Review: DADDY LONG LEGS at Theatre 29
What did our critic think of DADDY LONG LEGS at Theatre 29?
Just So 1985 Off-Broadway — Photo Coverage Page 2
Review: MAN OF LA MANCHA, This Tale of A Knight Errant Proves No Fool's Errand at Theatre 29
“Don Quixote”, Miguel de Cervantes’ epic Spanish masterpiece and arguably the world’s first modern novel, has survived the ravages of time since its initial publishing in 1605 as well as the pernicious predations of countless other “authors” who stole Cervantes’ story and published unofficial sequels to the tale over following years, particularly in the new world.
Review: LES MISERABLES National Tour at Key Bank State
What did our critic think of LES MISERABLES (2022 TOUR) at Key Bank State? This is a musical with the word 'miserable' in the title, has physical beatings and numerous onstage deaths, and lacks a typical happy ending. Is this the stuff musicals are made of? Not usually. But, there is no reason that serious subjects cannot be treated in the musical form. Les Miz proves that contention, as does 'Next to Normal' and 'Dear Evan Hanson,' and proves it well.
Review: ONCE ON THIS ISLAND at The Summer Theatre Of New Canaan
This is a Broadway caliber production you won't want to miss.
BWW Review: HEIDI DUCKLER DANCE PRESENTS “THE CHANDELIER “ at The Wallis Annenberg
They got hit with a double whammy. Not only were they sidelined first by the pandemic for a year and a half, but to now present 'The Chandelier' all this time later, and still under many Covid restrictions, the entire piece, which was to be 'site-specific' had to be reworked and reimagined. Heidi Duckler, the Founder/Artistic Director of Heidi Duckler Dance, and Choreographer of the piece gave a short introduction explaining how this World Premiere presentation came to be. 'The Chandelier' was inspired by a novel of the same name written by Brazilian Clarice Lispector and published originally in 1946. The book was translated recently from Portuguese into English by Magdelena Edwards and Benjamin Moser. The piece was first constructed to be performed at the Wallis Annenberg Center, highlighting different areas and spaces inside and outside of the theatre, different architectural patterns and settings, to tell the story of a young woman, Virginia, through her own musings and ideations. That was the original plan, however with all the Covid rules and restrictions still in place, it was realized it needed to be performed outside, and contained in one space, with the audience socially distanced. What was created was an innovative, stylized space that became different sets/places as the narrative unfolded, magically and mystically bringing her inner imagination to life.
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