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Review: ENB NUTCRACKER, London Coliseum

If your festive wish-list includes being whisked away to a land of shimmering magic and charming story-telling, ENB have the ideal antidote to the winter drizzle outside with the first revival of their version of Nutcracker that debuted last year. Aaron S. Watkin and Arielle Smit bring a welcome change from the confused storytelling of Wayne Eagling's previous iteration, with a sugary delight of a show.

NOTENKRAKER & MUIZENKONING Comes to the Dutch National Opera

Schaatsers die over een bevroren Amsterdamse gracht zwieren, een feestsalon die verandert in een besneeuwd bos en een kleurrijke wereldreis in een toverlantaarn: het zijn scènes die kinderen én volwassen steeds weer betoveren.

Review: NUTCRACKER, London Coliseum

It has been some time coming. For nearly 15 years English National Ballet enthusiastically performed Wayne Eagling’s Nutcracker, a traditional but rather staid production with a fuzzy narrative and lacking opportunity for the company to shine.

Review: GISELLE, London Coliseum

Fresh from no fewer than 40 performances of Wayne Eagling’s Nutcracker (a production which now seems to thankfully be going into retirement) English National Ballet, are back less than a week later to round off their Coliseum season, this time it’s Mary Skeaping’s Giselle which they last performed seven years ago. 

Review: NUTCRACKER, London Coliseum

When I first saw The Nutcracker around a quarter of a century ago, I became sure of one thing: either I was on drugs, the cast were on drugs or we both were. A far cry from the average ballets, this dream-like work still has the power to enthral the young and old.

BEETHOVEN AND THE DUTCH SCHOOL is Now Playing at Teatr Wielki

The Dutch, or more precisely the Netherlandish, School was a style in 15th and 16th century painting represented by the van Eyck brothers, Rogier van der Weyden and Dieric Bouts, artists mainly based in Flandres.

THE NUTCRACKER AND THE MOUSE KING Comes to New National Theatre in December

Highly acclaimed as a classic masterpiece taken to new frontiers when premiered as a new production in 2017, this work features splendid, fast-paced choreography with a sense of humour by Wayne EAGLING, while the rich colours of the sets and costumes describe the world of reality and a dream.

Cape Town City Ballet Changes International Guest Artist for Upcoming Production of GISELLE

Cape Town City Ballet has announced a change in the programme for its production of Maina Gielgud’s GISELLE. GISELLE will be presented from 18 March until 9 April 2022 in the Artscape Opera House. Ksenia Ovsyanick, Principal Ballerina with Staatsballett Berlin, will dance the role of Giselle opposite Vadim Muntagirov (Principal of The Royal Ballet) as Albrecht at the performances on 19, 21, 23 and 25 March. She replaces Tatiana Melnik, who was originally scheduled to perform as part of the programme.

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