An Imaginary Life 1993

This time, the reader question was: Oh, Mary! currently has so much buzz off-Broadway. What is the history of American presidents being depicted on stage?

Theater for the New City presents Flawless, a tale of enchantment written by Robin Goldfin, based on and inspired by an award-winning essay by Canadian writer David J. Lawless. Learn more about this new play and find out how to get tickets here!

Immerse yourself in a magical journey of music, friendship, and nostalgia with the highly anticipated musical film, GREATEST DAYS, hitting local cinemas in South Africa on 16 June 2023.

Julien's Auctions, the acclaimed auction house to the stars, held on Friday, May 19th and Saturday, May 20th the industry's premiere music auction event 'MUSIC ICONS,' featuring a spectacular line-up of over 1,200 pieces of music history from rock royalty owned and used by the likes of Kurt Cobain, Nirvana, Elvis Presley, The Beatles, Michael Jackson, Eddie Van Halen, Alex Lifeson, and more.

The OBIE-winning HERE has announced programming for its second annual Puppetopia, a three-week festival of new puppet theater.

Boston Ballet and Artistic Director Mikko Nissinen presents Rudolf Nureyev's Don Quixote. The beloved ballet brings the sparkling wit of Miguel de Cervantes' classic novel to life with Nureyev's virtuosic choreography set to a spirited score by Ludwig Minkus performed by the Boston Ballet Orchestra. Don Quixote runs March 16–26 at the Citizens Bank Opera House.

Fresh from her Carnegie Hall debut last month, Tony-award nominee Melissa Errico brings her holiday show Evergreen Holiday to Feinstein’s at Vitello’s December 21st and 22nd. Accompanied by a jazz trio led by Randy Waldman, Melissa’s special guest Jon Lovitz will join in on the storytelling that has made Melissa a favorite New York Times contributor.

The Greek National Opera’s 2022-23 season curated by GNO Artistic Director Giorgos Koumendakis will feature ten new opera and ballet productions, one newly commissioned opera, five revivals of past productions, music concerts, major co-productions with some of the world’s foremost opera houses, collaborations with leading conductors and more.

Segerstrom Center for the Arts presents the dazzling Les Ballets de Monte-Carlo making its long-awaited return to the Center with Romeo and Juliet. Considered by many to be the iconic ballet of renowned choreographer Jean-Christophe Maillot, Romeo and Juliet has been performed more than 250 times around the world, usually greeted with rousing standing ovations -- and has been added to the repertoire of seven major dance companies.

The Los Angeles Philharmonic announced today additional details for the Gen X festival, a multidisciplinary, multi-genre exploration of Generation X—the slackers, hackers and latchkey kids who started off analog and became digital.

On Friday, October 23, 2020, cellist Diana Golden releases Tanbou Kache, an album that celebrates Haiti's rich and fascinating art music traditions, on New Focus Recordings.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

Abingdon Theatre Company (Chad Austin, Artistic Director) beginning its 27th season presented a one-night only special event: a staged reading of Robin & Me: My Little Spark of Madness, a new solo work written and performed by Dave Droxler, directed by Devin Dunne Cannon at The Lucille Lortel Theatre (121 Christopher Street), on Monday, November 11th at 7pm.

Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.

The only thematic message, apart from the goes-without-saying affirmation of LGBTQ life choices, is that we should not 'be afraid to play,' which is about as anodyne as they come. But since when need hilarity justify itself with a message?

Musicals come in different forms. Musical comedies, such as 'Cinderella' and 'School of Rock' intend to entertain. Musical dramas--think 'Dear Evan Hansen,' 'Come From Away,' and 'Hamilton,' relay thoughtful ideas in words, song and dance. The musical tragedy, such as 'Sweeney Todd' and 'The Kiss Of The Spider Woman,' which is now on stage at Blank Canvas, finds a 'victim' in a society which doesn't understand or appreciate them, resulting in dire consequences.

Berkeley Repertory Theatre today announced the full cast and creative team for Paradise Square: An American Musical. The world premiere is helmed by acclaimed director Moises Kaufman, with choreography by the legendary Bill T. Jones and a book by Marcus Gardley, Craig Lucas, and Larry Kirwan. Music by Jason Howland and Larry Kirwan, with lyrics by Nathan Tysen, and based on the songs of Stephen Foster. Paradise Square is produced by special arrangement with Garth H. Drabinsky in association with Peter LeDonne and Teatro Proscenium Limited Partnership.

The Maxwell C. King Center for the Performing Arts Theatre for Youth Program announces its 24th season of excellent performing arts and educational theatre opportunities for children on the Space Coast.

Brooklyn Arts Exchange is proud to announce Sight Lines: A Night of Performance in Dialogue with the Work of Michael Galasso, curated by Catherine Galasso. Featuring work by Laurie Berg, Fana Fraser, Georgia Gavran & Jonathan Doherty, Johnnie Cruise Mercer, Kristopher K.Q. Pourzal, and Ambika Raina. The show is Friday-Saturday, April 13-14, 2018 at 8pm.

American Composers Orchestra continues its commitment to the creation and development of new orchestral music with the announcement of sixteen emerging composers who will participate in its catalytic programs. Six emerging composers will participate in the 27th Annual Underwood New Music Readings on June 21-22, 2018 at a location to be announced. Ten emerging composers receive 2018 EarShot New Music Readings presented by Fort Wayne Philharmonic (February 7, 2018), Charlotte Symphony Orchestra (March 1, 2018), and Jacksonville Symphony (April 20, 2018). EarShot is a partnership between American Composers Orchestra, League of American Orchestras, American Composers Forum, and New Music USA.

London Classic Theatre returns to the Everyman with their production of Noel Coward's comedy masterpiece, Private Lives. Olivia Beardsley and Helen Keeley reprise their roles as Sibyl Chase and Amanda Prynne and they are joined by three new cast members: Gareth Bennett-Ryan (Elyot Chase), Paul Sandys (Victor Prynne) and Rachael Holmes-Brown (Louise).

On Monday, March 19, 2018, Asolo Rep and the FSU/Asolo Conservatory for Actor Training proudly unveiled their 2018-19 seasons.

David F. Slone has been blessed to spend much of his life attending and performing in fabulous shows. Nonetheless, he's particularly giddy to be able to celebrate his the culmination of his fifth decade on the planet by presenting this ridiculously eclectic evening of song, dance, magic, circus, comedy, and more!

Mariana Valencia's performance Covers, Singles, Shout Outs is an in-progress research that examines authorship by questioning what gets carried into her work through the modes of proximity, relation and alliance. Through this process Covers, Singles, Shout Outs seeks to manipulate perceptions of life and its collaborators. The work is sourced from various popular and cultural alliances and this particular ensemble of sources builds a choral surround of references. The work proposes a lens for observation that positions our personal and cultural attachment to objects and subjects, and why (or, if?) we choose to live among them. In Covers, Singles, Shout Outs, Valencia invites the audience to traverse a dense field of collective reference.