Sally Wingert News

The McKnight Theater Artist Fellowships at the Playwrights' Center recognize Minnesota theater artists other than playwrights whose work demonstrates exceptional artistic merit. The fellowship provides a $25,000 award as well as access to $7,000 in development funds. Selection is based on a commitment to theater arts, evidence of professional achievement and a sustained level of excellence in the applicant's work.

This one character philosophical scavenger hunt of a play has been staged all over the US and Europe since it premiered in 2001. It follows a fictional Dutch librarian who tries to track down the patron who returned a book to the overnight slot 113 year late. Her starting clues include hand written marginalia in the book and a dry cleaning ticket used as a bookmark. That leads her to a pair of abandoned trousers in London. These furnish another hint, and so on….

Rehearsals are underway for Underneath the Lintel, starring Sally Wingert. As part of Theater Latte Da's commitment to developing new works, this production of Glen Berger's acclaimed play features original music commissioned by Latte Da from Grammy award-winning composer Frank London, founding member of The Klezmatics. Theater Latte Da Artistic Director Peter Rothstein directs the production with Music Director Dan Chouinard and vocalist Natalie Nowytski. Performances begin May 30 at the Ritz Theater (345 13th Avenue NE in Minneapolis). Single tickets go on sale May 1 and can be purchased at Latteda.org or by calling 612-339-3003.

Theater Latte Da announces single tickets go on sale May 1 for Underneath the Lintel, starring Sally Wingert. As part of Theater Latte Da's commitment to developing new works, this production of Glen Berger's acclaimed play features original music commissioned by Latte Da from Grammy award-winning composer Frank London, founding member of The Klezmatics. Theater Latte Da Artistic Director Peter Rothstein directs the production with Music Director Dan Chouinard and vocalist Natalie Nowytski. Performances begin May 30 at the Ritz Theater (345 13th Avenue NE in Minneapolis).

The Guthrie can be counted on to mount beautifully designed and lit shows on its two main stages, peopled by fine actors under crisp direction, and this production of GUESS WHO'S COMING TO DINNER is no exception. Playwright Todd Kreidler, who worked for many years with August Wilson, penned this adaptation of the iconic screenplay from the famous movie from the 1960s.Staged on the thrust space, the production is also surprisingly funny, without demeaning any of the characters. It stands in dialogue with the Guthrie's last production on the proscenium stage: Danai Gurira's FAMILIAR.

INDECENT is a play about a play: Sholom Asch's GOD OF VENGEANCE, first performed in 1907 in Berlin, then widely across Europe, and eventually in 1923 in New York. There it was censored and the acting troupe was arrested and jailed. It's also about how writers work, about forbidden love, about family, about being an immigrant to the US who speaks with an accent, about Yiddish theater and changing tastes on Broadway, about McCarthyism, and, yes, about the Holocaust.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

If you're looking for a fun, light-hearted, escapist night at the theater (and really, who isn't in need of that?!), look no further than the Guthrie's sublimely entertaining production of No l Coward's BLITHE SPIRIT. Featuring Guthrie favorites and newcomers in this perfect concoction of a cast, breath-takingly gorgeous design, and the witty words of one of 20th Century England's favorite writers of comedy, BLITHE SPIRIT will keep you warm with laughter on a cold winter's night, and make you forget about the seemingly endless despair happening outside of the theater walls (this is why I prefer to say in the theater as much as possible). BLITHE SPIRIT continues through January 18 and is a hilarious duet partner to that other ghost story across the hall.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Good fences make good neighbors...right? Neighborly rivalry escalates into an all-out border dispute in Karen Zacar as' newest hot-button comedy Native Gardens, which makes its D.C. debut at Arena Stage at the Mead Center for American Theater. Blake Robison directs this hilarious new play about the clash of class and culture that pushes well-meaning neighbors over the edge. Native Gardens is a co-production with Guthrie Theater and runs now through October 22, 2017 in the Kreeger Theater. The show just celebrated its opening and BroadwayWorld has photos from the festivities below!

Good cast, good technical work, some funny jokes, but there's something missing.

Good fences make good neighbors...right? Neighborly rivalry escalates into an all-out border dispute in Karen Zacarias' newest hot-button comedy Native Gardens, which makes its D.C. debut at Arena Stage at the Mead Center for American Theater.

'I think comedy is disarming. I mean literally. You let down your armor so you can laugh. And if you laugh, you're taking things in. I want people who disagree to watch this play and be able to laugh at themselves.' Mission accomplished. The new play NATIVE GARDENS by Karen Zacarias (from whom this quote comes), now playing on the Guthrie proscenium stage, accomplishes this and more. Through the lens of neighbors disagreeing about a fence, she exposes our many prejudices, fears, and defenses. Everyone in the audience can recognize themselves and the prejudices they harbor, or the ones they've faced, and laugh at the ridiculousness of it all. The two couples in the play are on opposite sides of many issues, but through this dispute they eventually come to realize that despite their differences they both want the same thing - a nice yard to live in and friendly neighbors.

Good fences make good neighbors...right? Neighborly rivalry escalates into an all-out border dispute in Karen Zacarias' newest hot-button comedy Native Gardens, which makes its D.C. debut at Arena Stage at the Mead Center for American Theater.

The Playwrights' Center is excited to announce the 2017-18 McKnight National Residency and Commission recipient, 2017-18 McKnight Fellows in Playwriting, 2017-18 McKnight Theater Artist Fellows, 2017-2020 Core Writers and 2017-18 Core Apprentices.

I don't know where to begin with this one. Artistry's production of the Pulitzer Prize winning play WIT is simply devastating. But it's also funny, and smart, and philosophical, and enlightening. This is my first experience with the play, and I really can't think of anyone I'd rather see in the lead role than the incomparable Sally Wingert. She gives a masterful performance in what has got to be one of the juiciest roles in theater - a smart, educated, independent, confident woman who experiences life in a whole new way while approaching death from cancer. This professor who is an expert in the metaphysical poetry of John Donne has spent her life contemplating life, death, and the afterlife in theory, and has to rethink everything she believes when faced with the stark reality of it. It's a brilliantly written play given an excellent and interesting staging by Artistry, and Sally's performance is one not to be missed.