Bigfoot Review
4 / 10
It might baffle people to learn that Amber Ruffin, celebrated comedy talk show writer and host as well as Tony-nominated librettist for “Some Like It Hot,” spent a dozen years with two co-creators putting together “Bigfoot.’ I wondered whether it was the creative team’s reputation that drew in performers with such impressive track records – Henson, Tony nominee for Mean Girls, and the last Elf; Crystal Lucas-Perry, Tony nominee for Ain’t No Mo, and a revelation as John Adams in 1776; Jason Tam, six-time Broadway veteran, last seen as the Squip in Be More Chill. They do a fine job with parts that are just not as good as their best material. I remember when Alex Moffat, SNL alumnus, made his Broadway debut in “The Cottage” three years ago, how his aberrant acrobatics were among the highlights of that comedy. But in a scene in “Bigfoot” that sounds similar – the mayor keeps on shooting himself by accident all over his body – it was not so much a moment of low comedy, as just a low moment.
