If It Was Easy 2001 - Articles Page 6

The Cultural Services of the French Embassy and Albertine Books,the dynamic bookshop and cultural center operated by the French Embassy in New York, today announce prominent American and Russian journalist, professor, and author Masha Gessen as the curator of the fifth annual Festival Albertine, which is themed 'Reimagining Democracy' and takes place October 30 - November 3, 2018. Informed by experience as a witness to affronts to democracy today, Gessen has often urged people to open their eyes to such challenges, and to use their imagination to picture what is further at stake. Many thinkers from France, America, and across the Francophone world are similarly united by a pressing concern over surging demagoguery and democracy's fragility.

More artists have been announced to perform at the Chillin' on the Lucie music festival in Port St. Lucie, Fla., Oct. 3 - 7. Uncle Kracker has joined the roster, as well as Cassadee Pope, Parmalee, Josh Gracin, Clare Dunn, Kalie Shorr, Hudson Moore and Lewis Brice. Twang and Round, Radio Romance, Julia Cole, Honey County, County Wide and Libby Switzer are also set to perform. Festival packages can be purchased here.

Take the creators of Despicable Me 2 and the 2001 Bubble Boy movie, add a dash of energy, originality and a lot of side splitting humour, and you end up with the toe-tapping, fast paced, crazy hilarious Bubble Boy the Musical.

Just over a month ago, Orin Wolf was celebrating a whooping ten Tony wins for his little musical that could- The Band's Visit. As the big winner at the 72nd Annual Tony Awards on June 10, the new show not only swept the ceremony, but it found a place in history with some of Broadway's most awarded musicals- a producer's dream.

Producer Julian Schlossberg announces that Academy Award-nominated and Emmy Award-winning writer and actress Renee Taylor - known to millions for her role as Fran Fine's food-obsessed mother, Sylvia, on 'The Nanny' - will return to the New York stage this summer in MY LIFE ON A DIET, an autobiographical comedy written by Ms. Taylor and her late husband Joseph Bologna. Originally directed by Mr. Bologna, MY LIFE ON A DIET will have its New York premiere Off-Broadway at Theatre at St. Clement's (423 West 46 Street, between Ninth & Tenth Aves) beginning Thursday, July 12, 2018.

L.A. Theatre Works will be west coast premiering Leigh Fondakowski's SPILL May 17 through May 20, 2018. We had the opportunity to chat with an L.A. Theatre Works' frequent collaborator, actor James Morrison on his current and past involvement with L.A. Theatre Works.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director), an award-winning company presenting Shakespeare alongside other classic and contemporary drama at Polonsky Shakespeare Center, Downtown Brooklyn, is pleased to announce its 2018-19 season-the 39th since its founding in 1979.

Violinist Rachel Barton Pine, Cedille Records' best-selling artist, and harpsichordist Jory Vinikour, a two-time Grammy nominee making his Cedille label debut, play J.S. Bach's complete violin and harpsichord sonatas on a new album that marks the first time these two long-time friends, both native Chicagoans, have recorded together.

For the third and final concert of its 50th anniversary season, New Amsterdam Singers, led by Music Director Clara Longstreth, will perform the world premiere of The Wave Rises by Ben Moore, a work commissioned by the chorus as part of its 50-year celebration.

For many, musical theater and Andrew Lloyd Webber are synonymous. Whether you love him or hate him, there is no denying that his music has been influential within and outside of the world of musical theater. To celebrate the prolific composer's 70th birthday, UMe / Polydor has released ANDREW LLOYD WEBBER UNMASKED: THE PLATINUM COLLECTION, a sprawling and somewhat bloated 4-disc collection of music personally curated and overseen by Lloyd Webber himself.

Theater Resources Unlimited (TRU) announces the 2018 Bootcamp Weekend Intensive for Showcase Producing on Saturday, April 28, 2018 & Sunday, April 29, 2018 from 10am - 6pm at Nola Studios, 244 W. 54th Street, 5th floor. Registration is $270 for non-members ($225 for TRU members, $290 for Membership/Workshop Package, and $100 for a second attendee). Save $50-$60 with the Early Bird Discount through April 15.

