Samantha Cormier News

HOME, I'M DARLING tells a poignant tale with top-notch performances.

This is a fun Western adventure that the whole family can enjoy!

This is the last chance to vote for the 2025 BroadwayWorld Phoenix Awards! Voting ends on 12/31/2025 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

We're in the final weeks to vote for the 2025 BroadwayWorld Phoenix Awards! Voting ends on 12/31/2025 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

The latest standings have been released for the 2025 BroadwayWorld Phoenix Awards! Voting ends on 12/31/2025 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

The latest standings have been released for the 2025 BroadwayWorld Phoenix Awards! Voting ends on 12/31/2025 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Based on the books by Arnold Lobel with music by Robert Reale and book/lyrics by Willie Reale, A YEAR WITH FROG AND TOAD is like a warm cookie.

The first standings have been released for the 2025 BroadwayWorld Phoenix Awards! Voting ends on 12/31/2025 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

This outstanding spooky season parody is now playing! THE PHANTOM OF THE OPERA has taken over The Gaslight Theatre! Written by Peter VanSlyke and adapted by Katherine Byrnes and Mike Yarema, this parody is perfect for spooky season.

Of course, off-color references are only gratuitous when taken out of context. In SHIP, Williams blends incisive commentary with dark, outrageous comedy, painting a vivid portrait of a unique, idiosyncratic trio. The play balances moments of reflection with incidental, often crude, humor, thereby crafting a jaded yet emotionally complex rhythm.

Ranked, A Musical is a unique piece of theatre. With a book by Kyle Holmes and music/lyrics by David Taylor Gomes, Ranked is lightning in a bottle. Tucson theatre veteran Richard Gremel directs an outstanding cast of young performers.

This production runs through June 22.

POTUS is a dark comedy filled with strong performances.

To his credit, Klugheit sees the controversy as a chance to engage an otherwise piercing inquiry into our cultural obsession with physical beauty. REASONS TO BE PRETTY paints an unflinching portrait of seemingly reasonable Americans in emotional crisis -- socially well-adjusted folks who suffer from profound insecurity and power struggles. 

Subversive and riveting, David Ives's clever adaptation of Leopold von Sacher-Masoch's novella titillates and shocks, delving into mythology while blurring the line between the divine and the pedestrian. In channeling Leopold von Sacher-Masoch, Ives's stab at foreplay is piquant and dangerous. Should the playwright continue to craft erotic content, he could secure a place among the genre-defining authors alongside Henry Miller and Anaïs Nin.

So here we are with a loud reminder of our mortal limits - not to mention the 'acceptable' limits of a public joke and a brazen sexual encounter - as Ms. Feiffer regards our presumed taboos with a shrewd riposte. I'm reminded of H.G. Wells' famous denouncement of the 'irreverent laugh,' man's presumed default from the paucity of insight into the natural order of things. Yet, in the playwright's judgment, irreverence is a natural byproduct of bottled outrage. There's no place in a sane world to land a good joke about terminal cancer - but now and then, wisdom takes the form of a middle finger, and with that comes a wink of personal advantage. Halley Feiffer attempts to reveal the unpredictable guffaw on the other side of grief; you have to face the uglies head-on, is all.

Even so, what sets her apart from fellow actors is the catalog of engagements she drums up away from the spotlight. Sam (as locals fondly call her) is a gifted, do-it-all thespian: a scenic designer who thinks like a director, a choreographer who innovates posthaste, and a handywoman with a soft spot for power tools. That's not all. A buoyant charm that conspires with a quicksilver pace makes Samantha Cormier the quintessential youth leader of many a theater camp, a role she relishes during the off-season. I'm not sure there's someone more absorbed in various aspects of the theater year-round.

Some folks can be ostensibly sanguine in the face of disquieting global crises. Take Mark Klugheit, for instance, who is certainly attuned to the tumult of the news cycle, but whose singular antidote to the world's chaos and gloom keeps him in sober perspective: his love for the theater.

It begins as a strained interplay between a fretful playwright/director and a high-strung, vulgar actress desperate for an audition. No sooner had they acknowledged their unsuitable chemistry than they found themselves enmeshed in a clever pas de deux that blurs our sense of reality. It’s an intellectual dance that unearths a primal game of sexual submission and domination, echoing what happens in the novel. A compelling point of reference: “Masochism” is a word inspired by the author’s surname.

Invisible Theatre's Managing Artistic Director, Susan Claassen, announced the re-opening of Tucson, Arizona's Invisible Theatre with the official approval to reopen granted by The Arizona Department of Health Services!