As You Like It - 1930 - Broadway Articles Page 19

Barrington Theatre Company's (BSC) 2018 Season opening production 'The Royal Family of Broadway', is a wacky, wonderful, and highly entertaining 1920's era madcap musical romp.

Each season at the Stratford Festival, there is a production that is geared to children or youth and is put on by Schulich Children's/Youth Plays. This season, that production is TO KILL A MOCKINGBIRD. Based on the novel by Harper Lee and dramatized by Christopher Sergel, this play is likely advertised as being geared towards youth and adults because the book is so commonly read at the high school level, and also because it explores the perspective of children. The material and the issues dealt with are hard ones--for both young people and adults. this is what made the novel so important when it was published, and what makes this play important today. The powerful story is matched by powerful performances by all involved. This is a play that will linger in your mind long past the final bows.

Lyric Stage closes their 25th season with an ambitious Guys and Dolls that shows off some incredible voices, but misses timely opportunities.

The Hayes Theatre Co today announced the cast members for the upcoming romantic musical comedy, She Loves Me. Chosen for the inaugural Artist-Led Production Initiative, this heart-warming musical will charm audiences at Hayes Theatre Co from 24 August with tickets on sale now at hayestheatre.com.au.

Of all the composers in the world Giuseppe Verdi is by far the most popular. Of all the operas in the world his 'La traviata' is by far the most frequently performed. Have you missed out on this mega hit? You can fill in that cultural gap with the splendid production now offered by Opera Theatre of St. Louis.

Full casting has been announced for Pride Films and Plays' production of the landmark British drama THE GREEN BAY TREE, which premiered in London's West End in 1933 and later that year made Laurence Olivier an international star when he played the lead on Broadway opposite his then-wife Jill Esmond. It was a scandalous hit in both London and New York. In THE GREEN BAY TREE, an infamous comedy of manipulation, a charming young man is forced to choose between the love of his fiancee, the lifestyle of his male mentor, and the prescription of his upbringing.

Hayes Theatre Co is thrilled to announce the delightful romantic comedy, She Loves Me, will be playing later this year. Chosen for the inaugural Artist Led Production Initiative, this feel-good musical comedy will charm audiences at Hayes Theatre Co from 24 August with tickets on sale now at hayestheatre.com.au.

Six-Time Tony Award Winning Costume Designer William Ivey Long is a busy man. He's not only working on five shows simultaneously, including the movie-to-Broadway musicals of 'Beetlejuice' and 'Tootsie' but he is also celebrating the publication of two books. books. The first accompanies The Mint Museum exhibition, William Ivey Long: Costume Designs 2007-2016, which runs through June 3rd in Charlotte, North Carolina. The second, The Designs of William Ivey Long, is a monograph by Bobbi Owen, chronicling Long's career over 350 shows. Next week, Long and Owen will be stopping by The North Carolina Museum of History to celebrate the 50th Anniversary of The North Carolina Arts Council. They spoke to me to discuss Owen's book, Long's North Carolina roots and designing with improbable fabrics.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

AS YOU LIKE IT, currently running at The City Theatre, has been transformed from its original comedic writing by William Shakespeare, into a dramedy set during the great depression in America's backyard. The premise of this show begins with young and fair Rosalind, fleeing the court from persecution into the Forest of Arden. Rosalind, along with her cousin Celia, venture into the woods dressed as a maid and a gentleman  in what appears to be a young child's game. The laws of attraction quickly interfere with their plan of evasion from the court. Young Orlando catches the eye and heart of Rosalind early in the play, and as their adventures continue in the forest, their paths inevitably cross. However, with Rosalind in disguise, Orando plays like putty in her hand, as she manipulates his motives and desires. Seemingly all characters in AS YOU LIKE IT are desperately looking for love, and falling hard for the wrong person. With one of Shakespeare's most renowned comedies, the show presented at The City Theatre is presented more dramatically with less gags than common productions.

As the weather warms up, the streets of New York City's theatre district begin to fill with tourists, who trek from the far corners of the world for a chance to see a Broadway show. But do they always get to see the show they came for?

Chicago playwright Jerry Hickey offers a first-time production of his pleasant and entertaining new play entitled 'The Mascot' at 'The Living Room Theatre' in the Crossroads near downtown KC.  

Today's Events; Sunday, March 25

Strong passions and even stronger personalities will collide in a new production of Noël Coward's most popular and enduring stage comedy at the Belgrade Theatre this April. Sparkling with Coward's signature wit and quick-fire dialogue, Private Lives sets the stage for a classic battle of the sexes when an unexpected encounter between two honeymooning couples unravels a tangled romantic history.

