Signature Theatre presents Spunk based on three short stories by Zora Neale Hurston (Their Eyes Were Watching God) and adapted by acclaimed writer and director George C. Wolfe (Jelly's Last Jam, Shuffle Along).
The show follows six friends who embark on a coming-of-age road trip as their final time together after they graduate from college. The show covers the highs and lows of life on the road, as well as revealed ambitions and secrets that only close proximity presents.
SpeakEasy Stage Company presents the New England premiere of the 2018 Lucille Lortel Award-winner for Outstanding Play (tie), Jocelyn Bioh's SCHOOL GIRLS; OR, THE AFRICAN MAN GIRLS PLAY, directed by Summer L. Williams. A Ghanaian-American playwright, Bioh sets the play in 1986 at a top boarding school in Ghana. The action centers on self-anointed queen bee Paulina (Ireon Roach) who aspires to win the Miss Ghana Beauty Pageant in order to represent her country in the coveted Miss Global Universe Pageant. When Headmistress Francis (Crystin Gilmore) introduces Ericka (Victoria Byrd), a new student from Ohio, just before the audition, Paulina is unexpectedly faced with a formidable challenger, not just for the competition, but also for the attentions and loyalty of her crew.
When I left the Studio Theatre at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia where the Rep Stage is housed, I went up to Director Joseph W. Ritsch with a big smile on my face. He told me he wanted to end their season with a comedy that audiences would enjoy. Well, mission accomplished!
The Parahumans' Artistic Director, Dave Wilson presents Triad, a double-bill of two 30-minute solo dance performances co-created with his long standing dancers of seven years, Yui Ugai and Lauren Runions.
Henry VIII, Shakespeare's thrilling drama about a pivotal moment in history, is now in previews at the Studio Theatre. The production officially opens on Wednesday, May 29, and early demand for tickets has led to an extended run until October 20.
The nationally regarded Fulton Theatre is proud to present the riveting family drama and electrifying rock musical, Next to Normal, in the Tell Studio Theatre May 16 through June 2, with Previews May 14 and 15. An emotional powerhouse, Next to Normal is the recipient of the 2010 Pulitzer Prize for Drama.
The Arden Theatre Company has announced its full 2019-20 subscription season. The lineup includes the previously announced musicals RAGTIME and ONCE ON THIS ISLAND, Tennessee Williams' A STREETCAR NAMED DESIRE, plus the world premiere Philadelphia playwright Lorene Cary's MY GENERAL TUBMAN. The seven-show season includes a work by MY BIG FAT GREEK WEDDING star Nia Vardalos based on a book by Cheryl Strayed, plus two productions in the intimate Bob & Selma Horan Studio Theatre.
July, 1969. Los Angeles. Edward Price is a man with problems. His ex-wife left him for a famous actor, his house has been seized by the IRS, and the sci-fi TV show he produces just got cancelled in its first season. But that's show business for you.
Studio Theatre's current production of Lucy Kirkwood's contemporary play THE CHILDREN benefits greatly from a strong director (the company's Artistic Director David Muse) guiding three exceptionally talented actors that work together as a singular unit to present the story. Strong production values also enable the cast and audience alike to immerse themselves in the story.
Gloucester Stage Artistic Director Robert Walsh and Interim Managing Director Chris Griffith recently announced that the non-profit theater's 40th anniversary season will include regional premiere of The Lifespan of a Fact from August 30 through September 22. Gloucester Stage will be the first theater in the country to produce the critically-acclaimed The Lifespan of a Fact since the play's SRO smash hit world premiere Broadway run featuring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale closed in January 2019.
Florida Studio Theatre kicks off its 29th Summer Mainstage Season with The Marvelous Wonderettes by Roger Bean, an Off-Broadway hit that takes audiences on a fun-filled trip down memory lane. This upbeat musical opens on Springfield High's prom in 1958, which has unexpectedly lost its musical act. To save the night, four female friends-Betty Jean, Cindy Lou, Missy, and Suzy-take the stage to entertain their classmates in four-part harmony. The Marvelous Wonderettes starts May 29 in FST's Gompertz Theatre.
Chapel Theatre's resident theatre company, Chapel Theatre Collective(CTC) presents its third/final show of their inaugural season, the Northwest Premiere of Curve of Departure by Rachel Bonds, May 10-25, 2019. Directed by CTC's Co-Artistic Director Danielle Weathers, and starring Robert Barr, Shelley B. Shelley, Blake Stone and fellow Co-Artistic Director of CTC, Illya deTorres.
The OBIE Award-winning NAATCO, National Asian American Theatre Company, kicks off their 29th season with the World Premiere of Gordon Dahlquist's [Veil Widow Conspiracy].
i am a slow tide, a new performance and media collective founded by Augustus Heagerty, is set to debut with the New York premiere of Brief Chronicle Books 6-8 by Alex Borinsky.
Florida Studio Theatre (FST) is thrilled to announce its lineup for the 11th Annual Sarasota Improv Festival, the premier Festival of its kind in the Southeastern United States.
Last night the heaven's opened the flood gates and it rained as if a hurricane was upon us in Miami, Florida. I have never seen so many lightning bolts nor that much flooding on I-95. Although not many people braved the storm, I was proud to be among the few that came to watch the Adrienne Arsht Center and The House Theatre of Chicago's UNITED FLIGHT 232. In one word, exquisite. The storytelling was incredibly inspired. I have a brand new appreciation and love for documentary style theatre.
In the intimate Carnival Studio Theatre, it was hard not to hear the very visceral response the audience was having. As tears ran down my face, I could hear the muffled sounds of crying as the remarkable cast told the true story of fatal United Flight 232. It's adapted for the stage from the critically acclaimed book, Flight 232: A Story of Disaster and Survival by Laurence Gonzales.