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BWW Review: GLASS. KILL. BLUEBEARD. IMP., Royal Court

BWW Review: GLASS. KILL. BLUEBEARD. IMP., Royal Court

by Marianka Swain — September 27, 2019

Caryl Churchill returns with a new quartet of shorts a?' and, at 81, she's still one of the most daring, formally inventive and linguistically dexterous playwrights working today.

BWW Review: RICHARD III, Royal and Derngate

BWW Review: RICHARD III, Royal and Derngate

by Verity Wilde — May 17, 2019

Held together by a mesmerising performance by Tom Mothersdale, Headlong's production of Richard III races along at such a pace that it's only after it stops that you realise exactly how much ground they have managed to cover.

Photo Flash: Headlong Presents RICHARD III

Photo Flash: Headlong Presents RICHARD III

by Stephi Wild — March 6, 2019

Headlong presents John Haidar's production of Richard III with Stefan Adegbola, Derbhle Crotty, Heledd Gwynn, Tom Kanji, Michael Matus, Leila Mimmack, Eileen Nicholas, Caleb Roberts and John Sackville joining the previously announced Tom Mothersdale in the title role as Shakespeare's most notorious

Headlong Announces Full Casting For John Haidar's Production Of RICHARD III

Headlong Announces Full Casting For John Haidar's Production Of RICHARD III

by Stephi Wild — January 28, 2019

Headlong today announces full casting for John Haidar's production of Richard III with Stefan Adegbola, Derbhle Crotty, Heledd Gwynn, Tom Kanji, Michael Matus, Leila Mimmack, Eileen Nicholas, Caleb Roberts and John Sackville joining the previously announced Tom Mothersdale in the title role as Shake

Photo Flash: In Rehearsal with DEALING WITH CLAIR

Photo Flash: In Rehearsal with DEALING WITH CLAIR

by Julie Musbach — October 10, 2018

Richard Twyman will direct Gabriel Akuwudike, Roseanna Frascona, Michael Gould, Tom Mothersdale, Lizzy Watts and Hara Yannas in Martin Crimp's psychological thriller and disturbing satire on real estate Dealing with Clair, in a co-production with English Touring Theatre.

BWW Review: JOHN, National Theatre

BWW Review: JOHN, National Theatre

by Marianka Swain — January 25, 2018

Pulitzer-winning American playwright Annie Baker returns to the National where The Flick was a quiet triumph in 2016 with another work that is epic in form (three hours and change), but similarly spellbinding in its ability to draw an audience close.


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