In Real Life - 2002 - Off-Broadway Articles Page 2

The play touches on a lot of things, obviously immigration, but the title, REAL WOMEN HAVE CURVES, it's also, all of these women are either fat, or just not thin, or not this conventional, small-bodied woman, right?

From Anthony Ramos to Ben Platt, take a look at all the Broadway stars to look out for when you tune in to Ryan Murphy's new series, The Beauty. All episodes of the series are now streaming on Hulu.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

Here are a few top picks to consider in NYC this week including Melissa Errico, a new work by William Finn, Mandy Gonzales singing Lin-Manuel Miranda, and more.

You’d be hard pressed to find a more striking opening outfit in a play than #FATKARY: The Corrido of a Tragic Ex-Fat Woman. Performer and writer Caridad Gómez dons a fat suit exaggerated to comical absurdity, her face mostly covered in the manner of a lucha libre fighter and her body obscured by what looks like layers upon layers of Cath Kidston cushions. Clad in something so cartoonish, Gómez encourages us to see her not quite as a real person, but as a caricature or a bogeyman, who can’t quite connect with her audience directly.

From Cherbourg to Rochefort: completing Demy's dream trilogy, The Young Girls of Rochefort soars on stage in Paris.

Theatre Communications Group is set to publish Yellow Face (Broadway Edition) by David Henry Hwang, next month. The edition is available now for pre-order.

BroadwayWorld talks with Tony Award-winning Marissa Winokur and former Disney heartthrob Garrett Clayton, the director and co-star of the 5-Star Theatricals production of Hairspray in Thousand Oaks.

Colin Hay, who will perform an acoustic show Nov. 2 at the Southern Theatre (21 E. Main Street in downtown Columbus), disagrees with the assessment, but the former Men at Work frontman is a man of misperceptions. For example:

To celebrate the return of The Sound of Music in theaters, we are taking a look back at Christopher Plummer's expansive stage career, from Cyrano to King Lear, and more.

Burning Coal Theatre Company will present Oakwood 2025: Un/NAMED, 6 Short Plays by North Carolina Playwrights, directed by Hayley Philippart. Learn more!

From September 2nd-14th, the national tour of Disney’s BEAUTY & THE BEAST will be gracing the stage of the Durham Performing Arts Center. Taking on the role of MRS. POTTS is actress Kathy Voytko. Read our interview with Kathy!

Hell in a Handbag Productions has announced its 24th season at The Clutch in Chicago, featuring two world premieres—The Real Housewives of the North Pole and The Golden Girls: The Lost Episodes – The Cheese Pyramid—alongside a revival of Joan Crawford Goes to Hell.

Westport Country Playhouse will kick off its 2025-26 Season with Len Cariou and Christopher J. Domig in “Mitch Albom’s Tuesdays with Morrie,” by Jeffrey Hatcher and Mitch Albom, based on the book by Mitch Albom, September 4 – 6.

A graduate of Yale College and Yale School of Drama, Paul Giamatti is no stranger to the stage. Ahead of his role in Downton Abbey: The Grand Finale, we are taking a look back at the Oscar nominee's Broadway and theater roles over the years.

At its heart, Sister Act: The Musical is a celebration of sisterhood and the unexpected bonds formed in the most unlikely places. While Deloris Van Cartier begins her journey chasing fame, her time with the nuns reveals a deeper calling: not spiritual in the traditional sense, but rooted in connection, community, and self-worth.

A powerful double-bill. 'Josephine' is a stunning mini-biography of a great star; 'Pagliacci' is an overpoweringly passionate step into verismo opera.

In celebration of the 30th anniversary of Apollo 13, Universal Pictures is bringing the film back to theaters nationwide, presented exclusively in IMAX from September 19-25. Check out a new trailer for the movie now. 

Due to scheduling conflicts, I was able to avail myself of only a small sampling of the W71 events during the first weekend of programming. We attended a performance of MANY HAPPY RETURNS at 11am and Tennessee Williams’ CAMINO REAL at 2pm. We had time between to enjoy lunch and a bit of shopping on Spring Street. The performances were very well done, a bit non-traditional, and without a doubt up to the long standing and well-established standards / expectations associated with the WTF. Bravo to all involved in the resurrection of this Phoenix from the Ashes. Although, admittedly once skeptical (I am a former New Yorker) I am happy to highly recommend immersion in the newly re-imagined Williamstown Theatre Festival. You will have to move quickly though as W71 runs only through August 3. That said, I am already looking forward to what W72 will bring us in the Summer of 2026.

As temperatures cool and night extends this fall, Banff Centre for Arts and Creativity invites theatre audiences in Southern Alberta to venture inside their theatres for two world premiere productions.

ArtsFairfax has named new members and new officers to its Board of Directors, including Michael Liberman as Board Chair. Learn more about the company and the changes here!

BroadwayWorld talks to celebrated Broadway veteran Robert Westenberg about how he landed the role of an aging Neil Diamond in A BEAUTIFUL NOISE after a 20-year hiatus from the business—and how the first time he heard a Neil Diamond song, he was headed for a job in the priesthood. 

An improvised choose-your-own adventure, featuring actors, a cute robot host and AI, where the audience controls the show! By award-winning Improbotics who created Artificial Intelligence Improvisation.

In the 100-minute, decades-spanning duration we spend with this woman who feels so very recognizable, Ziegler, director Maggie Burrows and actors Nadine Malouf, Ryan Vasquez and Michaela Watkins leave us affected, contemplative and more than a little bit heartbroken.