Piece - 2006 - New York Articles Page 3

Now “playing” at Music Theatre Heritage inside Crown Center through February 22 is the latest iteration of the most produced modern musical play in history. It is called “The Fantasticks.” If “Fantasticks” is new to you, you are past due for a treat. If you are one of the thousands of performers who have slipped into one of these character’s costumes, revel in the warm memory. If you have witnessed “Fantasticks” as an audience member, enjoy the pleasure of revisiting an old friend. hat did our critic think of THE FANTASTICKS at Music Theater Heritage?

Portland State University's Theater Arts program will present the electrifying Tony Award-winning rock musical Spring Awakening, with book and lyrics by Steven Sater and a score by Duncan Sheik.

What did our critic think of BIRDIE at Oz Arts Nashville?

Horace High Theatre took on an ambitious and visually demanding musical with Water for Elephants, and the result was a production filled with heart, imagination, and an impressive level of artistic maturity. Blending music, movement, puppetry, and storytelling, this show leaned fully into the theatrical possibilities of the piece, and the students rose to the challenge beautifully.

Tanglewood has revealed the details of its 2026 season, opening in late June and continuing to Labor Day weekend. The schedule brings many of the world’s most exciting musicians to the beautiful Berkshire hills of western Massachusetts.

SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.

Yoo-hoo, Metropolitan Opera. Looking for something new/old/odd/wonderful? I hope you made it to the Prototype Festival’s WHAT TO WEAR, by Michael Gordon and Richard Foreman, staged by Paul Lazar and Annie-B Parson of Big Dance Theater following the original’s aesthetic from 2006. The opera just finished up its four-performance run at the BAM Harvey in downtown Brooklyn—and it’s the definition of event programming in its most complimentary meaning.

On Feb. 11 and 12, CIM Opera Theater kicks off a supernatural second half of the year with a new production of Judith Weir's Blond Eckbert. The work, a chamber opera penned in 1993, is the first of two operas based on dark German tales being staged at CIM this spring.

What did our critic think of SHEN YUN 2026 at The Kennedy Center?

BroadwayWorld spoke to actor Aidan deSalaiz, who plays Bobby in the immersive production, about the show’s contemporary relevance, its fascinating and revealing contradictions, and the joys of connectivity in an increasingly isolating world.

New York City Ballet’s 2026 Winter Season will feature a world premieres by Justin Peck and NYCB Artist in Residence Alexei Ratmansky, two early ballets by Balanchine and more.

FRIGID New York and The Apollo will present the 17th season of the Obie Award-winning The Fire This Time Festival, a platform for playwrights of African and African-American descent to write and produce evocative material for diverse audiences.

​​​​​​​Beck Center for the Arts will present its first annual collaboration through the production of Spring Awakening with Oberlin College and Conservatory Music Theater Program.

New York City's leading chamber choir, Musica Viva NY, will present EL CAMINO: Talbot, Casals and Victoria, a one-night only winter concert on the Upper East Side at All Souls NYC.

Not long ago, I was sitting in a café in midtown Manhattan with Beth Morrisson, president and creative producer of Beth Morrison Projects (BMP). BMP has been pushing the boundaries of traditional opera for 20 years and is now sole curator, producer and presenter of the indie-opera/music theatre Prototype Festival, with performances through January 18 in New York City.

This season, three plays are receiving Broadway debuts which already made significant noise off-Broadway in their original productions, years ago. Becky Shaw, Bug, and Marjorie Prime will all be opening on Broadway in early 2026 in brand new productions. The first and last are spending time on Broadway at the Hayes under the auspices of Second Stage while Bug is being presented by Manhattan Theatre Club at their home, the Friedman. 

Wicked's Glinda and Fiyero, Ariana Grande and Jonathan Bailey, are in talks to reunite on stage in a new production of Stephen Sondheim and James Lapine’s musical Sunday in the Park With George, directed by Marianne Elliott, in London in 2027.

More star casting has been announced for the world premiere semi-staged concert of Jo - The Little Women Musical in Concert at the Theatre Royal Drury Lane. Learn more here!

The biggest issues with the musical adaptation of 'Water for Elephants' is that it doesn’t seem to know what it’s trying to be, and the choreographic and performance talent in this tour would be better served by stronger material.

After a sell out West End performance in 2024 Rob Brydon is taking his celebrated Christmas show around the country. He will bring songs, stories, and laughter to Bradford Live next week.

The Joyce Theater Foundation has revealed its programming for the Spring/Summer 2026 season in the newly named Tino & Rajika Puri Auditorium at The Joyce Theater.

Wordless Music and Sister Midnight will present a year-long series of screenings with live film scores featuring four A24 titles at the historic United Theater on Broadway in downtown Los Angeles. 

The Amish Project at Venice Theatre is a profoundly moving piece of theatrical storytelling—one that asks its audience not merely to witness but to listen. Jessica Dickey’s acclaimed play, inspired by the 2006 Nickel Mines schoolhouse tragedy, has long been celebrated for its blend of narrative poetry, emotional restraint, and deep humanity. Venice Theatre’s production honors that tradition while adding its own vivid account of the story.

What did our critic think of FUN HOME at The Huntington? A funeral home may seem an unlikely setting for a Broadway musical, but it turns out to be an ideal backdrop for the deeply moving “Fun Home.”

Ahead of the PBS airing of Twelfth Night, we caught up with director Saheem Ali to discuss helming the Shakespeare in the Park production, his personal relationship to the story, and the value and necessity of making the arts accessible to all.