BWW Review: THE NERD at Taproot Theatre
Larry Shue’s raucous comedy “The Nerd” was a staple of midrange to small theaters all over back in the 80’s and 90’s. It was zany, smart, and didn’t require too many outlandish elements. So, I was fairly excited to catch this new local production currently being offered at Taproot Theatr...
BWW Review: RIVERWOOD at Langston And Seattle Public Theater
In a joint production between Langston and Seattle Public Theater, local playwright Andrew Lee Creech brings us the World Premiere of his play “Riverwood”. A play that tackles some seriously tough and topical subjects affecting underdeveloped neighborhoods and people of color and that contains ...
BWW Review: LOLA at The Can Can
Dear Readers, I think it’s time for me to come out to you all. I am here to say that I am an out and proud fan of Barry Manilow. Yes, I’m a Fanilow. From “Mandy” to “American Bandstand” to “I Made it Through the Rain”, I love them all. And, of course, there’s the best, “Copac...
BWW Review: ALMA at ArtsWest
For many, the days following the election of Donald Trump to the White House were harrowing, fraught with uncertainty and angst but especially for undocumented immigrants whose livelihood seemed to be the focal rallying cry of the former President and his base. So, setting a play such as Benjamin B...
BWW Review: AFTERWORDS at The 5th Avenue Theatre
Dear Readers, by now you know that one of my major pet peeves for any show is what I call “someone else’s therapy on stage”. Other people’s problems just aren’t interesting, and I don’t need to see you work through them. Such is the first issue of many I have with the new musical “Af...
BWW Review: SWEAT at ACT
Lynn Nottage has swiftly established herself as one of the current darlings of the theater scene. With her Pulitzer Prize for her play “Sweat” currently playing at ACT, as well as her other fantastic recent works such as “Clyde’s” and “Ruined” to name just a few, her vibrant character...
BWW Review: THE MARRIAGE OF FIGARO at McCaw Hall
If ever an opera could be described as “easy listening” and flawlessly engaging, Figaro would qualify hands down...
BWW Review: MUCH ADO ABOUT NOTHING at Center Theatre
Every once in a while the stars will align, and magic will happen. Magic is exactly what happened on stage last night as Seattle Shakespeare presented MUCH ADO ABOUT NOTHING. From director to cast to staging, everything worked together in perfect unison to not only tell this age old story, but to el...
BWW Review: TWO MILE HOLLOW from Intiman Theatre
Dear Readers, if you too are sick of the dysfunctional white family play then you’re not alone. Leah Nanako Winkler, author of “Two Mile Hollow”, currently being offered from Intiman Theatre, has certainly had enough of them. So much so that she wrote her own version of one. And while I app...
BWW Review: SELLING KABUL at The Seattle Rep
The lies we tell ourselves and each other, Dear Readers, and the information we choose to divulge and that which we choose to keep to ourselves, those choices are at the heart of “Selling Kabul”, the current show playing at the Seattle Rep....
BWW Review: YOU'RE A GOOD MAN, CHARLIE BROWN at Village Theatre
Dear Readers, if you’re going to do a show, any show, you need to have confidence in what you’re putting up on that stage. And while the current production of “You’re a Good Man, Charlie Brown” at Village Theatre has a bunch of fun moments, the show as a whole seemed to lack the confidenc...
BWW Review: TIN CAT SHOES from Washington Ensemble Theatre
Dear Readers, remember Mad Libs from when we were kids? That little book of puzzles where you would ask for random items from a group in order to fill out a story. And remember how when we got the final result we would laugh and laugh at the ridiculousness of it all? Ever tried to read those agai...
BWW Review: 9 TO 5: THE MUSICAL from Showtunes
Dear Readers, if you’ve ever been to a Showtunes show, you know the amount of joy and fun that floods off the stage from those insanely talented performers. And their current production of “9 to 5: The Musical” is no exception....
