Broadway review: In Transit is a cute but unmemorable a cappella journey
6 / 10
This Broadway iteration, sprucely directed and choreographed by Kathleen Marshall and with a charming ensemble, better showcases the book and score (by writers and vocal arrangers who have worked on Frozen and the Pitch Perfectmovies). But the central problem remains: harmonic overload. If you listen to Pentatonix on repeat and own the box set of Glee, you might spend 100 minutes in bliss. The rest of us will grow tired of numbers that sound like '70s sitcom theme songs or advertising jingles. This is where I get off.
