‘Antigone’ Off Broadway Review: Tony Shalhoub and Susannah Perkins Deliver a New, Explosive Update
8 / 10
There are a lot of speeches in Ziegler’s play, many of them laced with a subversive contemporary wit and a bracing grip on what it means to give birth or not. Her “Antigone” doesn’t have the ghoulish fascination of the original; however, as depicted here, birth and abortion can be far more scary. The play ends with Keenan-Bolger and Perkins in a tight embrace, one that excludes men — even a good-guy like Smith’s Haemon. Men are mere bystanders here.
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