Chris While and Julie Matthews are British folk music royalty.

CNBC Transcript: National Trade Council Director Peter Navarro Speaks with CNBC's Rick Santelli Today

Australian Director Gary Young has reinterpreted MAMMA MIA! for Australian audiences, delivering a fresh new take on the work, 19 years after it debuted on the West End.

Arthur Miller still has a message for post-2016 America in THE CRUCIBLE, and CPCC tre iTheatre s serving it up hot.

Situation Interactive is a digital-first marketing agency that works with many of the world's leading arts, entertainment and media brands including Wicked the Musical, Major League Soccer, Bravo TV, and the Metropolitan Opera.

Philadelphia Theatre Company continues its 2017-2018 festival-style theatre season with the local premiere of Wrestling Jerusalem, written and performed by Aaron Davidman and directed by Michael John Garc s. This one-man show grapples with identity, history, and social justice and was the impetus for the 2016 film, Wrestling Jerusalem, that has been a selection at film festivals around the country. The gripping performance takes over the stage at the Suzanne Roberts Theatre (480 S. Broad Street) October 18-November 5. Press Night is Friday, October 20 at 8 p.m. Tickets run $25 to $69 and are available at the Suzanne Roberts Theatre box office, online at philatheatreco.org or by phone 215-985-0420.

Pig Iron Theatre Company, the internationally acclaimed, Philadelphia-based organization, has announced that the world premiere of its ambitious, timely production A Period of Animate Existence will take place September 22-24 at the Annenberg Center for the Performing Arts at the University of Pennsylvania in the 2017 Fringe Festival, co-presented by FringeArts and Annenberg Center Live.

Since Taylor Swift released her hit song 'Shake It Off' about two years ago, many listeners have pointed out the uncanny similarity between her lyrics and the 2001 song 'Playas Gon' Play' by girl group 3LW.

If not for the fact that she is already one on Broadway, it could be said that Rachel Potter's performance in Mamma Mia! - which opened last night at Nashville's historic Chaffin's Barn Dinner Theatre - was, without doubt or without danger of fulsome exaggeration a "starmaking turn." With a glorious voice and stage presence to spare, Potter's Sophie seized control of the opening night audience from the very first moment she stepped onto the stage, never relinquishing control for one second, even when sharing the stage with the redoubtable Martha Wilkinson, the undisputed queen of musical theatre in Music City.

Here's an oft-proven truism, if not a fact, about theater in Nashville: If Martha Wilkinson is the star of a particular show - any show, whether it's Noises Off, Chicago, Little Shop of Horrors, Sister Act (well, you get my drift) - you can rest assured that she will (A) play the role to the hilt, (B) knock your socks off with her timing and delivery and (C) you'll believe that, no matter how many times you've seen a show, any show, it was as if you were seeing it for the first time.

Iceland in the 19th Century was not exactly an idyll; it was an island nation of farming and fishing communities, pretty much cut off from the much of the rest of the world. Crime was rare and capital crimes rarer still. So the country's criminal cases have become the stuff of legend, including the child rape case in Rifsaedasel of 1837, which is as infamous to Icelanders as The Manson Family is to Americans. Contemporary Icelandic playwright Hrafnhildur Hagalin revisits this infamous case with 'Guilty' (2014), a verse play that gracefully and provocatively examines issues of obsession and mercy which cling to it to this day.

The Mosaic Theater Company ignites its third season with a sure hit, a proven crowd-pleaser about the Empress of Blues.

Iceland in the 19th Century was not exactly an idyll; it was an island nation of farming and fishing communities, pretty much cut off from the much of the rest of the world. Crime was rare and capital crimes rarer still. So the country's criminal cases have become the stuff of legend, including the child rape case in Rifsaedasel of 1837, which is as infamous to Icelanders as The Manson Family is to Americans. Contemporary Icelandic playwright Hrafnhildur Hagalin revisits this infamous case with 'Guilty' (2014), a verse play that gracefully and provocatively examines issues of obsession and mercy which cling to it to this day.