Review: GHOSTS, Sam Wanamaker Playhouse
by Alexander Cohen
- Nov 23, 2023
If the idea of spending time with your family over the festive season is one that makes you queasy, spare a thought for the Alvings. They have enough skeletons in the closet to populate a graveyard.
CRIMINAL RECORD to Premiere on Apple TV+ In January Starring Cush Jumbo & Peter Capaldi
by Michael Major
- Oct 3, 2023
Apple TV+ will premiere “Criminal Record,” its eight-episode crime thriller starring Academy Award winner Peter Capaldi (“Doctor Who,” “The Thick of It”), and Laurence Olivier Award and Critics Choice Award nominee Cush Jumbo (“The Good Wife,” “The Good Fight,” “The Beast Must Die”) as detectives in a tug of war over a high-profile murder case.
Cast Set for GHOSTS at Shakespeare's Globe
by Stephi Wild
- Oct 2, 2023
Shakespeare’s Globe has announced the cast of Ghosts, the opening show of the Sam Wanamaker Playhouse 10th Anniversary Season. Find out who is starring in the production here!
Cast Set for GHOST STORIES BY CANDLELIGHT UK Tour
by Chloe Rabinowitz
- Sep 26, 2023
HighTide has revealed full casting for the upcoming tour of Ghost Stories By Candlelight, Elayce Ismail directs Katie Cherry (Sara and Izzy), Elizabeth Crarer (Natalie and Mary) and Loren O’Dair (Balladeer) in this modern twist on the genre.
Photos: First Look at Frantic Assembly's Production of Franz Kafka's METAMORPHOSIS
by Aliya Al-Hassan
- Sep 14, 2023
Frantic Assembly is delighted to share production images for its electrifying new adaptation of Franz Kafka’s Metamorphosis, a collaboration between BAFTA-nominated poet, playwright and broadcaster Lemn Sissay OBE (author of bestselling book My Name Is Why and soon to be published new poetry collection Let the Light Pour In – published by Canongate on 21 September) and Frantic Assembly’s Artistic Director Scott Graham (Othello, Lovesong, Beautiful Burnout).
Review: PROM 68 – MAX RICHTER - RECOMPOSED, Royal Albert Hall
by Debbie Gilpin
- Sep 10, 2023
The Britten Sinfonia is unusual in the world of professional orchestras, in that they don’t have the now-traditional principal conductor as their figurehead, instead choosing to collaborate with leading exponents of the field. For this Prom, violinist Thomas Gould both played and acted as director; this harks back to the early days of orchestral performances, where the first violin tended to be the concertmaster - conductors only began to be more prevalent in the 19th century.
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