The sophomore play from Prima Facie writer Suzie Miller transfers to the West End
10 / 10
Pike is an inherently physical performer, and flaws in the script are glossed over by her constant bounding around the set, morphing from courtroom gravitas to dinner party femininity and back again. Though Glover and McAlinden do get revealing character moments towards the end of the play, this is effectively a one-woman show – an extended monologue, in which Pike lays bare Jessica's powers of observation and hypervigilance about factors outside her control.
