A Home Away From - 1969 - Off-Broadway Articles Page 15

The Vancouver Academy of Music (VAM) shares Renia Perel's poignant musical drama SONGS OF THE WASTELAND on January 26, 2016 at 7:30pm at the Koerner Recital Hall (1270 Chestnut Street). Falling on the eve of UN International Holocaust Remembrance Day, the poetic work gathers a chamber ensemble of VAM faculty and leading Vancouver musicians to share a true story of survival and pay tribute to the millions who were killed and lost.

Associated Bank Broadway at the Marcus Center announced today that individual tickets for the Milwaukee premiere of Roundabout Theatre Company's CABARET will go on sale Friday, December 11 at 12:00 pm.

?The McLean Community Players' production of the musical 1776, based on the events surrounding the drafting and signing of the Declaration of Independence, opens Friday, Feb. 5, 2016, and runs weekends through Feb. 21 at McLean's Alden Theatre.  With music by Sherman Edwards and a book by Peter Stone, 1776 became an improbable hit and won three Tony Awards, including Best Musical in 1969.  Director Annie O'Neill Galvin leads an award-winning cast and crew for this production.

The film and stage star purchased the apartment with then-husband Jason Robards in 1961 fir under $100,000.

Cracker Barrel Old Country Store and Grammy Award winning vocal group Pentatonix today announced a partnership that brings the band's debut self-titled studio album to all Cracker Barrel locations and online at crackerbarrel.com.

The Film Society of Lincoln Center announced today the details for Action and Anarchy: The Films of Seijun Suzuki, November 6-17.

Legendary folk music icon Arlo Guthrie continues his epic journey across North America this September 2015 to celebrate the 50th Anniversary of the event that inspired his seminal song, 'Alice's Restaurant Massacree'.

The Marcus Center for the Performing Arts announces the Marcus Center Presents and Off Broadway series for the 2015/16 season which is sponsored by Envoy. Flex packages will be available through the Marcus Center Box Office starting on Thursday, August 27.

Aria Entertainment today announces the full programme of work for the annual season. Tickets are now on sale ranging from £12.00 - £18.00.

Producing Artistic Director, B.Michael Peterson is pleased to announce the 2016 season announcement and the return of his theater company, Against the Wall Productions.

San Francisco Playhouse will complete its twelfth season with Stephen Sondheim's trailblazing musical comedy, Company, directed by Susi Damilano. The play will feature a cast of local favorites, with Keith Pinto (Into the Woods) starring as Robert, along with Teresa Attridge, Velina Brown*, Morgan Dayley, Michelle Drexler, Ryan Drummond*, Richard Frederick*, John Paul Gonzalez, Monique Hafen*, Stephanie Prentice*, Chris Reber*, Abby Sammons, Nicole Weber and Michael Scott Wells.

The Film Society of Lincoln Center announces a celebration of films from the Swinging Sixties (and beyond) with the retrospective Richard Lester: The Running Jumping Pop Cinema Iconoclast

The Film Society of Lincoln Center presents I Found This Funny: The Comedy World of Judd Apatow, July 10-14.

Visit ronglick.com for contact details, review copies, photos, and an author bio. Ron Glick's Epic Fantasy Series Creates New Impact. 'Three' in Print and Kindle Format. Third Book in the Godslayer Cycle Releases on July 1, 2015. Ron Glick made his debut into fantasy fiction in 2011 with the publication of 'One,' the first volume of the Godslayer Cycle. Since then, Ron has proven himself a diverse voice in literature with 'The Oz-Wonderland' and 'Chaos Rising series,' a dozen volumes of Ron El's Comic Book Trivia, and even a political expose about corruption in Montana, 'U.S. Political Prisoner Since 2004.' Now, Ron returns to the series that started it all for the third installment in his nine volume epic destined to redefine divinity within fantasy fiction, 'Three.' In the Godslayer Cycle, two rival groups of Gods - The Pantheon and the New Order - vie for the faith of mortal souls throughout the world of Na'Ril. With the eldest group on the verge of extinction, nine mystical swords capable of slaying Gods are created, but lost within the mortal realm. Nathaniel Goodsmith is selected as the Avatar of the Pantheon to seek out the swords and use them on their rivals before the New Order can discover their purpose. In 'Three,' Nathaniel has returned home to await the awakening of the third sword, but he is shocked to find the third sword following him there. But this sword is unlike any of the others that have come before. Three is not a sword that controls perception or elemental power, but instead gives its wielder mastery over time itself. What better way to destroy a Godslayer than to send him to a time before he ever was one? And without the Godslayer in the present, who can possibly stand against a conspiracy of immortals seeking revenge against their errant parents, the Gods themselves? 'Highly engaging and engrossing, with interesting and believable characters...' - Kyra Dune, on 'One' 'This tale is woven with the matrix of mystery, myth, magic and mayhem and I loved every minute of it, being hooked from the start.' - Julie Elizabeth Powell, on 'Two' Ron Glick (born January 20, 1969) is a community activist, and is presently active in several charitable enterprises. He was born in Plainville, KS. After living in various states, he currently lives in Kalispell, MT. He is the author of 'The Godslayer Cycle,' 'Chaos Rising,' 'The Oz-Wonderland series,' and Ron El's 'Comic Book Trivia,' as well as having written a screenplay adaptation of 'The Wizard In Wonderland.' Additionally, he created the Golden Age Preservation Project as a means of making Golden Age comics more accessible to modern audiences. His expose, 'U.S. Political Prisoner Since 2004,' broke him away from his fictional works to shed light upon political corruption in Montana. Ron loves contact and welcomes input on his work through his Twitter accounts or through direct contact on his site.

