Dito van Reigersberg, co-founder and Artistic Director Emeritus of Pig Iron Theatre Company and the performer behind drag persona Martha Graham Cracker, has died at 53 following complications from a bone marrow transplant.
Wang will advance the institution’s multidisciplinary programming with an emphasis on contemporary performance, bringing boundary-pushing artists and groundbreaking work from around the world to Lincoln Center's stages.
NYU Skirball will present Ethan Philbrick's The Conquest of Bread, a free May Day Special Event, on Thursday, May 1 at 7:30 pm. The world premiere choral work is inspired by Russian anarchist and philosopher Peter Kropotkin's 1892 critique of capitalism.
Japan Society will present a staged reading of the far side of the moon by Japanese playwright Izumi Kasagi, led by New York-based director Skye E. Kowaleski, taking place Monday, March 10 at 7:30 PM at Japan Society (333 East 47th Street).
Discover the enchanting blend of magic and realism in Theater J's season finale, THE HATMAKER'S WIFE, written by acclaimed playwright Lauren Yee and starring Ashley Nguyen. Opening June 5th.
NYU Skirball’s Fall 2024 season will open on Friday, September 6 with the North American premiere of Counting and Cracking, a two-week run co-presented with The Public Theater. Learn more about the season here!
Japan Society’s 2023-2024 Performing Arts Season will culminate with a contemporary dance program titled Beyond Ballet, Beyond Hip-Hop, consisting of two North American premiere pieces: Dying Swan & Its Cause of Death, by Japanese prima ballerina Hana Sakai and cellistUdai Shika, in a work conceived and created by internationally acclaimed experimental theater director Toshiki Okada; and Encounter, by the hip-hop-centered dance group MWMW led by Moto Takahashi.
From Feb. 1 to 3, 2024, Roy and Edna Disney CalArts Theater (REDCAT), CalArts' center for contemporary arts in downtown Los Angeles, in association with East West Players, presents the West Coast premiere of The Nosebleed, the 2022 Obie Award-winning show from innovative playwright, performer, translator, and director Aya Ogawa.
Japan Society has announced its upcoming season of live, in-person performances at the Society with a first-of-its-kind concert series on John Cage's relationship with Japan, within a slate that includes contemporary theater, dance and more, from Fall 2023 through Spring 2024.
Hell in a Handbag Productions will continue its 21st season with the Chicago premiere of I Promised Myself to Live Faster, an intergalactic queer extravaganza featuring closeted extraterrestrials, high stakes pursuits and nuns from outer space, created and conceived by Pig Iron Theatre Company, with text by Greg Moss and Pig Iron and directed by JD Caudill*. I Promised Myself to Live Faster will play March 23 – April 16, 2023 at The Chopin Upstairs Theatre.
Pig Iron Theatre Company is joining forces with visionary writer and filmmaker Josephine Decker (Shirley, Madeline’s Madeline) for the premiere of The Path of Pins or the Path of Needles, a dark fairy tale about the terrors, joys, and deep uncertainties of pregnancy.
Brooklyn performance and civic space JACK announced an extension of Hoi Polloi's White on White
Lincoln Center Theater/LCT3 announced today a new production of THE NOSEBLEED, written and directed by Aya Ogawa, which will begin performances Saturday, July 16 and run for six weeks only through Sunday, August 28 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, August 1.
OBIE-winning theater company Hoi Polloi (Three Pianos; All Hands) returns to JACK with a peek inside the meeting of a white anti-racist group. As the members reckon with sacrifices they must make to live up to their principles, other forces begin to disrupt and unsettle their efforts. An uncanny ode to honesty, forgiveness, and accountability, this ensemble tour de force pulls the audience on a descent from the too-real to the sub-real.
For its 39th season Undermain Theatre is returning to a full season of professional live performances with a diverse array of exciting productions to inspire and enrich the live theater experience in Dallas.
Fourteen prominent American writer/directors are part of a worldwide roster of over 100 global theater artists lending their voices July 20, 2021 to 'HowlRound for India,' a 24-hour online marathon of live readings and talks honoring the Indian theater community for its efforts in facing Covid-19.
PlayCo has announced the first installment of plays in its 2020-2021 season, kicking off the company's 20th year with works that continue and complement its legacy of showcasing bold international and American playwrights whose works electrify with their immediacy and challenge with their complexity.
We spoke with Pig Iron Theatre co-founder and co-artistic director Dan Rothenberg about bringing Toshiki Okada's Zero Cost House to the screen, how Pig Iron is developing theatre in the midst of the ongoing pandemic, what the future holds for Pig Iron and more!
Sometimes you just have to let a play wash over you. Not try to ride the waves and steer your way through. Just let whatever happen. Zero Cost House is one such experience. The oceanic volume of big picture themes and insightfully sharp details cannot be controlled by the viewer. Toshiki Okada's play does not let you be in control.
Pig Iron Theatre Company's production of Toshiki Okada's Zero Cost House (for Zoom), translated by Aya Ogawa, adapted and directed by Dan Rothenberg, begins tonight at 8pm (EDT), with performances continuing through September 25.
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