1 - 17 at the Dorset Playhouse, 104 Cheney Road, Dorset, VT 05251 $48-$58. For tickets or information, call (802) 867-2223 ext. 101, or visit www.dorsettheatrefestival.org.

Austin Opera today announces its 2019-2020 Season of programming at the Long Center, which includes Verdi's Rigoletto; the company premiere of Joby Talbot and Gene Scheer's Everest, the tale of one of the worst years in the famous mountain's history; and Puccini's final opera, Turandot.

On Wednesday, July 24, 2019, Santa Fe Opera presented Leoš Janáček's powerful dramatic opera Jenůfa. Laura Wilde, a former Santa Fe Apprentice who performed the title role at English National Opera in 2016, again sang the lead while Patricia Racette, who has often sung Jenůfa, portrayed her stepmother, Kostelnička. Both artists gave glorious dramatic interpretations of their roles in this shattering but moving opera.

A rollicking adaptation of an 18th century farce provides a truly delightful night of theatre.

'Bitingly sinister' and 'one of the most cruelly realistic character studies yet seen' was the way Lillian Hellman's classic play, 'The Little Foxes,' was first described. And amazingly enough nearly a century later it retains all of its odious power.