In Real Life - 2002 - Off-Broadway Articles Page 2

Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.

A reading of Maurine Watkins' Chicago will take place The Players Club in New York, featuring Tony winners Nikki M. James and Randy Graff, directed by Marcia Milgrom Dodge.

You’ve likely heard, watched, or encountered Real Women Have Curves—from the beloved 2002 film starring America Ferrera or its recent Tony-nominated Broadway musical—but it goes back to the original play of the same name that Josefina López wrote when she was just 18.

After the headline-making 2019 run of his “Tea at Five,” which starred Faye Dunaway, playwright Matthew Lombardo returns to Boston’s Huntington Theatre April 3–18 with his latest effort, “When Playwrights Kill,” a behind-the scenes comedy about an up-and-coming playwright whose Broadway dreams are dashed when his female lead, a famously difficult diva, derails his play’s out-of-town tryout in Boston.

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

To celebrate Sign Language Week, Deafinitely Theatre has announced the UK tour of Bull by Mike Bartlett in a co-production with Birmingham Rep and Park Theatre.

xSteppenwolf Theatre Company has unveiled its 2026/27 Season. The 51st Season features five Steppenwolf Membership Series productions: two world premieres, a Chicago premiere, an English-Language premiere and a modern masterpiece.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

It’s… Hairspray! BroadwayWorld is taking a look back at what the cast of this beloved musical has been up to since the show first graced the Broadway stage!

The Fountain Theatre will bring POETRY FOR THE PEOPLE: THE JUNE JORDAN EXPERIENCE to Berkeley for a one-night performance. The event will take place at The Freight in collaboration with UC Berkeley and will also be available via livestream.

The full lineup of titles and artists has been revealed for Seattle Opera's 2026/27 season. An exploration of love in all its facets, the company's 63rd season features two classic operas returning to Seattle for the first time in a quarter century.

The Muny has selected the seven teams of directors, choreographers, music directors and lead designers whose creative visions will shape the Tony Award-winning theatre’s 2026 season in Forest Park.

The play touches on a lot of things, obviously immigration, but the title, REAL WOMEN HAVE CURVES, it's also, all of these women are either fat, or just not thin, or not this conventional, small-bodied woman, right?

From Anthony Ramos to Ben Platt, take a look at all the Broadway stars to look out for when you tune in to Ryan Murphy's new series, The Beauty. All episodes of the series are now streaming on Hulu.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

Here are a few top picks to consider in NYC this week including Melissa Errico, a new work by William Finn, Mandy Gonzales singing Lin-Manuel Miranda, and more.

You’d be hard pressed to find a more striking opening outfit in a play than #FATKARY: The Corrido of a Tragic Ex-Fat Woman. Performer and writer Caridad Gómez dons a fat suit exaggerated to comical absurdity, her face mostly covered in the manner of a lucha libre fighter and her body obscured by what looks like layers upon layers of Cath Kidston cushions. Clad in something so cartoonish, Gómez encourages us to see her not quite as a real person, but as a caricature or a bogeyman, who can’t quite connect with her audience directly.

From Cherbourg to Rochefort: completing Demy's dream trilogy, The Young Girls of Rochefort soars on stage in Paris.

Theatre Communications Group is set to publish Yellow Face (Broadway Edition) by David Henry Hwang, next month. The edition is available now for pre-order.

BroadwayWorld talks with Tony Award-winning Marissa Winokur and former Disney heartthrob Garrett Clayton, the director and co-star of the 5-Star Theatricals production of Hairspray in Thousand Oaks.

Colin Hay, who will perform an acoustic show Nov. 2 at the Southern Theatre (21 E. Main Street in downtown Columbus), disagrees with the assessment, but the former Men at Work frontman is a man of misperceptions. For example:

To celebrate the return of The Sound of Music in theaters, we are taking a look back at Christopher Plummer's expansive stage career, from Cyrano to King Lear, and more.

Burning Coal Theatre Company will present Oakwood 2025: Un/NAMED, 6 Short Plays by North Carolina Playwrights, directed by Hayley Philippart. Learn more!

From September 2nd-14th, the national tour of Disney’s BEAUTY & THE BEAST will be gracing the stage of the Durham Performing Arts Center. Taking on the role of MRS. POTTS is actress Kathy Voytko. Read our interview with Kathy!