The Film Society of Lincoln Center announced today Let Us Now Praise Famous Men: The Films of Pedro Costa, from July 17-23. The series precedes the opening of the Portuguese auteur's long-awaited, "hauntingly beautiful" (Variety) new film, Horse Money, which played last fall at the 52nd New York Film Festival and opens theatrically at the Film Society on July 18.

San Francisco Playhouse will complete its twelfth season with Stephen Sondheim's trailblazing musical comedy, Company, directed by Susi Damilano. The play will feature a cast of local favorites, with Keith Pinto (Into the Woods) starring as Robert, along with Teresa Attridge, Velina Brown*, Morgan Dayley, Michelle Drexler, Ryan Drummond*, Richard Frederick*, John Paul Gonzalez, Monique Hafen*, Stephanie Prentice*, Chris Reber*, Abby Sammons, Nicole Weber and Michael Scott Wells.

In this taut 2013 theatrical adaptation of Pumla Gobodo-Madikizela's award winning-book, the apartheid regime's most notorious assassin and head of its death squad, Eugene de Kock (played by Matthew Marsh), sits opposite psychologist Pumla Gobodo-Madikizela (played Noma Dumezweni) in Pretoria Central Prison in 1997. Gobodo-Madikizela is a member of the Truth and Reconciliation Commission determined to understand his actions. She questions de Kock, who is sentenced to two life terms plus 212 years for crimes against humanity, murder, conspiracy to murder, attempted murder, assault, kidnapping, illegal possession of firearms, and fraud.

Collaboraction, the Ambassadors of Hope, are premiering an all-new, world premiere installment of Crime Scene, the hit show that ignited the company's now three-year campaign to link immersive, hyper-local live theater crowd-sourced with community activists and organizations to combat violence in Chicago.

Off-Broadway's award-winning Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) announces that the critically acclaimed New York premiere of Nate Rufus Edelman's THE BELLE OF BELFAST, directed by Claudia Weill, will extend one week, and will be now be performed through Sunday, June 14th, 2015.

East West Players has done it again with their spectacular production of The Who's Tommy. With an incredible band, vibrant vocals from the entire cast and stunning visuals, this 'little' theatre easily matches and betters many larger house productions. 

Collaboraction, the Ambassadors of Hope, are premiering an all-new, world premiere installment of Crime Scene, the hit show that ignited the company's now three-year campaign to link immersive, hyper-local live theater crowd-sourced with community activists and organizations to combat violence in Chicago.

In this taut 2013 theatrical adaptation of Pumla Gobodo-Madikizela's award winning-book, the apartheid regime's most notorious assassin and head of its death squad, Eugene de Kock (played by Matthew Marsh), sits opposite psychologist Pumla Gobodo-Madikizela (played Noma Dumezweni) in Pretoria Central Prison in 1997. Gobodo-Madikizela is a member of the Truth and Reconciliation Commission determined to understand his actions. She questions de Kock, who is sentenced to two life terms plus 212 years for crimes against humanity, murder, conspiracy to murder, attempted murder, assault, kidnapping, illegal possession of firearms, and fraud.

Today we are highlighting the many contemporary scores poised to arrive on Broadway in the near future.

Aurora Theatre Company continues its 23rd season with TALLEY'S FOLLY. In a season dedicated to his memory, the company pays homage to one of the most prolific and revered American playwrights of the 20th century, Lanford Wilson, with 'The Talley Trilogy,' of which TALLEY'S FOLLEY is the first entry in the series of three interrelated plays.

When Sarah Ruhl was a student at Brown University, she embarked on a journey that would culminate in her sprawling epic, Passion Play, which was first performed at Arena Stage in 2005. Her three act tome tells the story of a group of actors performing the story of the Crucifixion and Resurrection of Jesus Christ. Each act is set in a different time frame, yet what happens off-stage, which vaguely mirrors the actions on stage, is the heart of the story.