Look Back in Anger

Reviews of Love, Shakespeare, and Rope; A Comedy Show at the End of the World; and Orbit

Jermyn Street Theatre and Glass Mask Theatre announced full casting for the UK premiere of Simon Stephens' A SLOW FIRE, with Ross Gaynor, Fionn Ó Loingsigh, and Ian Toner reprising their roles from the Dublin production.

Shakespeare's Globe announced the cast for AS YOU LIKE IT, co-directed by Sean Holmes and Charlie Josephine, who also stars as Orlando. Lola Shalam leads as Rosalind in the Globe Theatre production.

The teaser trailer has been released for “Don’t Look Back In Anger,” the Disney+ documentary following the British band Oasis on their Live ‘25 tour in Cardiff, Wales. Watch it now.

Whether you are Team Black or Team Green, there is probably a stage veteran on your side. Like other HBO shows such as The Gilded Age and Julia, the Game of Thrones spin-off, House of the Dragon, is full of Broadway, West End, and stage alums. 

Jane Asher and Samantha Womack will lead the UK tour of BY ROYAL APPOINTMENT, Daisy Goodwin's debut play, directed by Anthony Banks, visiting Cambridge Arts Theatre and several other venues.

Marie Clark Musical Theatre has a hit on its hands.

We might not know if our relationships will have a happy ending, but we can guarantee a happy beginning. At the end of the day, isn’t that all we can ask for?

THE GREAT GATSBY: A NEW MUSICAL is Surprisingly Great

As I am writing this for the Rhode Island section of Broadway World, I feel as though I am uniquely equipped to talk about Tennessee Williams, or at least the world that so often lives inside his work, being that I am a Southerner who has now spent roughly thirteen years in New England.

There is a distinct alchemy that occurs when a massive, legendary rock opera is stripped of its traditional stadium-sized distance and placed directly in front of an audience. At Studio Tenn’s Turner Theatre at The Factory in Franklin, Tennessee, director Patrick Cassidy has done just that, turning Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar into a visceral, in-your-face exploration of celebrity, devotion, and mortal terror.

When FUNNY GIRL opened on Broadway it was a smash hit in 1964 and would jettison the career of Barbra Streisand. It became a staple on repertory companies, regional and community theatres and summer stock. But the looming memory of Streisand's iconic performance  on stage and then on screen seemed to have destined the show to be unproduceable without a genuine triple threat actress who could sing, act, AND be a comedian par excellence. It took almost 60 years for a Broadway revival to occur, and poor Beanie Feldstein was not up to the leading lady task, being replaced with the much more appropriate star Lea Michele. Once again, the tale of  Fanny Brice had resurfaced and the often comedic, often dark musical comedy has been re-introduced to audiences who can look at the piece without Streisand's interpretation burned into our memory.

There are some shows that feel untouchable, which is why it takes a certain amount of courage or lunacy to approach a beloved musical and decide to reinvent it. Co-directors Sherri Eden Barber and Coleman Ray Clark do exactly that, taking some big swings with Diversionary Theatre's production of RENT playing through June 28th.

In all of my favorite works, I think that the lessons presented are unique and widely applicable, especially in college. I believe there is so much importance to the messages that some of my favorite stories present. All in all, they don’t just speak to the pieces within which they are articulated, but rather the broader importance of theatre in general and how it can impact people. 

Tony winner Lena Hall opens up about playing a grieving daughter on Your Friends & Neighbors while her own father was dying in real life.

A new revival of Tennessee Williams' Cat on a Hot Tin Roof is set to come to Broadway next year, directed by Tony Award winner Sam Gold. Learn more here!

Now having its Southern California regional production, MEAN GIRLS - THE MUSICAL continues performances at the La Mirada Theatre for the Performing Arts through May 3, 2026. Produced by McCoy Rigby Entertainment, this fun, high-energy, youthfully-targeted new iteration of the 2018 stage adaptation of Tina Fey’s beloved 2004 film comedy looks and feels like a brand new show—boosted by impressive new visuals and a highly-caffeinated ensemble whose enthusiasm and verve is quite infectious. A dazzling, entertaining show with high-caliber polish, La Mirada's production is a slick, electrically-charged iteration that is a worthwhile new chapter in the show’s evolution.

A dazzling farewell: 'Mrs. Doubtfire' concludes its German run as an emotional tour de force, combining exuberant choreography, impeccable design, and a superb ensemble into a production brimming with heart. Bound for the UK tour, it sets a formidable standard.

Lakewood Playhouse will stage Dominique Morisseau's PIPELINE, featuring a cast led by Whitney Crawford as Nya, a public school teacher navigating systemic forces threatening her son's future.

Cabaret star Kim David Smith returns to Joe’s Pub on Saturday May 2, 2026 at 9:30 pm with Comme Une Folle – torch songs for tough times because gay (or else). Read a conversation with Smith about the show.

Two decades after Spring Awakening first premiered on Broadway, BroadwayWorld is taking a look back at what the cast of this era-defining musical, including Lea Michele, Jonathan Groff, and more has been up to.

Center Theatre Group has revealed twelve productions for the 2026/27 Season. The eight-show One CTG subscription package includes plays and musicals at the Mark Taper Forum and Ahmanson Theatre, including The Turning world premiere and more.

Raven Theatre in Chicago has appointed Jonathan Berry as its new Executive Artistic Director, following the departure of Sarah Slight to Goodman Theatre. Berry will lead the theatre into its 44th season.

BroadwayWorld's March 2026 Debut of the Month interview features Rachael Stirling in Giant on Broadway. BroadwayWorld interviewed Stirling about bringing the play to Broadway, starring opposite John Lithgow and much more.

The New York Times critic's pick production of Bubba Weiler's Well, I'll Let You Go will return for seven-weeks only for a strictly limited engagement at Studio Seaview.