Times Square was on disco inferno on Saturday night! Cast members from the original Broadway and First National Touring companies of Saturday Night Fever marked the 20th anniversary of the show's opening in New York by recreating a portion of the closing number from the show, the 'Mega Mix,' with the original choreography intact.
Andrew Lloyd Webber's long-awaited autobiography, Unmasked, was just released earlier this week by HarperCollins, coinciding with the legendary composer's 70th birthday. A natural storyteller, with his signature humor and self-deprecating tone, Lloyd Webber shares the details of his early personal and professional years, including his early artistic influences. In UNMASKED, Lloyd Webber takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him.
Sir Andrew Lloyd Webber stopped by Elvis Duran of iHeart Radio to chat about his upcoming memoire UMASKED. Watch below as he dishes on the details, discusses his long and prolific career, and chooses what he believes is the greatest show tune ever written (hint: it's not one of his).
The Finger Lakes Musical Theatre Festival, by special arrangement with Theatrical Rights Worldwide, proudly produces the world premiere of the new North American production of SATURDAY NIGHT FEVER. Performances run from July 22 through through August 12. Based on Nik Cohn's 1975 article 'Tribal Rites of the new Saturday Night' and Norman Wexler's 1977 screenplay it inspired, this iconic time capsule centers around Tony Manero, a Brooklyn youth whose weekend is spent at the local dance hangout. There, he escapes into the admiration of the crowd, a growing relationship and the pulse of the beat that enables him to forget the realities of his life, his dead-end job and his gang of deadbeat friends. This new production delivers all the favorite tunes and dance sequences while bringing out the dimension and layers of the story and the landscape of such an iconic snapshot in American history. Adapted for the stage by Robert Stigwood in collaboration with Bill Oakes, this new North American version features songs by The Bee Gees, is adapted for the stage by Sean Cercone and features additional music and lyrics by David Abbinanti. Check out a first look at highlights below!