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The University of Arizona School of Theatre, Film & Television announced its 2026/27 season, featuring THE ROCKY HORROR SHOW, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, STOP KISS, and the student-created New Directions Festival.

Be Bold! Productions will present 15 original short plays at the Players Theatre in Manhattan's West Village, with audience votes determining a 'Best of the Week' winner each week.

Next Page Productions announced its inaugural Theatre for Young Audiences season at North Shore Center for the Performing Arts, James and the Giant Peach, The Lightning Thief and more.

A new production of Shakespeare's As You Like It will be performed in London this summer, featuring an entirely trans and non-binary cast, introduced by Elliot Page.

Performances are now underway for Manhattan Theatre Club's world premiere of The Balusters, a new play by Tony Award and Pulitzer Prize winner David Lindsay-Abaire, directed by Tony Award winner Kenny Leon. Meet the cast of The Balusters here!

The Broadway Women's Fund revealed its 2026 Women to Watch on Broadway list, the seventh list from the fund spotlighting women in leadership in theater.

Production company No Guarantees Productions is launching what is believed to be the first Regulation Crowdfunding (Reg CF) raise filed and executed directly by a single theatrical production in New York for its upcoming run of Burnout Paradise.

Ragtime has released a video of Joshua Henry, Shaina Taub, and Ben Levi Ross recording 'He Wanted to Say' from the acclaimed revival. The track is featured on the recently released cast recording, which dropped in January.

Page 73 has named Samuel D. Hunter as the honoree for its 2026 Gala. Hosted at Joe's Pub, the evening cabaret will honor Hunter's indelible mark on the American theatrical canon while raising crucial funds for Page 73's artistic programs.

Teatro Grattacielo has revealed their new 2026 Support Program, including tiered subscriptions, updated giving options, and the new Support a Young Singer initiative.

Lincoln Center Theater’s 2025 revival of Ragtime, directed by Kewsong Lee Artistic Director Lear deBessonet, has extended performances by popular demand through June 14, 2026.

Samuel D. Hunter’s plays have quietly shaped contemporary American drama. Known for their compassionate look at working-class lives in his native Idaho, Hunter’s works explore faith, loneliness, community, and redemption with remarkable empathy. Hunter (finally) just made his Broadway debut in 2025 with Little Bear Ridge Road, now running at the Booth Theatre.

Page 73 has announced 12 semifinalists for the 2026 Page 73 Playwriting Fellowship: Benjamin Benne, Kate Cortesi, Alexa Derman, Ryan Drake, JuCoby Johnson, Aditya Joshi, Chad Kaydo, Adin Lenahan, Dhari Noel, Abigail C. Onwunali, Anike Sonuga, and Mallory Jane Weiss.

Mosaic Theater Company will present the DC premiere of A Case for the Existence of God, a deeply moving and critically acclaimed play by MacArthur Genius Samuel D. Hunter. Directed by Danilo Gambini.

Official production photography has been released for the UK premiere of a new production of Alice in Wonderland at Marylebone Theatre which is now playing until 31 August 2025.

Playwrights Jocelyn Bioh and Samuel D. Hunter and multi-sector leader Audrey Choi have joined the Dramatists Guild Foundation Board of Directors. Learn more here!

Following Breaking the Binary Theatre's Off-Broadway run starring Angelica Ross, Peppermint, and James Tom, the late Cecilia Gentili’s play Red Ink will be presented at the Edinburgh Festival Fringe. Learn more!

Be Bold! Productions will present the 14th annual Short Play Festival. The tri-annual short play festival will host 15 original short plays each weekend for four days. Learn more!

2025 marks Underbelly's 25th year at the Edinburgh Festival Fringe, celebrating a milestone year at the heart of the world's biggest arts festival. Tickets for the 2025 programme are on sale now.

JOHNNY TAYLOR IS GONE is an entertaining, delightful, and nostalgic story about times gone by in St. Louis. It is a story about both holding onto and letting go of the past. The play is enjoyable despite some of the amateurish technical elements. Seating is general admission, so it is advisable to arrive early and sit near the front so you can hear all the dialogue.