Dance With Me - 1975 - Broadway Articles Page 15

Jim Messina's legacy spans five decades and three acclaimed rock super groups: Loggins & Messina, Buffalo Springfield, and Poco. And he's had a vibrant solo career, plus a dizzying array of producing and engineering credits for such luminaries as The Doors, Joni Mitchell, and Herb Alpert. Performing with his band in Folsom, the concert will include songs we all know and love, from across his storied career. Get ready for "…a splendid good-timey sensibility and professionalism" (Los Angeles Times).

Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for October 1, 2018, to help you plot your course through the end of the year...

The Actors Fund announced today a 40th Anniversary reunion benefit concert of the 1979 hit Broadway production of They're Playing Our Song. The concert will be held on Monday, February 11th at 7:30 pm at the Music Box Theatre (239 West 45th St.) and will star the Broadway cast members Lucie Arnaz as 'Sonia Walsk' and Robert Klein as 'Vernon Gersch'.

Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar to help you plot your course...

On December 7th the multi-Grammy Award winning pianist Eddie Palmieri will release Mi Luz Mayor, his second salsa album of the year on his newly launched imprint Uprising Music (through Ropeadope). Special guests on the album include Gilberto Santa Rosa, Herman Olivera, and Carlos Santana, who plays on the album's third track “Mi Congo.”

THE WHO'S TOMMY is a rock musical with music and lyrics by Pete Townshend and book by Townshend and Des McAnuff, based on The Who's 1969 rock opera Tommy. There are several plot differences between the album, the film, and the stage production, though the general storyline is largely the same. The biggest difference in the story is the new finale, which was rewritten in 1993. Originally, Tommy instructs his followers to become deaf, dumb, and blind themselves in order to achieve enlightenment. In the 1993 rewrite, Tommy instructs them to not emulate him, but to live their own lives. In both versions, the crowd rejects both him and his message. Inspiration for the stage show came from the 1969 concept album, Tommy by The Who. It was the first album ever billed as a rock opera. The album has sold over 20 million copies worldwide and, before becoming a stage musical, it was also the basis for an all star recording that paved the way for the 1975 film of the same name. It first premiered on Broadway in 1993. Acclaimed director, Des McAnuff, and Pete Townshend sculpted the concept album into a stage show that won five Tony Awards including Best Original Score.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day today, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day today, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets. The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

La Mirada Theatre for the Performing Arts Producing Artistic Director BT McNicholl announces its most ambitious and dazzling year of special events! La Mirada Theatre will kick things off with such sensational shows as LEE ANN WOMACK, THE SIMON AND GARFUNKEL STORY and PAUL ANKA, and that's just this Fall! 

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018

Fall activities for the Centennial, which begins this month and extends through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, and new works by other artists in conversation with Cunningham's work.

The story of French-born American dancer, singer, actress and comedian Josephine Baker (1906-1975) who conquered the world with her art and talent, despite criticism of her rebellious and liberal lifestyle. It is this woman and artist that the musical show intends to present to the public. On stage, wild dance, sensuality and debauchery. Outside of it, the struggle for racial equality, the defense of miscegenation and harmonious coexistence among peoples.

In the midst of what has proved to be an extraordinary week for the company, Maine State Music Theatre fans turned out in a capacity crowd at the Curtis Memorial Library's final Peek Behind the Curtain panel to celebrate the concluding events of this Diamond Jubilee season. In the Brunswick season's penultimate week, MSMT presented nine performances of its smash hit, Singin' in the Rain, as well as two sold-out gala 60th anniversary concerts and a free Concert on the Mall that drew close to 2500 people. The panel, moderated by BWW's Carla Maria Verdino-Sullwold, featured Nicolas Dromard, Kate Fahrner, Brian Shepard, and Kim Sava, the stars of the production, two returning stars closely associated with MSMT's history, Sue Cella and K.K. Preece, as well as Artistic Director Curt Dale Clark. The resulting discussion, which focused on the joyful new staging by Marc Robin of Singin' in the Rain and the special anniversary events, was filled with warmth, laughter, and substance.

