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HAMLET Will Come to Paris in September

by Stephi Wild — Jun 22, 2026

The Paris Opera will present Ambroise Thomas’s “Hamlet” at the Opéra Bastille, in a staging that reexamines Shakespeare’s tragedy through a psychological lens.

THE NEW YEAR To Debut At Edinburgh Fringe

by Marissa Faith Curley — Jun 20, 2026

THE NEW YEAR, a romantic tragicomedy about two lonely teenagers who meet on New Year's Eve in an online chatroom, will make its Edinburgh Fringe debut at Greenside @ George Street, following a run at The Tank in NYC.

Review: Tin Drum Theatre's SOUTHERN RAPTURE at Theater Wit

by Angela Lin — Jun 19, 2026

When honest artistic integrity meets conservative religious outrage, what follows is escalating frenzy, controlled chaos, and poignant reflections on what it means to produce art and tell the stories where they need to be heard — and the conflicting struggles that come with such intentions. Tin Drum Theatre Company’s Chicago premiere of Southern Rapture, written by Eric Coble and directed by Jason Palmer, holds a brilliantly comical and satirical mirror up to the weaponization of civic institutions and artistic freedom. 

BLISS THE MUSICAL To Take The Stage At Edinburgh Fringe

by Marissa Faith Curley — Jun 19, 2026

Bliss The Musical will make its Edinburgh Fringe debut this summer at the Pleasance Courtyard, with casting now officially announced via their official Instagram. The musical is presented by Susan Edelstein Productions, ATG Productions and Gavin Kalin Productions.

Jerry Seinfeld To Play The Fabulous Fox

by Marissa Faith Curley — Jun 19, 2026

The Fabulous Fox and JS Touring have announced that America’s premier comedian, Jerry Seinfeld, will perform on The Fabulous Fox stage this Fall. Seinfeld has been hailed for his uncanny ability to joke about the little things in life that relate to audiences everywhere.

Review: SIX THE MUSICAL at Ordway Center For The Performing Arts

by Jared Fessler — Jun 18, 2026

The hit musical has arrived at the Ordway in Saint Paul through June 28, and from the moment the queens step onstage, the show feels more like a pop concert than a traditional musical. The audience was clapping, laughing, and cheering throughout the performance, and by the end many people were on their feet.

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