PlayCo has announced the first installment of plays in its 2020-2021 season, kicking off the company's 20th year with works that continue and complement its legacy of showcasing bold international and American playwrights whose works electrify with their immediacy and challenge with their complexity.
Segal Talks has announced details for week 24 featuring BRYN HERDICH & JEESUN CHOI (Penny Thoughts), Elevator Repair Service’s JOHN COLLINS, GREIG SARGEANT & BEN WILLIAMS (Baldwin & Buckley at Cambridge) on Thursday, October 29, 2020, 12 noon EDT.
Responding to the extreme precarity the artistic community is experiencing amidst a dire lack of government intervention, Soho Rep. Project Number One creates jobs to support artists in this moment and will be part of building a new path forward.
The Play Company today shared the series of Mini-Commissions they initiated in April, offering audiences digital access to exciting new works by artists creatively navigating the constraints of our times.
The Play Company has announced #Playfrom6FeetAway Spring 2020 programming, a series of experimental new works and stimulating conversations that can be experienced together, even as we hunker down and shelter in place.
Soho Rep. will present while you were partying (June 9-July 5), a show by Peter Mills Weiss and Julia Mounsey with Brian Fiddyment-a bombastic, comedic, and fantastical exploration of impotence, trauma, and the true cost of healing. The piece takes its name from a popular internet meme, depicting a young, pale, and thin white teen holding a large sword.
The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 3, 4, and 5 at The Graduate Center, CUNY, The City University of New York, curated by David Bruin & Sanaz Ghajar in collaboration with Frank Hentschker, produced by Sami Pyne.
The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 3, 4, and 5 at The Graduate Center, CUNY, The City University of New York, curated by David Bruin & Sanaz Ghajar in collaboration with Frank Hentschker, produced by Sami Pyne.
The duo of playwright/director William Burke and composer Catherine Brookman return to JACK with a 'theatrical seance for listening,' co-directed by Burke and Bryn Herdrich. As the final show at JACK's current location, the audience and performer will collectively strip the space of its contents over the course of the three-week run, leaving it empty by the final performance. Through this process of emptying, the team will strive to clear the air of distractions and ask us to help each other and take care of our brains in the most theatrical of ways.
Prolific composer/conductor Matthias Pintscher curates Los Angeles Chamber Orchestra's (LACO) SESSION, an innovative performance experience, in collaboration with Four Larks, on Thursday February 28, 8 pm, at Mack Sennett Studios in Silverlake. Designed to explore classical music's cutting-edge sounds and challenge traditional concert-going expectations, the evening features two works by Pintscher, Study II for Treatise on the Veil, a string trio inspired by painter Cy Twombly's art works, and Uriel, for cello and piano, the third part of his 'Profiles of Light' cycle. Also on the program are three-time Grammy Award-winning soprano Michelle DeYoung and LACO artists performing Ravel's Three Poemes de Stephane Mallarme; Berg's Four pieces for clarinet and piano; Grisey's surreal Stele for two percussionists and Xenakis's Rebonds A, a tour-de-force for solo percussion. SESSION includes a 'hang' with the artists, and premium tickets include parking and one drink as well. Mack Sennett Studios, where artists like Martin Scorsese, David Lynch, Lady Gaga, John Legend, Donna Summer and Jay-Z have performed, is a historic facility that serves as a soundstage, event space and a hub for a variety of cultural producers.
The 2017-2019 Lab Culminates with Free Presentations from Collaborative Partners Shayok Misha Chowdhury & Virginia Grise, Ann Marie Dorr & Paul Ketchum, Jen Goma & Kristine Haruna Lee, Raja Feather Kelly & Daaimah Mubashshir, and Julia Mounsey & Peter Mills Weiss
It's 1828 in Edinburgh and medical advances are running as fast as the number of cadavers are low. Spurred by their stack of debts and with a penchant for enterprise, William Burke (Hayden Wood) and William Hare (Alex Parry) decide to take advantage of the influenza outbreak to supply surgeons with (mostly) fresh bodies with the help of Mrs Hare (Katy Daghorn) and other incidental unfortunates.
The Bushwick Starr is thrilled to announce our 2018-19 STARR READING SERIES. This annual program allows us to celebrate and explore the plays of the city's most exciting playwrights. We feature new work from a diverse group of writers at all stages of their careers who are approaching writing for the theater in thrilling and unexpected ways. We are proud to continue to offer this ongoing series to our audiences FREE of charge. This program is curated by William Burke, Jillian Walker, and John Del Gaudio.
It's 1828. In the dank, mist shrouded streets of Edinburgh two enterprising men go about their business. Their goal is to make money by whatever means necessary. William Burke and William Hare are about to hit upon the perfect scheme. The first rule of commerce? Supply and demand. In the leading city for medical research, there's a huge demand for bodies and inconveniently people aren't dying in enough numbers to meet the need. The profitable solution? Murder, of course. As the infamous pair flourish in their new careers, the more they murder, the less they care. But for how long will they get away with it? How long will they go on making a killing?
On November 11, 2018, at 22 concerts around the world, 100 works by Polish composers will be performed to mark the 100th anniversary of Polish independence. “100 for 100: Musical Decades of Freedom,” presented in partnership with the Polish Cultural Institute New York, and PWM Edition, features the season-opening concert of the Oratorio Society of New York, at Carnegie Hall that Sunday at 2:00 pm.
Soho Rep. announces its 2018-2019 season, with two world premieres that demonstrate the small but flexible space's 'indispensible' (New York Magazine) presence as 'a 70-seat house filled with big ideas' (Hilton Als, The New Yorker). Through singular and irreverent stylistic approaches, Kate Tarker's Thunderbodies,directed by Lileana Blain-Cruz (October 16-November 18, 2018), and Christopher Chen's Passage, directed by Saheem Ali (April 23-May 26, 2019),interrogate the staggering ramifications of U.S and global imperialism.
The Watermill Theatre will transfer two productions to London this autumn. Following the success of its run at The Watermill and its UK and international tour last year, The Watermill Ensemble will revive TWELFTH NIGHT at Wilton's Music Hall from 12 to 22 September. Renowned for its bold, progressive and collaborative approach to Shakespeare, The Watermill Ensemble, re-imagines TWELFTH NIGHT in the hedonistic 1920s, where prohibition is rife. Fused with innovative staging and actor-musicianship, the radical spirit of Duke Ellington and Ella Fitzgerald collides with the contemporary influence of Postmodern Jukebox to create a dizzying and beautiful version of Shakespeare's perfect play.
FEAST: A Performance Series returns for its third season of monthly shows celebrating performance-based artists, community and food at UNDER St. Marks Theatre. Featuring a new lineup of performances every month, FEAST has supported the work of such artists as William Burke, Mary Spencer Knapp, Jonas Martin, Amy Jensen, and more from the worlds of theatre, dance, comedy, poetry, music, drag, and beyond.
Following his hugely successful and highly acclaimed first year as artistic director, Tom Littler is marking the start of his second year at the helm with a season of new work celebrating rebellious spirits. This includes the first UK production by award-winning British/American playwright Bathsheba Doran, the world premiere of a play about the maverick surrealist, Leonora Carrington, the revival of a modern Canadian classic and a rip-roaring, spine-chilling, body-snatching Christmas comedy.
New for 2018, performances in the first two weeks of Son of Semele Ensemble productions will be pay-what-you-can! (Please note, this policy does not apply to festivals and guest productions.) In addition, Son of Semele continues to offer all patrons a complimentary beverage with proof they took a taxi, Uber or Lyft to the theater.
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