‘The extraordinary power encapsulated in Carl Orff’s Carmina Burana, one of the more recognisable pieces of classical music worldwide, touches the imagination of the audience is a straightforward and open manner from the first listen.
This opera buffa composed in 1786 by Wolfgang Amadeus Mozart is the piece produced by the Wrocław Opera as part of the Opera Of The Young program after Don Giovanni and Cossi Fan Tutte.
This co-production of the Polish National Ballet and Dutch National Ballet was originally devised by Krzysztof Pastor in the year of the Bard’s 450th birthday.
We all know the fairytale where a bullied girl led by her kindness and magic transforms herself into a princess and finds her happily ever after in the prince’s arms.
Theater has to be on display and expose vulnerability, that extremely fragile part of your being that we hide day after day from society, the people around us, and even ourselves.
When you were a kid, you probably heard: Don't play with scissors.
Dracula, Krzysztof Pastor’s choreography set to a selection of music by Wojciech Kilar, became a ballet sensation of 2018.
This show is one of a kind and this year we celebrate the 50th anniversary of a Bob Fosse masterpiece.
As we are approaching the Polish premiere of the ballet Dracula we would like to introduce the whole spectrum of Wojciech Kilar’s works to our audience.
Older audiences of the Polish National Opera will undoubtedly remember Lech Majewski’s splendid classical production of George Bizet’s most famous opera with monumental sets by Janusz Kapusta and costumes by designed by Hanna Bakuła.
The theater, in particular contemporary should not only show a vision of precise story but ask some questions about reality we live in, make us think.
Rising duo HUTS out of the Netherlands has delivered a hit new EDM-pop track 'Kill My Lonely,' out on Virgin Records.
Stage fright made life difficult for many artists, even the best virtuosos were not free from it, it also destroyed many great talents.
The show directed by Szymon Kaczmarek has two parts, first, longer, invites us to the world of professionals dealing with paranormal activities.
A romantic burlesque turns out to be an abstract path to nothingness through perverse vanity.
Tumultuous and full of unheard-of adventures, the love story of Conrad and Medora told by George Byron in his oriental tale in verse The Corsair (1814) ignited the imagination of subsequent generations of readers as well as serving as a basis for numerous ballet adaptations.
Muzalinda is a spirited young princess who loves singing, dancing, and music.
Meetings that develop the musical, dance and visual imagination of children (aged 5–7) through activities they can enjoy together with their parents, helping reveal talent and showing that the coexistence of different arts is possible, and so are ties between generations.
Who would we be without touching? Can man exist without it? What does this give us? There is no definite statement, but Joe Alter takes us on a journey to find answers without words, only through music and touch.
I don’t even know where to start and what element was the best, the idea, the script, directing, acting or lovely madness evaporating from the show… It all made a mix perfect difference and intel smoothness.
It's not very often that we get to see a musical classic in the Polish theatre.
I like open-air art, I like magic and fairy-tale atmosphere.
The show is based on the concept that house is a man.
Muzalinda is a spirited young princess who loves singing, dancing, and music.
Not unlike Picasso or Klimt, Puccini painted a series of fascinating and multifaceted female portraits.
