Barn Theatre Will Stage New Revival Production Of SOME MOTHERS DO 'AVE 'EM
by Stephi Wild - Mar 22, 2024
The Barn Theatre in Cirencester has announced that they will stage a new revival production of Some Mothers Do ‘Ave ‘Em. Based on the 1970s classic TV hit by Ray Allen and written by the award-winning Guy Unsworth, the comedy will run at the Cotswold venue from 8 July – 17 August.
Pacific Opera Project Announces 2024-2025 Season
by A.A. Cristi - Mar 21, 2024
Discover Pacific Opera Project's 2024-2025 season, featuring the LA premiere of RUSALKA, US premiere of LA SCUOLA DE' GELOSI, and a co-production of H.M.S. PINAFORE with Opera Las Vegas.
The Plays of William Shakespeare- A Complete Guide
by Sidney Paterra - Mar 17, 2024
Looking to brush up your Shakespeare? Though they were written over 400 years ago, the his plays continue to enthrall readers and theater enthusiasts alike. Let BroadwayWorld be your guide to insights and appreciation for the enduring brilliance of the Bard's literary legacy.
THE MUSIC MAN Comes to the Marriott Theatre in April
by Stephi Wild - Mar 14, 2024
Marriott Theatre will continue its 2024 season with MEREDITH WILLSON’S THE MUSIC MAN, the six-time Tony Award-winning musical comedy, directed and choreographed by Katie Spelman with Music Direction by Jeff Award Winner Ryan T. Nelson.
Lyric Opera Of Kansas City Announces 2024-2025 Season
by A.A. Cristi - Mar 11, 2024
Discover the lineup for the 2024-2025 season at Lyric Opera of Kansas City. Season to include The Brightness of Light, The Barber of Seville, Cruzar la cara de la luna, and Turandot.
THE LAST YIDDISH SPEAKER Comes to Philadelphia This Month
by Stephi Wild - Mar 5, 2024
What if the January 6, 2021 insurrection was successful? The Last Yiddish Speaker by Deborah Zoe Laufer imagines this alternate reality where a white supremacist regime has come into power. Learn more about the play here!
Review: Juilliard's ERISMENA Goes for Truly Baroque with Game Cast under Heijboer Castanon
by Richard Sasanow - Mar 1, 2024
It’s always a joy to see the Juilliard Opera/Juilliard Historical Performance department perform in the intimate realm of the Rosemary and Meredith Willson Theatre, where the audience is up close and personal to the action on stage. Last week’s performances of Francesco Cavalli’s ERISMENA happily fell neatly into that category. Even with a libretto that’s had more lives than the proverbial cat, the work manages to weave its magic.