BWW Review: BEAUTIFUL: THE CAROLE KING MUSICAL at The Paramount Theatre
Jukebox musicals are a mainstay of the American Musical Theater. They have recognizable hit songs built in and instant appeal for fans. But they’re difficult to get right, needing a good book to incorporate the songs into a cohesive story. Even more difficult is the jukebox bio-musical where th...
BWW Review: DOWN THE RABBIT HOLE at Nordo
In the past, Dear Readers, when I’ve attended shows at Nordo there’s been a definite story to accompany the fine dinner within the theme of the show. But last night’s sojourn to their latest show, “Down the Rabbit Hole” brought a few changes I wasn’t expecting....
BWW Review: GHOSTS at the Seattle Rep
To say that Henrik Ibsen’s play “Ghosts”, currently playing at the Seattle Rep as translated from the Norwegian by Paul Walsh, is bleak is an understatement to say the least. A play filled with secrets, lies, infidelities, sexual assault, venereal disease, incest, and euthanasia to mention ju...
BWW Review: MRS. CALIBAN from Book-It Repertory Theatre
Dear Readers, I’ve said it before, a good ending of a play can forgive a multitude of sins that came before. But how about a cute beginning of a story that finishes off laying there like a dead fish? Unfortunately, that’s the case with “Mrs. Caliban”, the current offering from Book-It Repe...
BWW Review: THE SPITFIRE GRILL at Taproot Theatre
Most people associate springtime with hope, a time when things can begin anew. But in Gilead, Wisconsin, the people at the Spitfire Grill look to the majestic beauty of fall colors for their hope. For them the vibrant colors are a reminder that good things come, even when it seems like the chance fo...
BWW Review: THE THIN PLACE at ACT
Do you like a good ghost story, Dear Readers? I do. I love it when a creepy tale can make my flesh crawl and jump out of my seat. But there are so few creepy tales on stage. Well, enter Lucas Hnath’s “The Thin Place” currently performing at ACT. Not only is this a truly terrifying tale bu...
BWW Review: PIPELINE at Seattle Public Theater
Dear Readers, if you’re familiar with Dominique Morisseau’s play, “Pipeline”, currently playing at Seattle Public Theater, you know what a striking play it is. Filled with resonant themes and high intensity moments, the show can knock you off your feet. But more than anything, it’s about...
BWW Review: THIS GIRL LAUGHS, THIS GIRL CRIES, THIS GIRL DOES NOTHING at ArtsWest
Dear Readers, I’ve often commented on the basics of any good show, storytelling. Without good storytelling, the ability to spin an engaging tale, then what’s the point of putting up a show? ArtsWest’s current season purports itself to be all about, myths and legends and telling a good story....
BWW Review: TEENAGE DICK at The Seattle Rep
The provocative title, “Teenage Dick”, for the current show at the Seattle Rep is giving some people pause while others just find it hilarious. Yes, I’m sure it’s intentionally provocative to get attention and yes, it’s funny. But it’s just the nickname for the main character, Richard,...
BWW Review: THE BAND'S VISIT at The Paramount Theatre
Dear Readers, I want to tell you a story about a show. You probably never heard of it because it’s not very important. Wait! No, it is important, and you should have heard of it. At least since the show in question is the winner of 11 Tony Awards including Best Musical, “The Band’s Visit�...
BWW Review: HOLMES & WATSON at Driftwood Theater
HOLMES & WATSON at the Driftwood Theater has twists and turns enough to intrigue and laughs enough to delight. With a mystery to solve and suspicious characters at the ready, the audience has plenty to chew on throughout this show. Jeffery Hatcher’s HOLMES & WATSON has the flavor and feel of the o...
BWW Review: THE BOOK CLUB PLAY at Village Theatre
Don’t get me wrong, Dear Readers, I love a good sitcom. But it has to be a GOOD sitcom. And while the current offering from Village Theatre, “The Book Club Play” by Karen Zacarías, is basically a sitcom, it’s not necessarily a good one. It’s not a bad one either, for that matter, just ...
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