These include: a panel discussion with Maxine Peake, Artistic Director Michelle Terry and Co-Director of Education Professor Farah Karim-Cooper, dubbed 'Hamlet and She' as part of a 'Women and Power' festival; the hit feminist comedy podcast, The Guilty Feminist, returns for another live recording in the Playhouse hosted by Deborah Frances-White; and more!
This Autumn, be part of a live theatrical treasure hunt with Percy the Park Keeper as you help him get his animal friends ready for winter. Forest school meets puppetry, world-class theatrical storytelling and clue-based adventure in this unique, non-stop 60-minute experience, designed especially for Chiswick House and Gardens.
Ambitious and never less than interesting, the 90 minutes all-through running time turns already gruesome material into a tougher watch that it need be.
Shakespeare's Globe has announced the Education Activities available to young people and their families this October Half-Term. Public booking opens on Thursday 16 September at 10.00am. Tickets for friends and Patrons are currently available.
The season will feature Shakespeare's Measure for Measure directed by Blanche McIntyre, Hamlet directed by Sean Holmes, The Merchant of Venice directed by Abigail Graham, and a festive reimagining of Hans Christian Andersen's The Fir Tree written by Hannah Khalil. Alongside productions in the Playhouse, there will also be two week-long festivals (including the return of Shakespeare and Race) and half-term events for families.
The Globe’s Artistic Director Michelle Terry has not had the easiest start to her tenure. Until a few weeks ago, she had not put on a live show since last March. Happily, with the summer season now in full swing and Groundling tickets returned, she now stars in the theatre’s joyful new production of Twelfth Night.
Go inside rehearsals of Twelfth Night at Shakespeare's Globe. Directed by Associate Artistic Director of the Globe, Sean Holmes, this production see’s the return of the cast from A Midsummer Night’s Dream in addition to Artistic Director of the Globe Michelle Terry who will be playing Viola.
And they're off! London theatres have been open for several weeks now, and the reviews once again are coming hard and fast as a glance at this very site will confirm. Quick off the mark have been the smaller-sized shows: solo plays like Cruise or Harm or a three-person West End entry like Amy Berryman's Walden (though that title was beset by pre-opening dramas of its own, more of which below). But as the big musicals prepare their own re-emergence on to a scene marked out already by the producer Sonia Friedman's RE:EMERGE season (of which Walden is the first of three to open), excitement is in the air. The question now remains as to who, precisely, the audience is likely to be for these shows, given the difficulty for many in travelling to the UK.
One of London’s most venerated theatres, Shakespeare's Globe has re-opened its doors with Sean Holmes’s gaudy 2019 production of A Midsummer Night’s Dream. With staggered entrance slots and social distance protocols in place, the Globe itself feels it too. The groundlings are masked now (as is the audience as a whole) and are seated on scattered chairs while the actors wear face coverings when they walk among them.
HOME, Manchester's largest multi-arts venue, are launching a massive temporary outdoor arts space this Summer. The new space, named Homeground will be located on an 80,000ft2 future development site on First Street, just next to HOME.
Today Adam McKenzie Wylie launches Histrionic Production's new multi-sensory theatrical adaptation of George Orwell's 1984 with Sean Holmes and Jon Bausor as Associate Creative Directors. Marked to open in London in early 2021 and America thereafter. The vision is to transform stunning derelict spaces into extraordinary, theatrical dystopian worlds. Histrionic Productions will also curate themed food, drink and music offerings, alongside the core show, to offer a truly immersive experience. Tickets will go on sale in summer 2020.
Shakespeare's Globe has announced the full cast for the 2020 Playing Shakespeare with Deutsche Bank production of Macbeth, directed by Cressida Brown. This full-scale, fast-paced production is created especially for young people, and will open on Wednesday 26 February until Wednesday 25 March. This year, the demand was so high that over 18,000 free tickets were allocated to state secondary schools in London and Birmingham in just one day, with thousands more students expected to watch the production during its run.
Shakespeare's Globe has announced the summer season 2020 will include Shakespeare's Romeo & Juliet, Much Ado About Nothing, Twelfth Night, Antony & Cleopatra, a two-day event 'Globe 4 Globe: Shakespeare and Climate Emergency', a symposium 'Shakespeare and Race', a Playing Shakespeare with Deutsche Bank production of Macbeth with 20,000 free tickets to school children, the return of family festival 'Telling Tales', and a new dramatisation of Ovid's Metamorphoses by our resident writers.