Award-winning American musicals, bold interpretations of "Jane Eyre" and "Mary Stuart" and a timeless story of a boy and his purple crayon are among the highlights of Northwestern University's Wirtz Center for the Performing Arts' 2018-2019 season.

With Holy Sh!t - the inaugural production in the newly refurbished theatre - in rehearsals, Artistic Director Indhu Rubasingham today announces the full cast for the world premiere of Stephen Sharkey's adaptation of Zadie Smith's White Teeth - Ayesha Antoine (Irie Jones), Michele Austin (Mad Mary), Philip Bird (Des/Marc Perret/Marcus Chalfen), Ayesha Dharker (Alsana Iqbal), Naomi Frederick (Ruth/Poppy/Joyce Chalfen), Tony Jayawardena (Samad Iqbal), Richard Lumsden (Archie Jones), Karl Queensborough (Anthony /Denise/Josh Chalfen), Sid Sagar (Magid Iqbal), Amanda Wilkin (Rosie Jones), Assad Zaman (Millat Iqbal), and actor-musicians Matthew Churcher, Nenda Neurer (also Clara Jones) and Zoe West. The production opens on 5 November, with previews from 26 October, and runs until 22 December.

In its largest international scale production to date, FX has ordered Shogun, a 10-episode limited series period drama based on Shogun, the best-selling novel by James Clavell, it was announced today by John Landgraf, CEO of FX Networks and FX Productions.

The Anchoress, a new monodrama by composer David Ludwig, "a composer with something urgent to say" (Philadelphia Inquirer), will have its world premiere on Wednesday, October 17, 2018 at 7:30 PM at the Kimmel Center in Philadelphia under the auspices of the Philadelphia Chamber Music Society. The next evening, Thursday, October 18, the New York premiere will take place at DiMenna Center for Classical Music. Set to texts by Katie Ford, whose poetry "possess[es] the veiled brilliance of stained glass windows seen at night" (The New York Times Book Review), The Anchoress is based on the medieval mystic tradition called anchorism and its relationship to contemporary society. It will be performed by soprano Hyunah Yu, the early music ensemble Piffaro: The Renaissance Wind Band, and all-saxophone PRISM Quartet.

Park Square Theatre announces UNPACKING A THEATRE ATTIC: Park Square Theatre's First 43 Years, a new exhibition at Landmark Center in downtown Saint Paul that will run September 6 - 30, 2018. Richard Cook, who has worked at Park Square Theatre since its first season in 1975, is literally "going through the trunks" to choose images and mementoes from every one of the theatre's 350 productions. The exhibit will be arranged thematically to explore Park Square's staggering range of programming, from Shakespeare to mysteries to world premieres. The exhibition is free and open to the public during Landmark Center hours.

Legacy Recordings, a division of Sony Music Entertainment, will release My WayWillie Nelson's new studio album (and 12th for the label)on Friday, September 14.

Due to Wilson's fervor when performing, with his dynamic dance moves, impassioned singing and impeccable dress, he was soon christened 'Mr. Excitement,' a title Wilson would keep for the remainder of his career. His live performances consisted of knee-drops, splits, spins, back-flips, one-footed across-the-floor slides, removing his tie and jacket and throwing them off the stage, and a great deal of basic boxing steps, advance and retreat shuffling, and one of his favorite routines, getting women in the audience to come up to the stage and kiss him. In fact, the only thing Wilson loved more than music, it seems, was women, many of whom you will meet during several interviews about his life included in THE JACKIE WILSON STORY.

One person who we have to thank for the influencing the tradition of summer stock theatre is none other than John Kenley, whose legacy lives on today. From the 1940s - 1990s, John Kenley championed summer theatre and brought shows to small towns across America.

July is back to back action with a parade of local and national acts at Blue Note Hawaii. The "Concert King of the Philippines" Martin Nievera returns by popular demand for a three-night series, legendary folk artist Bruce Cockburn performs for two nights only and the Blue Note Comedy series explodes with superstar Marlon Wayans for two shows only. Other national acts include Alex Bugnon and Karla Bonoff.