Following her critically acclaimed highly successful all-male productions of ‘H.M.S. Pinafore’ and ‘The Pirates of Penzance’, Sasha Regan returns to London’s Wilton’s Music Hall - the only surviving Grand Music Hall in the world - with Gilbert and Sullivan’s irresistible ‘The Mikado’.
Following her critically acclaimed all-male productions of ‘H.M.S. Pinafore’ and ‘The Pirates of Penzance’, Sasha Regan is returning to Wilton’s Music Hall with Gilbert and Sullivan’s irresistible ‘The Mikado’.
Following her critically acclaimed highly successful all-male productions of ‘H.M.S. Pinafore’ and ‘The Pirates of Penzance’, Sasha Regan returns to London’s Wilton’s Music Hall - the only surviving Grand Music Hall in the world - with Gilbert and Sullivan’s irresistible ‘The Mikado’.
Film at Lincoln Center announces Human Conditions: The Films of Mike Leigh, a retrospective of the widely lauded director’s career, running from May 27-June 8. For over half a century, Mike Leigh has directed films suffused with emotion and the realities of working-class struggle. From his debut feature, Bleak Moments (1971); to his ’70s television work for the BBC; to the breakout mid-career successes of Life Is Sweet (1990), Naked (1993), and Secrets and Lies (1996); through the historical films that have marked his output more recently, like Mr. Turner (2014) and Peterloo (2018), a Mike Leigh film always has an unmistakable energy and feeling for the triumphs and tragedies of everyday life.
As the history books and Stephen Sondheim tell us, in 1853 Matthew C. Perry, Commodore of the United States Navy, sailed to Japan on a mission to forcibly end the island empire's policy of national seclusion and establish trade with America.
A simply splendid production of 'The Mikado' has opened at the Union Avenue Opera in St. Louis.
For the first time in the long history of two of Adelaideis most celebrated and successful theatre companies The Gilbert and Sullivan Society of SA and Co-Opera are in collaboration!
From SHOW BOAT to FINIAN'S RAINBOW to MISS SAIGON, musicals meant to attack racism have often been accused of being racially insensitive.
Earlier today, New York Gilbert & Sullivan Players announced they would be cancelling their planned production of THE MIKADO due to complaints from the Asian American community about the show's offensive stereotyping, as well as NYGASP's casting of caucasian actors in Asian roles.
Today, in an announcement posted on their official Facebook page, the New York Gilbert & Sullivan Players has canceled their production of THE MIKADO and replaced it with THE PIRATES OF PENZANCE.
Topical humor has a short shelf life and a spoof of British foibles 130 years ago can be seen as racially offensive today.
Remember when political conventions were fun? When the delegates gathered into town, not to perfunctorily declare a pre-determined winner, but to debate through multiple votes, late night deals and maybe a few protest rallies to come up with a nominee?
The Collegiate Chorale presented Gilbert and Sullivan's The Mikado at Carnegie Hall last night, April 10 featuring soloists Chuck Cooper, Jason Danieley, Christopher Fitzgerald, Victoria Clark and Kelli O'Hara. BroadwayWorld was on hand and brings you photo coverage below!
The Collegiate Chorale will present Gilbert and Sullivan's The Mikado at Carnegie Hall tonight at 6:30pm. The concert will feature soloists: Chuck Cooper, Jason Danieley, Christopher Fitzgerald, Victoria Clark and Kelli O'Hara. For tickets, visit: http://collegiatechorale.org/
The Collegiate Chorale will present Gilbert and Sullivan's The Mikado at Carnegie Hall on April 10 at 6:30pm. The concert will feature soloists: Chuck Cooper, Jason Danieley, Christopher Fitzgerald and Kelli O'Hara. For tickets, visit: http://collegiatechorale.org/
No, that nice young man offering to pour you a glass of wine as you enter the New York Theatre Workshop's auditorium is not an intern or an Equity membership candidate earning weeks; it's one of the three madcap musicians who will be spending the next two hours trading punch lines, wheeling a trio of pianos around the stage and, somehow through it all, taking the inspiration for their antics from Franz Schubert's 1827 song cycle, Winterreise.
In the spring of 1939, two musical adaptations of Gilbert and Sullivan's 1885 music theater masterpiece "The Mikado" opened on Broadway. One, which had originated in Chicago, was called "The Swing Mikado." The other, which producer Mike Todd created when he was prevented from producing "The Swing Mikado" himself, was called "The Hot Mikado."
Theater Ten Ten's fascinating and innovative presentation of The Mikado has British military men as the 'gentlemen of Japan'
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