How Much How Much? - 1970 - Off-Broadway Articles Page 20

There is much to enjoy in Coyote Stageworks' production of THE COCKTAIL HOUR, by A.R. Gurney: the script is funny, the directing is top-notch, and there is a great deal of excellent acting. Unfortunately, one actor was sick at the performance I attended, resulting in problems for the show that night.

A strong play, well-directed by Lavina Jadhwani, that features a bravura turn by Terri Weagant as Norma McCorvey, a.k.a. 'Jane Roe.'

Belly dance's roots in Eastern cultures, North African cultures in particular, is undeniable. Black and Brown dancers fill the scenes of ancient Egyptian wall paintings and of dance history gems such as Dr. Magda Saleh's 1975 documentary “Egypt Dances.” So why is it so hard to find Black and Brown dancers making a name and a living for themselves in the modern belly dance scene?

The tragic events surrounding the rise of the Khmer Rouge regime in mid-70's Cambodia serves as the overarching backdrop that links the past and the (near) present in Lauren Yee's stunning new play CAMBODIAN ROCK BAND---which continues its World Premiere production at Orange County's Tony Award-winning regional theatre South Coast Repertory in Costa Mesa through March 25, 2018. Commissioned by SCR as part of its CrossRoads Initiative, this powerful and searing new drama---sprinkled with welcome bits of comedy and, yes, rock concert music interludes---had its initial staged reading at last year's Pacific Playwright's Festival and is now an absorbing, full-fledged production under the admirable direction of Chay Yew.

Known as the 'King of Ghazals', Talat Mahmood was the first to bring the genre to mainstream music in the film industry. I felt strongly about re-introducing his music to today's youngsters. He was a very famous man but the children today neither know his name nor his music. It is a treasure trove we are sitting on and letting it fizzle away. In my own little way, I am literally helping our youth re-discover what already exists. 

Rubicon Theatre presents a timely and trenchant production of Shakespeare's tragedy KING LEAR as the centerpiece of the company's 20th Anniversary Season. Directed by Co-Founder James O'Neil, the production features a 20-member cast led by acclaimed actor and company memberGeorge Ball, who has starred in previous Rubicon productions of All My Sons, Man of La Mancha, and Jacques Brel… (New York, L.A., and international companies of the latter).

The Dance Center of Columbia College Chicago, partnering with national and local community organizations, artist practitioners and scholars, continues its B-Series, a biannual celebration of hip hop and street dance, with Under 1 Roof: A House & Hip-Hop Convergence featuring B-Bout It, a street-dance jam and battle. Partnering with Kuumba Lynx, Urbanized Music, BraveSoul Movement, Modern Dance Music Research and Archiving Foundation, New Rhythm Arts Center and The Community Schools Program, the B-Series presents a mini hip-hop and street dance festival featuring presentations, workshops, dialogue sessions and a community dance jam and competition.

Carnegie Hall's The '60s: The Years that Changed America, a citywide festival from January 14-March 24, 2018, concludes this month with a vast array of events presented at Carnegie Hall and at more than 35 leading partner cultural institutions throughout New York City. This special exploration of the '60s invites audiences to explore this turbulent decade through the lens of arts and culture, including music's role as a meaningful vehicle to inspire social change.

The SDSU School of Theatre, Television, and Film presents Company, by Stephen Sondheim and George Furth, running Friday, March 9 - Saturday, March 17 in the Don Powell Theatre. Stephen Brotebeck directs.

This summer, Theater at Monmouth celebrates wily, wicked, and wonderful women through classic literature's most fantastic females. From fierce matriarchs, unfaithful wives, and every Madonna in-between, Roar! The Year of the Woman spotlights the ladies who move mountains for their families, friends, and most importantly, themselves. Taking on tyrants, freeloaders, and faithless frauds these femme fatales fight for what they believe in, charting a course to a better world for their sisters and daughters.

Get Groovy with a Girl Power Musical!! Maplewood Playhouse follows up their all male coming of age musical Glory Days, with the all-female production, SHOUT! The Mod Musical, a celebration of all things swingin' '60s. A cultural mish-mash from go-go boots to the pill, a hilarious 'Dear Abby' column and a rainbow of fun. Continuing the first season of live theater in the Lake Park Art's District, SHOUT! The Mod Musical opens February 16th at the Kelsey Theater.

THE PRICE by Arthur Miller premiered on Broadway in 1968 and was nominated for two Tony Awards, for Best Play and Best Scenic Design. It is a timeless piece regarding the choices we make and the consequences we eventually face. It is about family dynamics, the price of furniture and the price of one's decisions, taking place in a soon to be demolished family house where two brothers, estranged for decades, meet together to dispose of their late parents' property. The resulting confrontation leads them to examine the events and qualities of their very different lives and the price each of them has had to pay to have the lives they now lead.

The punk rock scene of the 1970s and '80s in Southern California is widely acknowledged as one of the most vibrant and creative periods in rock and roll. Over the years, many books have come out exploring this explosive time in music and culture, but none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic movement.

Burt Bacharach and Hal David, whose pop songs pretty much defined the mid-to-late 1960s and early 1970s, only wrote one Broadway show, Promises, Promises. There may have been many reasons for the success of the show. With stellar turns by Marcelo Medici as the big-corporation employee whose idea on how to get ahead in business consists of lending his bachelor apartment to his married bosses, and by Malu Rodrigues as the cafeteria waitress with whom he falls in love even though she is having an affair with the personnel director, and with Alonso Barros in charge of choreography and Claudio Botelho & Charles M eller directing, the musical proves that it is still as fresh and vibrant as it was when it was first created, opening in Brazil now, 50 years after his debut on Broadway.

BroadwayWorld catches up with Wicked's Ashleigh Gray about taking on the role of Amy in Company at Aberdeen Arts Centre from February 1

Donmar Associate Robert Hastie returns for this timely revival from one of our greatest living playwrights, following his previous productions My Night with Reg and Splendour.

Good morning BroadwayWorld! Today's top stories: the short musical film SING ALONG, starring Alice Ripley, Heidi Blickenstaff, and more, makes its TV debut today, and more!

Desert Rose Playhouse's 2017-18 'gay heritage production' is Lanford Wilson's FIFTH OF JULY, which the company pulls off admirably except for some pacing problems.

Beginning this month, Carnegie Hall presents The '60s: The Years that Changed America, a citywide festival from January 14-March 24, 2018, featuring an expansive array of events to be presented at Carnegie Hall and at more than 35 leading partner cultural institutions throughout New York City and beyond. This special exploration of the '60s invites audiences to explore this turbulent decade through the lens of arts and culture, including music's role as a meaningful vehicle to inspire social change.

Rehearsals begin today for The 5th Avenue Theatre's new production of Mamma Mia!, the celebrated musical that features the music of global pop sensation ABBA. The 5th Avenue Theatre is the first producing theater company in the Pacific Northwest to be granted the rights to create its own refreshed version of the show, which toured the world for nearly 20 years.

New Jersey Repertory Company (NJ Rep) opens its 2018 season of new plays with the world premiere of 'The Calling' written by Joel Stone, directed by Evan Bergman and starring Ames Adamson and Jared Michael Delaney. Broadwayworld.com had the pleasure of interviewing Joel Stone about his career and the upcoming show at NJ Rep.

The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role.

Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6on March 23, 2018. Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6 is available for pre-order now at https://lnk.to/TheFinalTour.

Tod Petersen shares his family's traditions, letters and his personal journey through a holiday that he's at odds with. Find out why in this 6 Questions and a Plug.