Boston Ballet Artistic Director Mikko Nissinen announces programming for the 2020a?"2021 season. The season opens with a world premiere as part of a three-ballet program of William Forsythe's works. Nissinen's The Nutcracker returns to capture the imagination of audiences of all ages. The spring season includes a second world premiere by William Forsythe, Alexei Ratmansky's Symphony No. 9, and George Balanchine's Ballo della Regina, plus the Company premiere of Christopher Wheeldon's A Midsummer Night's Dream and the return of Marius Petipa's The Sleeping Beauty. The season concludes with a female-led program, part of Boston Ballet's ChoreograpHER Initiative. The Company's 57th season runs November 5, 2020 through May 30, 2021 at the Citizens Bank Opera House.
Classic Stage Company has cancelled the first two preview performances of Kate Hamill's reimagining of Dracula, directed by Sarna Lapine, due to an issue with heat in the theater that has delayed technical rehearsals this week. The production will now run January 16 a?" March 8.
Classic Stage Company today announces the casts and designers for the thrilling repertory cycle of adaptations of two legendary Gothic nightmares-Kate Hamill's reimagining of Dracula, directed by Sarna Lapine (January 15-March 15, 2020) and Tristan Bernays' adaptation of Frankenstein, directed by Timothy Douglas (January 30-March 15, 2020).
Boston Ballet presents the return of Mikko Nissinen's The Nutcracker. The critically-acclaimed production, featuring sets and costumes by award-winning designer Robert Perdziola, has been delighting audiences and critics since its world premiere in 2012. The Nutcracker, set to Tchaikovsky's renowned score, opens November 29 with performances through December 29 at the Citizens Bank Opera House.
American Conservatory Theater (A.C.T.) and San Francisco Zoo & Gardens announced today a partnership during the run of Eugene Ionesco's Rhinoceros, performing at A.C.T.'s Geary Theater May 29-June 23, 2019. As part of this unique partnership, A.C.T. and San Francisco Zoo will host San Francisco Zoo Day at The Geary Theater following the 2 p.m. matinee performance of Rhinoceros on Sunday, June 9.
ABT's choreographer, Alexei Ratmansky, has pulled out all the stops for his
earnest revival of Petipa's oft-forgotten 1900 hit, Harlequinade, now in performance
at The Met Opera. Based off of the commedia dell'arte tradition, it should be the
best of two worlds, combining both the
Casting for the first two weeks of American Ballet Theatre's 2019 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
The 25th Anniversary TDF/Irene Sharaff Awards were held last Friday, April 26 at The Edison Ballroom. The honorees were: Susan Hilferty who was presented the TDF/Irene Sharaff Lifetime Achievement Award by her friends Chita Rivera and Michael Mayer; scenic designer John Lee Beatty who was presented the Robert L. B. Tobin Award by former Sharaff awardee, Jane Greenwood; Miodrag Guberinic who was presented the Kitty Leach Young Master Award by former Sharaff awardee Paul Tazewell, and Rodney Gordon who was presented the TDF/Irene Sharaff Artisan Award by Tony winner (and former employee) Cady Huffman. This year's film by Suzy Benzinger was a special tribute to Irene Sharaff in celebration of the 25th anniversary of the awards.
Signature Theatre presents Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Gigi, Follies, and Signature's Titanic) and choreographed by Kelly Crandall d'Amboise (Signature's Light Years). Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical runs through May 19, 2019 in Signature Theatre's intimate MAX Theatre.
Award-winning costume designer SUSAN HILFERTY and legendary scenic designer JOHN LEE BEATTY are among the 25TH Anniversary TDF/Irene Sharaff Award recipients which were just announced by TDF
I recall seeing GRAND HOTEL in its pre-Broadway incarnation at the Colonial Theatre in Boston in 1989. I took my mother and a niece. I do not have much recollection of whether I enjoyed it or not. But I do remember the late Michael Jeter's performance from the Tony Awards in 1990. He was terrific. Tommy Tune directed
Signature Theatre presents Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Gigi, Follies, and Signature's Titanic) and choreographed by Kelly Crandall D'Amboise(Signature's Light Years). Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical runs from April 2, 2019 - May 19, 2019 in Signature Theatre's intimate MAX Theatre.
Signature Theatre presents Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer and choreographed by Kelly Crandall D'Amboise. Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical runs from April 2, 2019 - May 19, 2019 in Signature Theatre's intimate MAX Theatre.
Signature Theatre's Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Gigi, Follies, and Signature's Titanic) and choreographed by Kelly Crandall d'Amboise (Signature's Light Years) is now on stage. Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical will run from April 2, 2019 - May 19, 2019 in Signature Theatre's intimate MAX Theatre. Get a first look at the production below!
Award-winning costume designer SUSAN HILFERTY and legendary scenic designer JOHN LEE BEATTY are among the 25TH Anniversary TDF/Irene Sharaff Award recipients which were just announced by TDF
Signature Theatre has announced the full cast and creative team for Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Gigi, Follies, and Signature's Titanic) and choreographed by Kelly Crandall D'Amboise (Signature's Light Years). Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical will run from April 2, 2019 - May 19, 2019 in Signature Theatre's intimate MAX Theatre.
Boston Ballet Artistic Director Mikko Nissinen announces programming for the 2019 2020 season at the Boston Opera House. The season opens with Giselle, a haunting tale of love, betrayal, and forgiveness. Nissinen's The Nutcracker returns to delight audiences with its beloved characters and brilliant dancing. The spring season includes a cutting-edge world premiere by Stephen Galloway and works by world-renowned choreographers George Balanchine, Jorma Elo, William Forsythe, Ji Kyli n, Helen Pickett, and Jerome Robbins. Mikko Nissinen's Swan Lake returns to captivate audiences with a tale of romance and enchantment. The Company's 56th season runs September 19, 2019 through May 31, 2020.
When the American Ballet Theatre came to Washington, D.C. last year, they served up a delectable Whipped Cream at the Kennedy Center. In 2019, the company has returned with a similarly infectious Harlequinade which, even when viewed independent of Whipped Cream, never reaches the technical heights expected of such a revered company. At Tuesday's performance, the murmurs I overheard at intermission were largely mixed with one audience member calling the dance 'enjoyable but so thin it was like looking through cellophane.' Harlequinade is a fun evening-but it plays more as an introduction to ballet then as a truly triumphant production.
Boston Lyric Opera's (BLO) season of rebels and dissenters continues into Spring 2019 with tales of strong women helmed by women directors. BLO's productions of THE RAPE OF LUCRETIA and THE HANDMAID'S TALE tell startlingly relevant stories -- both with extraordinary music, and both produced in distinctive, non-traditional spaces. Artistic and General Director Esther Nelson says the spring season highlights stories from which female characters emerge as moral and societal touchstones.
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