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Signature Announces Cast for THE RED LETER PLAYS; Tickets Now On Sale

Casting is confirmed and tickets are now on sale for the Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) productions of Pulitzer Prize-winner Suzan-Lori Parks' The Red Letter Plays: f**king A & In the Blood. This is the first time these acclaimed plays will be presented together; they will run simultaneously at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). These two plays mark the final productions of Parks' Signature Residency One. All tickets for the initial runs of the productions are $30 as part of the Signature Ticket Initiative: A Generation of Access.

ANIMAL, Starring Rebecca Hall, Extends at the Atlantic

Atlantic Theater Company has announced that the New York premiere play Animal by Clare Lizzimore (Mint) and directed by Gaye Taylor Upchurch (Harper Regan, Bluebird) has been extended an additional week through Sunday, July 2 in advance of officially opening next Tuesday, June 6.

OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List!

The Lortel Awards will be presented tonight, May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event will be hosted by actor and comedian, Taran Killam, and will once again serve as a benefit for The Actors Fund.

Design-Focused 'in 1: the podcast' Welcomes HADESTOWN Set Designer Rachel Hauck

We close out April this week with Set Designer and current Lortel nominee Rachel Hauck! Aside from being a busy designer, Rachel is also a member of the Off-Broadway committee of designers that recently helped spearhead the first collectively bargained agreement ever for Off-Broadway.

John Leguizamo's LATIN HISTORY FOR MORONS Extends at The Public

The Public Theater announced today that three final performances have been added to the critically acclaimed New York premiere of Latin History for Morons, created and performed by John Leguizamo. Directed by Tony Taccone, this fiercely funny, satirical one-man show was inspired by Leguizamo's observation that Latinos are essentially invisible in the standard American history curriculum.

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