Jonah
8 / 10
Bonds interweaves Ana’s three narratives skillfully, letting the audience piece together what’s happening (and what has happened) as Jonah jumps from one to another, exploring themes of desire, vulnerability and trauma. That’s a big part of what keeps us engaged, so it’s a slight disappointment when the play’s denouement tips into overexplanation. But director Danya Taymor, in her visually spare world-premiere production at the Roundabout, elicits compelling performances from all four actors. The men are believably devoted in very different registers, and Beans—who earned a Tony nomination for her biting Sabina in The Skin of Our Teeth—delivers another charismatic and varied star turn. Even when the play is just okay, she shines.
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