The Boston Symphony Orchestra and Music Director Andris Nelsons have announced the appointment of Samuel Watson to the Helen Rand Thayer chair as the orchestra's contrabassoonist.
Avant-Garde-Arama Visits The Lace Mill, the latest iteration of a festival of short works of dance, music, performance art and video that originated in the Lower East Side in the '80s, will be coming to Kingston's Lace Mill Gallery.
Canadian Stage will bring back CS Platform program this year with HUMAN MEASURE, from internationally acclaimed visual and performance artist Cassils, on stage at the Berkeley Street Theatre October 27 – 29.
Queer|Art, New York City’s home for the creative and professional development of LGBTQ+ artists, has announced the upcoming Fall season of Queer|Art|Film, presented in person from September 19th – December 5th.
The New England Philharmonic, an award-winning Boston-based orchestra dedicated to 'Innovation and Tradition in Concert,' will begin its 46th season this fall under the leadership of a new Music Director, Tianhui Ng.
Boston Landmarks Orchestra under the direction of Music Director Christopher Wilkins celebrates its 20th anniversary season with the return of live orchestral music to the iconic DCR Hatch Memorial Shell on the Esplanade this summer-the first live and free professional symphony concerts in Boston si
The Taiwan Philharmonic, together with the National Theater & Concert Hall, Taiwan Public Television Service, and TSMC Education and Culture Foundation (TSMC Foundation), invites world-renowned violinist Ray Chen to give the first livestreamed violin masterclass during the pandemic for global music
The Queens Museum, Times Square Arts and MTA Arts & Design are pleased to announce their collaboration on a new public art initiative by artist Mierle Laderman Ukeles, which will be on view on the large-scale digital billboard at 20 Times Square, on the facade of the Queens Museum facing Grand Centr
Boston Landmarks Orchestra (LO) under the direction of Music Director Christopher Wilkins, and Executive Director Jo Frances Meyer, announces its 2019 season of free concerts at the DCR's Hatch Memorial Shell on the Esplanade.
The New Juilliard Ensemble (NJE), led by founder and director Joel Sachs, performs world premieres by Juilliard alumnus Ross S.
On Today, March 9, 2019 at 8:00pm, Israeli-American cellist Amit Peled joins the Longwood Symphony Orchestra for a performance of Haydn's Cello Concerto No.
On Saturday, March 9, 2019 at 8:00pm, Israeli-American cellist Amit Peled joins the Longwood Symphony Orchestra for a performance of Haydn's Cello Concerto No.
Boston Landmarks Orchestra (LO) under the direction of Music Director Christopher Wilkins, and Executive Director Jo Frances Meyer, announces its 2018 season of free concerts at the DCR's Hatch Memorial Shell on the Esplanade.
The Sally & Don Lucas Artists Program at Montalvo Arts Center continues its Open Access series with Open Studios at the Lucas Artists Program, where artists invite the public to visit their studios and to explore their current work and creative process.
Boston Landmarks Orchestra (LO) under the direction of Music Director Christopher Wilkins, and Executive Director Jo Frances Meyer, announces its 2017 season of free concerts at the DCR's Hatch Memorial Shell on the Esplanade.
Music overflowing with the elegance and grace of four masterful French composers fills the program when the Brevard Symphony Orchestra presents The French Connection on Today, January 21, 2017, at the King Center for the Performing Arts in Melbourne.
Music overflowing with the elegance and grace of four masterful French composers fills the program when the Brevard Symphony Orchestra presents The French Connection on Saturday, January 21, 2017, at the King Center for the Performing Arts in Melbourne.
The Jewish Museum continues its fall 2016 slate of lectures, discussions, and events in November with Wish You Were Here: Golda Meir portrayed by award-winning actress Tovah Feldshuh, in conversation with the Jewish Museum's Jens Hoffmann; and noted architect and critic Kenneth Frampton discussing t
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