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Interview: Theatre Life with Kemi-Bo Jacobs

Today’s subject Kemi-Bo Jacobs is currently living her theatre life onstage playing Agnes in the esteemed Royal Shakespeare Company’s (RSC’S) production of Hamnet. Yes, this is the role Jessie Buckley recently won the Best Actress Oscar for, just to end the comparison thing now. The show is presented by our very own Shakespeare Theatre Company (STC) and runs through April 12th at Harman Hall.

Industry Pro Newsletter: Broadway's Star-Studded Spring + A Historic Pittsburgh Merger

On the business side, the independent acquisition of Serino Coyne signals a shift away from the consolidation model that has defined much of the advertising world, while the merger of Pittsburgh Public Theater and Pittsburgh CLO illustrates how financial pressure is prompting institutions to find strength in unity. On the creative side, BroadwayWorld's Spring Preview paints an exciting picture of a season packed with star power and long-awaited arrivals. Internationally, UK theatremakers are pushing for greater recognition of emerging craft disciplines at the Oliviers, and a landmark Irish experiment offers compelling evidence that investing directly in artists yields measurable cultural and economic returns.

Nottingham Playhouse's PUNCH Will Embark on UK Tour

On the eve of its return to Nottingham Playhouse, following its West End and Broadway success in 2025, Nottingham Playhouse has announced that Punch will go on tour across the UK in 2027.

Industry Pro Newsletter: Olivier Nominations Are Here, 5th Avenue in Seattle Makes Staff Cuts

This week's theater news spans triumph and turbulence in equal measure. On the celebratory side, Ann-Margret is set to receive a Lifetime Achievement Award at the Chita Rivera Awards, Broadway dims its marquees to honor luminaries including Robert Duvall and Bret Hanna-Shuford, and the 2026 Olivier Award nominations are in — with Into The Woods and Paddington The Musical leading the pack.

Review: BROKEN GLASS, Young Vic

Arthur Miller's later works are usually overshadowed by his earlier masterpieces. Is it time for reappraisal? With rising antisemitism across the world, what can Miller’s 1994 confrontation of anti-Jewish racism tell us in 2025?

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