Macbeth Revival 2014 - Articles Page 6

The Royal Shakespeare Company production of Macbeth (2018) will be broadcast on BBC Four this Sunday 14 June at 9.30pm as part of Culture in Quarantine. This will be followed by Simon Godwin's landmark production of Hamlet (2016) with Paapa Essiedu in the title role on Sunday 21 June at 9pm.

Shakespeare's Globe has announced the summer season 2020 will include Shakespeare's Romeo & Juliet, Much Ado About Nothing, Twelfth Night, Antony & Cleopatra, a two-day event 'Globe 4 Globe: Shakespeare and Climate Emergency', a symposium 'Shakespeare and Race', a Playing Shakespeare with Deutsche Bank production of Macbeth with 20,000 free tickets to school children, the return of family festival 'Telling Tales', and a new dramatisation of Ovid's Metamorphoses by our resident writers.

Just in time for Halloween, an exclusive 2-man production of William Shakespeare's Macbeth will be performed in Notre Dame's Philbin Studio Theatre, October 30 & 31, 2019. 

Following a controversy surrounding Plácido Domingo and his last minute departure, the Met Opera's production of Verdi's Macbeth opened this week. Find out what the critics had to say!

Shakespeare Rose Theatre, produced by Lunchbox Theatrical Productions, recently held its first-ever Shakespeare boot camp at the Theatre at Solaire. This award-winning company from the United Kingdom (UK) makes its international debut in Manila by bringing two classic Shakespeare plays, 'Macbetha' and 'A Midsummer Night's Dream' to the Filipino audience for a week, from September 17 to 22, 2019.

John Simm and Dervla Kirwan lead the cast of Shakespeare's Macbeth at Chichester Festival Theatre from 21 September a?" 26 October, with a press night on 27 September. The full company joining them in Paul Miller's production are: Heider Ali (2nd Murderer), Michael Balogun (Macduff), David Burnett (1st Murderer/Menteith), Roseanna Frascona (Weird Sister), Leah Gayer (Weird Sister), Lauren Grace (Weird Sister), Stuart Laing (Banquo), Luyanda Unati Lewis-Nyawo (Ross), Avital Lvova (Lennox), Harry Peacock (Porter/Siward), Isabel Pollen (Lady Macduff), Christopher Ravenscroft (Duncan/Doctor), Beatriz Romilly (Malcolm) and Nathan Welsh (Donalbain), with Jacob Blazdell and Harvey McGuinness sharing the role of Fleance, and Noah Peirson and Matthew O'Shea that of Young Macduff.

HEARTBEAT OPERA announces its sixth season, featuring Heartbeat's hottest Drag Extravaganza yet with designer-extraordinaire Miodrag Guberinic riffing on the theme of Mother Earth; and two operatic masterpieces, reimagined, boldly staged, trimmed down, and re-orchestrated: Weber's DER FREISCH?oeTZ and Verdi's MACBETH (retitled LADY M). 

This summer, a heady brew of greed, murder and dark magic comes to London's incomparably atmospheric Temple Church in a bold new production of Shakespeare's Macbeth. Award-winning Antic Disposition return to Temple Church following sold out, critically acclaimed runs of Romeo and Juliet in 2014, Henry V in 2015 and Richard III in 2017.

Shakespeare's Globe has announced the 201920 Sam Wanamaker Playhouse Season. Centred around She Wolves and Shrews, the season is a celebration and interrogation of women, power, and the role of the feminine in shaping our past, present and future. The candlelit Sam Wanamaker Playhouse will play host to a world-premiere of Ella Hickson's new play Swive [Elizabeth], Shakespeare's Henry VI, Richard III, and The Taming of the Shrew, and Middleton's Women Beware Women. Sandi and Jenifer Toksvig have written a new family show dubbed, Christmas at the (Snow) Globe, and a series of candlelit ghost tales will include a new story from Jeanette Winterson. Other events running throughout the season include half-term storytelling festival, Half Term Tales at the Globe, with the new Children's Laureate Cressida Cowell, and a double bill of Virginia Woolf's A Room of One's Own and Three Guineas, marking the centenary year since the removal of the sex disqualification act. The Globe's flagship project for secondary and post-16 students, Playing Shakespeare with Deutsche Bank, reaches its 14th year with Macbeth.

