As You Like It - 1907 - Broadway Articles Page 4

Oklahoma! is now playing at Broadway at Music Circus! What did the critics think? Read all the reviews!

Oklahoma!, Rodgers and Hammerstein's first collaboration, is a cornerstone of American theatre. According to The New York Times, it 'changed the course of the Broadway musical.' Groundbreaking in its day of conception, it continues to resonate with audiences of all ages for its timeless music, strong characters, and sharp humor.

Milwaukee Ballet announces its Ballet Beat summer program will launch June 24, 2019. Now in its third year, this month-long tour of free activities and performance brings ballet into libraries, community centers and senior centers throughout the Greater Milwaukee area.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Within the halls of the Belvedere Palace in Vienna, Austria, is a museum, and within that museum is one of the most famous paintings in the world: Gustav Klimpt's "The Kiss". The Kiss is an original, lighthearted examination of the fascinating characters inside of the paintings at the Belvedere, as well as those admiring them. Join us for the artistic, absurd, absorbing premiere of The Kiss, Friday, April 12, at 7:30 pm in Brenau's Downtown Center, 301 Main St SW, Gainesville, GA 30501.

As with setting a Shakespeare comedy in outer space or a Wagner opera in a subway station, director Daniel Fish's jaunty riff on Richard Rodgers and Oscar Hammerstein II's 1943 classic Oklahoma! may not look or sound the way the authors imagined, but it's a lot more faithful to its source than other musical revivals that seem determined to rewrite history.

Japan Society presents You Took a Part of Me, a dance production with choreography by "punk ballerina" Karole Armitage, performed by her company Armitage Gone! Dance.  You Took a Part of Me arrives at Japan Society (333 East 47th Street) for two performances only: Friday, April 12 and Saturday, April 13 at 7:30pm.

The Des Moines Community Playhouse has the most beloved, precocious, road-tripping, family-loving, happy-dancing season yet. The theatre's 101st season includes four musicals, plus drama, comedy, and family shows. Playhouse season tickets go on sale Mar. 15, 2019, online at dmplayhouse.com and at the Playhouse ticket office.

Alabama-based husband-and-wife folk/rock duo Martha's Trouble (aka Rob and Jen Slocumb) will be setting sail October 6 through October 13, 2019 on their first-ever concert cruise.  Fans of the pair's music are encouraged to purchase a cabin and join them for a very special, exclusive music experience on the high seas on board the Royal Caribbean's Harmony of the Seas. Fans must purchase a cabin through the duo's site on Fan Club Cruises (https://fanclubcruises.com/event/mathas-trouble-concert-cruise) in order to partake in three Martha's Trouble concerts, a meet-and-greet, and a very special Q&A storytelling session during the course of the cruise.  The fan club offering is limited to 50 cabins, so the shows and special Martha's Trouble events on-board the ship will be intimate and personal for fans who join the fun. Departing from Port Canaveral, Florida, the cruise will visit Labadee in Haiti, San Juan in Puerto Rico, and Phillipsburg in St. Maarten, before returning to Florida.  

David Huckfelt will release Stranger Angels on February 22 and today shares another track from his solo debut. The acclaimed leader of The Pines is joined by Amelia Meath of Sylvan Esso on 'Everywind', which premiered this morning at The Bluegrass Situation. The song came to Huckfelt from a postcard he saw at Mishipeshu Trading Post in Michigan.

The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.

Continuing its 35th Anniversary season, Urban Stages (Frances Hill, Founding Artistic Director; Tom Toce Producer) proudly announces the line-up for this year's award-winning series, WINTER RHYTHMS 2018, which will begin Wednesday, December 12 featuring some of New York's best musical performances through Saturday,December 22, 2018 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).

Ladies & Gentlemen - Love & Murder Mix Well at Florida Studio Theatre

Andrew Lloyd Webber's Love Never Dies will perform in Wharton Center's Cobb Great Hall starting Tuesday, October 9th through Sunday, October 14th as part of the MSU Federal Credit Union Broadway at Wharton Center Series. The brand-new touring production features an extensive re-working of the material by an Australian creative team for the original Australian premiere in 2011. Directed by Simon Phillips, known for Priscilla Queen of the Desert The Musical, with new set and costume designs by Gabriela Tylesova, choreography by 2011 Astaire Awards winner Graeme Murphy, lighting design by Nick Schlieper, and sound design by Mick Potter, the show is one of the few instances of a major West End musical being given a complete makeover for subsequent productions. The year is 1907, ten years after the disappearance of the Phantom from the Paris Opera House and he's escaped to a new life in New York where he lives among the freak shows at Coney Island. He finally found a place for his music to soar, but he never stopped yearning for his one true love, Christine Daae, and lures her, Raoul, and their young son to New York not knowing what's in store for them. BroadwayWorld Detroit had a chance to interview Erin Chupinsky, who grew up in Michigan and is currently on tour with Love Never Dies, about how much she loves the show and how great it is to be performing in her home state.

As Memphis theatergoers pile into the Orpheum to kick off a record-breaking 2018-2019 season for ticket sales at the much beloved venue, they are confronted with a familiar, albeit masked face. Indeed, while Andrew Lloyd Webber's The Phantom of the Opera continues its remarkable 30-year run as Broadway's most enduring production, its sequel, Love Never Dies, has opened in the bluff city. Like all other sequels, Love Never Dies faces the initial challenge of justifying its mere existence. That challenge is further amplified when the first installment is, like The Phantom of the Opera, so woven into the fabric of our cultural iconography. Grumbling devotees of the original Phantom will no doubt ask why the story necessitates a sequel at all, let alone one in which the Phantom is transplanted from the Paris Opera House to (gasp) the underbelly of New York's Coney Island. To those skeptics in the audience (of which this reviewer was one), rest assured that Troika Entertainment's magically beautiful production of Love Never Dies, with direction by Simon Phillips, answers that question rather quickly. Why does The Phantom of the Opera require a sequel? Well, why not? That is particularly the case when the sequel is such an eye catching showcase for its talented cast of performers.

Japan Society announces its 2018-2019 Performing Arts Season, featuring works by visionary artists in dance, music, theater and more, along with one-of-a-kind related workshops and related events, as detailed below. All events take place at Japan Society, located at 333 East 47th Street. Tickets available to Japan Society members beginning Tuesday, July 31; tickets available to all beginning Tuesday, August 7. For tickets and further detail, please visit www.japansociety.org or call 212-715-1258.

Dancers for Good, a glitzy gala benefitting The Actors Fund brought top dance talents from Martha Graham, Paul Taylor Dance Companies and more to East Hampton in a flawless, echanting evening of dance honoring two legends and true 'dancers for good': Bebe Neuwith & Chita Rivera.

Westport Country Playhouse stages the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP runs in Westport July 10 - 28.  

Westport Country Playhouse will stage the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

Shakespeare & Company presents August Strindberg's dark comedy Creditors, adapted by critically acclaimed playwright David Greig and directed by Nicole Ricciardi of last season's hit show 4000 Miles. In this production of what Strindberg calls his 'most mature work,' three characters must face their past, confronting love, debt, and deception. Performances run from July 19 - August 12 in the Elayne P. Bernstein Theatre.

If you're surprised the Phantom is still playing Broadway and touring, you'll be more surprised that there's a sequel. This tale fails to resurrect that love that carries the original with a hard-to-believe story and much less spark.

Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

'It's a very emotional show and it ends in a every delicate, sad way and it really touches people. I don't think they're expecting that.'