London Classic Theatre returns to the Everyman with their production of Noel Coward's comedy masterpiece, Private Lives. Olivia Beardsley and Helen Keeley reprise their roles as Sibyl Chase and Amanda Prynne and they are joined by three new cast members: Gareth Bennett-Ryan (Elyot Chase), Paul Sandys (Victor Prynne) and Rachael Holmes-Brown (Louise).

The lines between fantasy and reality will blur on the stage of Theatre Baton Rouge as they run the now-classic musical CABARET now through March 25.

Winner of the Pulitzer Prize, O'Neill's classic is a surprisingly contemporary play that crackles with fierce physicality, humor, and drama. After a 20-year separation, a coal barge captain (Lyric Stage favorite Johnny Lee Davenport) is reunited with the daughter he unknowingly abandoned to a life of hardship. When Anna falls in love with a shipwrecked sailor, her father and her suitor come to recognize their own culpability in her plight, and all three struggle in their own way for salvation. Following his acclaimed production of Who's Afraid of Virginia Woolf?, Scott Edmiston takes a fresh look at one of America's greatest playwrights.

A Noise Within (ANW) presents A Raisin in the Sun by Lorraine Hansberry, directed by Gregg T. Daniel, the sixth production of its 26th season performing February 25 to April 8 (Press Opening March 3). Now added - three performances - Wednesday, March 14 at 7:30 pm, Wednesday March 29 at 7:30 pm, and Sunday, April 8 at 7 pm.

The UK tour of Gershwin musical Crazy for You has reached its London leg, and is still in fine, energetic form. Originally a Depression-era work, it joins retro pleasures like 42nd Street in providing much-needed Brexit escapism: a world in which all our problems can be solved with tap and jazz hands.

Arlekin Players Theatre is happy to announce a re-run of the stage version of Mikhail Bulgakov's unfinished novel Dead Man's Diary: A Theatrical Novel, a memoir that focuses on the author's inexplicable and comical love of the world of theatre. Due to success of the performances in May, June and September, the new show will run March 17, 18, 24, 25, 30, 31, and April 1 at the Emerson Paramount Center's Jackie Liebergott Black Box. Performances are in Russian with audio-translation in English.

As a prelude to this play, vintage cartoons from the 1930's were projected onstage as the audience entered to take their seats. Walt Disney's Steamboat Willie, which introduced Mickey Mouse, was animated by Ub Iwerks, who (we are informed on titles between the shorts) soon left Disney to make his own cartoons for MGM, including Flip the Frog, an example of which followed hard upon. Before curtain, we were also treated to Betty Boop, and all of the cartoons were in stark black & white. Playwright Eli Keel identifies this period as the 'Golden Age of Animation', a time when the form was almost literally being invented. The end of the decade would bring Snow White, often described, somewhat inaccurately, as the first feature-length animated film. That it was in full color underscores the rapid development of the technology and the storytelling. However much the late 1940's and 1950's are celebrated for the rise of Disney's commercial empire, Keel has chosen the most interesting and fertile period of animation creativity in which to set his story.

'Mr. Holmes, I am under such a strain that I shall go mad if it continues. Do you think that your powers could shed a little light in the darkness which surrounds me?' asks Enid Stonor. And with these words, Sherlock Holmes and Dr. Watson find themselves in a race against time to stop the bizarre murders in an eerie country manor.

Cristina Muller's film Nine Letters uses a minimalist documentary style to emphasize the conflicting feelings of moving to a cosmopolitan new city. Muller uses imagery and sound from around New York City to enhance the sentiments of nine letters that are read as voiceover. The letters span from 1930 to 2016 and show the perspective of a diverse group of immigrants. The film emphasizes the repetitive nature of the city with long shots of people exiting subway cars and walking across bridges and streets. There also exist moments of unique pause like sitting at a cold window, on a winter evening, as the sun sets. The observations made by the writers of each letter are able to breathe over the imagery and sounds Muller layers, giving the viewer time to absorb each letter. Nine Letters expresses how moving to New York City comes with an intensity and lightness that can be reflected back into the constant state of being alive.

A Noise Within (ANW) presents A Raisin in the Sun by Lorraine Hansberry, directed by Gregg T. Daniel, the sixth production of its 26th season performing February 25 to April 8 (Press Opening March 3).

PITTSBURGH CLO is pleased to welcome a collection of writing teams from across the country to Pittsburgh for the inaugural SPARK festival in March. These teams were chosen from a highly-selective submissions process and will have the opportunity to rehearse and revise their work in residencies ranging from two days to three weeks. SPARK will provide dramaturgy and production resources to 10 new musicals at all stages of development, in addition to the world premiere of UP AND AWAY. As a part of the development period, eight of the musicals will receive public presentations through which the writing teams can gather audience insights and focus their intentions for the next phase of development. A major initiative of Pittsburgh CLO's recently completed Next Generation Capital Campaign, SPARK is designed to cultivate new and innovative work from emerging and established musical theater artists.