La Monnaie opens the 2019-20 season not by one, but by two world premieres. In September 2019, at the same time as Pascal Dusapin's Macbeth Underworld at La Monnaie, Le Silence des ombres premieres at KVS. It is an opera adaptation of Maurice Maeterlinck's Trois Petits Drames pour Marionnettes, commissioned to the young French composer Benjamin Attahir and produced in close collaboration with the author and director Olivier Lexa, a team of novice creators of the National School of Visual Arts of La Cambre and a cast of young singers supported by ENOA, the European Network of Opera Academies.

After a year of suspended operations, the Adirondack Shakespeare Company returns with a week of performances this summer from July 31-August 4. This year's festival season is centered around magic, mystery, and mischief. A company of 8 professional actors will perform festival favorites Macbeth and A Midsummer Night's Dream from the shores of Lake George and Schroon Lake to an idyllic farm in Essex.

Rubicon Theatre Company announces two performances of an intimate concert featuring Golden Globe Award-Winner and Grammy nominee Amanda McBroom, presented as part of the 2018-2019 Janet and Mark L. Goldenson Broadway Concert Series. Amanda McBroom, a Rubicon favorite both as a singer and actress, returns to Rubicon with a concert version of her hit play Lady Macbeth Sings the Blues on Saturday June 8 at 8p.m. and Sunday June 9 at 2 p.m.

Japan Society is proud to present Ashita no Ma-Joe: Rocky Macbeth by the Theater Company Kaimaku Pennant Race (KPR).  Director Yu Murai, founder of KPR, cleverly retells Macbeth through the 1960s mega-hit manga Ashita no Joe, centering on the rise and fall of a troubled teenager turned high-ranking professional boxer, echoing the struggles of the Scottish king in the Shakespeare classic.  Interlaced with reimaginings of famous scenes from both works, this production promises to surprise Shakespeare and manga lovers alike.  Murai uses the mythos surrounding the boxer Joe to create an innovative, playful theatrical production in which two worlds fraught with angst and ambition collide.  This production, a North American premiere, will have five performances at Japan Society (333 East 47th Street), playing May 15 - 18.

Characters at the crossroads of love, power, war, or forgiveness populate Seattle Shakespeare Company's upcoming season just announced by Artistic Director George Mount. Plans for the company's 2019-2020 season include The Tempest, The Rivals, Troilus and Cressida, and Macbeth. "Each of these plays in their own way has a moment when it comes down to a singular choice," said Mount. "The course of the action is set by that defining decision out of which things will never be the same."

Kentucky Shakespeare announces the 2019 SHAKESPEARE IN THE PARKS tour. Their 6-actor, 90-minute production of MACBETH will tour to 28 parks in Louisville, Indiana, and other Kentucky cities this spring, bringing free Shakespeare to neighborhoods April 6-May 25, 2019.

California Shakespeare Theater (Cal Shakes) today announced directors for the 2019 Season at the Bruns Amphitheater, including the Cal Shakes debuts of directors Megan Sandberg-Zakian (House of Joy) and Victor Malana Maog (Macbeth).

The Royal Shakespeare Company brings their latest season to the Barbican this Winter, made up of Romeo and Juliet, Macbeth and The Merry Wives of Winter. A number of the cast appear in one or two of these shows; Stevie Basaula features in all three, taking on more than ten roles.

