BWW Review: THE NERD at Taproot Theatre
Larry Shue’s raucous comedy “The Nerd” was a staple of midrange to small theaters all over back in the 80’s and 90’s.
The latest reviews and critic recommendations from Seattle.
Larry Shue’s raucous comedy “The Nerd” was a staple of midrange to small theaters all over back in the 80’s and 90’s.
In a joint production between Langston and Seattle Public Theater, local playwright Andrew Lee Creech brings us the World Premiere of his play “Riverwood”.
Dear Readers, I think it’s time for me to come out to you all.
For many, the days following the election of Donald Trump to the White House were harrowing, fraught with uncertainty and angst but especially for undocumented immigrants whose livelihood seemed to be the focal rallying cry of the former President and his base.
Dear Readers, by now you know that one of my major pet peeves for any show is what I call “someone else’s therapy on stage”.
Lynn Nottage has swiftly established herself as one of the current darlings of the theater scene.
If ever an opera could be described as “easy listening” and flawlessly engaging, Figaro would qualify hands down
Every once in a while the stars will align, and magic will happen.
Dear Readers, if you too are sick of the dysfunctional white family play then you’re not alone.
The lies we tell ourselves and each other, Dear Readers, and the information we choose to divulge and that which we choose to keep to ourselves, those choices are at the heart of “Selling Kabul”, the current show playing at the Seattle Rep.
Dear Readers, if you’re going to do a show, any show, you need to have confidence in what you’re putting up on that stage.
Dear Readers, remember Mad Libs from when we were kids? That little book of puzzles where you would ask for random items from a group in order to fill out a story.
Dear Readers, if you’ve ever been to a Showtunes show, you know the amount of joy and fun that floods off the stage from those insanely talented performers.
Jukebox musicals are a mainstay of the American Musical Theater.
In the past, Dear Readers, when I’ve attended shows at Nordo there’s been a definite story to accompany the fine dinner within the theme of the show.
To say that Henrik Ibsen’s play “Ghosts”, currently playing at the Seattle Rep as translated from the Norwegian by Paul Walsh, is bleak is an understatement to say the least.
Dear Readers, I’ve said it before, a good ending of a play can forgive a multitude of sins that came before.
Most people associate springtime with hope, a time when things can begin anew.
Do you like a good ghost story, Dear Readers? I do.
Dear Readers, if you’re familiar with Dominique Morisseau’s play, “Pipeline”, currently playing at Seattle Public Theater, you know what a striking play it is.
Dear Readers, I’ve often commented on the basics of any good show, storytelling.
The provocative title, “Teenage Dick”, for the current show at the Seattle Rep is giving some people pause while others just find it hilarious.
Dear Readers, I want to tell you a story about a show.
HOLMES & WATSON at the Driftwood Theater has twists and turns enough to intrigue and laughs enough to delight.
Don’t get me wrong, Dear Readers, I love a good sitcom.
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