What you might not expect when sitting down in the Sam Wanamaker Playhouse, a replica Elizabethan indoor theatre, is to see the titular character of Richard III enter on stage wearing football clothes. Granted, it's an unusual twist. Representing a companion to a condensed Henry VI (which squishes three plays into one), what Richard III makes clear from the beginning is that the game to become king is just beginning.
The extraordinary success of Jeremy Dyson and Andy Nyman's Ghost Stories back at the Lyric Hammersmith in 2010 led to multiple runs in London, a film starring Martin Freeman, Paul Whitehouse, and Alex Lawter, and a number of tours and productions all over the world. It's easy to see how the piece achieved all that. The 80-minute straight-through show is filled to the brim with scrumptious spookiness. Directors Dyson, Nyman, and Sean Holmes start playing with their public from the outset of their experience, restricting the information on plot and presentation to a minimum on marketing material and website, daring them to book if they dare.
Shakespeare's Globe has announced the 201920 Sam Wanamaker Playhouse Season. Centred around She Wolves and Shrews, the season is a celebration and interrogation of women, power, and the role of the feminine in shaping our past, present and future. The candlelit Sam Wanamaker Playhouse will play host to a world-premiere of Ella Hickson's new play Swive [Elizabeth], Shakespeare's Henry VI, Richard III, and The Taming of the Shrew, and Middleton's Women Beware Women. Sandi and Jenifer Toksvig have written a new family show dubbed, Christmas at the (Snow) Globe, and a series of candlelit ghost tales will include a new story from Jeanette Winterson. Other events running throughout the season include half-term storytelling festival, Half Term Tales at the Globe, with the new Children's Laureate Cressida Cowell, and a double bill of Virginia Woolf's A Room of One's Own and Three Guineas, marking the centenary year since the removal of the sex disqualification act. The Globe's flagship project for secondary and post-16 students, Playing Shakespeare with Deutsche Bank, reaches its 14th year with Macbeth.
Shakespeare's A Midsummer Night's Dream seems to be this season's go-to comedy and, from Nicholas Hytner's lightly immersive offering at the Bridge Theatre to the smaller productions dotted around London, it's delighting audiences young and old.
Shakespeare's Globe has announced the full cast for William Shakespeare's A Midsummer Night's Dream, directed by Sean Holmes. Sean joined the Globe as Associate Artistic Director after almost a decade as Artistic Director of the Lyric Hammersmith. A Midsummer Night's Dream, Shakespeare's evergreen comedy of chaos and order, opens on Friday 28 June in The Globe Theatre. Bottom will be played by Jocelyn Jee Esien, returning to the Globe following her titular role of Dr Faustus.
It's the end of an era at the Lyric Hammersmith, as it is Sean Holmes' final season as artistic director - but it has begun in terrific style with the premiere of a new play with music, written by Matt Jones and Bloc Party singer-songwriter Kele Okereke. It is directed by Southpaw Dance Company's artistic director Robby Graham, and stars Tyrone Huntley and Billy Cullum as Obi and Alex, a gay couple contemplating marriage whilst battling secrets from their pasts.
Shakespeare's Globe is delighted to announce the Summer Season 2019. Celebrating and interrogating our 'sceptred isle' through Shakespeare's history plays, a year-long journey begins with Richard II, opening 22 February in the Sam Wanamaker Playhouse, continuing into the Globe Theatre this summer with Henry IV Parts 1 and 2, and Henry V. The season also includes A Midsummer Night's Dream, The Merry Wives of Windsor, Ben Jonson's Bartholomew Fair, and the return of 2018's As You Like It. Robin Hood tales will form the core of the Read Not Dead series this year, and festivals throughout the summer include Women & Power and Poland is Hamlet. This year's Playing Shakespeare with Deutsche Bank production will be Romeo and Juliet, opening on 28 February, with 20,000 free tickets available to state secondary schools. The Shakespeare's Globe Touring Ensemble will once again present a trio of plays for the audience to choose from: The Comedy of Errors, Pericles, and Twelfth Night.