We live in an age where our leaders convince people that made-up things are really true. That's what witches do.  So the Witches are the preoccupation of First Maria Ensemble's upcoming production of 'Macbeth,' directed by Celeste Moratti, to be presented December 6 to 21 at Teatro Circulo, 64 East 4th Street.  The company made an auspicious debut in 2016 with 'Hamlet,' which Theater Pizazz (JK Clarke) called one of the season's best small-company productions of Shakespeare plays and Front Row Center (Holli Harms) added, 'Here is hoping that Celeste Moratti continues on this trajectory of directorial discoveries.' 

Edward Bennett returns to the Royal Shakespeare Company for his third season, appearing in Polly Findlay's Macbeth. As the production comes to London, Bennett gives us an insight into Findlay's rehearsal room, discusses how Macduff is similar to previous roles he's played here, and also shares his own superstitions surrounding the Scottish Play and theatre...

Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play. The Restoration-era adaptation by Sir William Davenant, which mesmerized audiences from the re-opening of London theaters in the 1660's until well into the 18th century, blends music performed by Folger Consort and the seminal tragedy of the Scottish king.

Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play. The Restoration-era adaptation by Sir William Davenant, which mesmerized audiences from the re-opening of London theaters in the 1660's until well into the 18th century, blends music performed by Folger Consort and the seminal tragedy of the Scottish king.

Unlike many theatre companies, Dragon's theatre season runs January through December. The Main Stage Series is Dragon's traditional programming series - the underrated, overlooked, and rarely performed gems that make Dragon the unique little theatre company that it is. Dragon's 2nd Stages series launched in 2014. It's intended to give other artists the opportunity to fully produce their passion projects with funding and mentorship from the Dragon's staff. This series works to develop new local theatre makers with the support of an established theatre company. For 2019 we've decided to offer three Main Stage Series productions and three 2nd Stages Series productions. All six shows are performed on the stage of the Dragon Theatre in downtown Redwood City. The 2019 season is the final season selected by outgoing founder and Executive Artistic Director Meredith Hagedorn.

Capital Stage and American Stage come together to share resources, artists, and talent for this production of Marjorie Prime by Jordan Harrison, who also wrote Maple & Vine, and writes for the Netflix Original Series Orange Is The New Black. Marjorie Prime was a finalist for the Pulitzer Prize for drama in 2015 and is directed by Capital Stage's own Founding Artistic Director, Stephanie Gularte. The production stars Capital Stage Associate Artists Janis Stevens (August: Osage County, Macbeth, Master Class) and Jamie Jones (August: Osage County, The Totalitarians, Tribes, Dinner with Friends). Stephanie Gularte founded Capital Stage in 2004, and served as Artistic Director for 10 years. She has now put together a creative team including both American Stage and Capital Stage artists for this production, which will have a run both in St. Pete (March 7 - April 1), as well as in Sacramento at Capital Stage (May 2 - June 3). Press Opening at Capital Stage will be Saturday, May 5, 2018 at 8:00 pm. 

4th Wall Theatre Company's 2017 - 2018 season wraps up with the regional premiere of Suzanne Bradbeer's hilarious comedy, Shakespeare in Vegas May 17 - June 9, 2018, at Studio 101, Spring Street Studios, 1824 Spring Street, Houston, TX 77007. 4th Wall offered a staged reading of the play during its 2017 "4th Wall Reads: Women's Voices" series. 4th Wall audiences will remember Bradbeer's work from the 2014 production of her political drama, The God Game.

Daniele Rustioni leads the Opéra National de Lyon's 2018 Festival in three operas by Giuseppe Verdi, March 16 through April 6, 2018. In celebration of Rustioni's first season at the Opéra de Lyon's principal conductor, Opéra de Lyon has dedicated its annual festival to the works of Verdi, which have played an essential role in Rustioni's career. The 2018 Festival explores themes of power, politics, corruption, and hope with three of Verdi's less-often performed operas: Macbeth, the 1867 Paris Version of Don Carlos sung in the original French, and Attila. Rustioni will conduct the Opéra de Lyon Orchestra and Chorus in all the festival performances.