Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.
Directed by Nicholas Hytner, performances of Bach & Sons continue until 11 September 2021 with opening night on 28 June 2021. The associate director is James Cousins, with set designs by Vicki Mortimer, costumes designed by Khadija Raza, lighting by Jon Clark, sound by Gareth Fry and music supervised by George Fenton.
Johann Sebastian Bach, irascible and turbulent, writes music of sensuous delight for his aristocratic patrons, and gives voice to his deep religious faith in music for the church. He’s touchy, he’s fabulously rude, he has high standards (he stabs a bassoonist for playing badly) and he’s constantly in trouble with his employers.
Joining Simon Russell Beale who will play Johann Sebastian Bach in the world premiere of Nina Raine's Bach & Sons are Samuel Blenkin as Carl, Pandora Colin as Maria Barbara, Ruth Lass as Katharina, Douggie McMeekin as Wilhelm, Racheal Ofori as Anna Magdalena and Pravessh Rana as Frederick the Great.
Fuel Director Kate McGrath has today announced a programme of work planned for autumn 2020. All the work will be presented with Covid-secure protocols in place and will range from performances in socially distanced venues, to outdoor spaces in housing estates and round bonfires, from digital tours to performances that can be enjoyed from the luxury of your own bathtub.
Carlo Albán, Ashleigh Castro, Marcello Cruz, Arthur Darvill, Lesley Lemon, Giselle Martinez, Racheal Ofori, Genevieve O'Reilly, Golda Rosheuvel and Rick Warden have been cast in the world premiere of Rare Earth Mettle written by Al Smith and directed by Royal Court Associate Director Hamish Pirie. With set design by Moi Tran, lighting design by Lee Curran, composition by Pablo Drexler, sound design by Helen Atkinson, movement direction by Yami Löfvenberg, dialect coach Kara Tsiaperas and assistant direction from Camila Ymay González.
Chekhov's iconic characters are relocated to Nigeria in this bold new adaptation in the Lyttelton at which opened at National Theatre. Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos.
Fuelled by foreign intervention, the conflict encroaches on their provincial village and the sisters long to return to their former home, Lagos.
When confronted with the name Chekhov, hot Russian summers and country houses are probably what immediately spring to mind. It's all change for Inua Ellams' new adaptation at the National Theatre, as events are transported to Nigeria on the brink of civil war; the play is set between 1967 and 1970, as the Igbo in Biafra make a bid for total freedom following the country's independence from the UK. Nadia Fall directs this enlightening and heartbreaking new production.
Fuel's first commission for 2020 is Inua Ellams' first work for children: a radical afro-futurist reimagining of the classic French children's story The Little Prince by Saint-Exupéry. Broken down in the Sahara Desert, desperate to repair her plane, a pilot meets an extraordinary Prince. They quickly form a friendship and the pilot re-discovers the power of imagination, the importance of small efforts, and the meaning of friendship. Directed by Femi Elufowoju Jr with design by Miriam Nabarro and music by Cassie Kinoshi, the show will open at Stratford Circus Arts Centre as part of a programme supported by Newham Council to give every year 6 pupil in the borough the opportunity to see a new piece of theatre for free. The Little Prince is a Fuel production in association with English Touring Theatre, co-commissioned by Fuel, Stratford Circus Arts Centre, ASU Gammage, Z-arts, The Albany, Warwick Arts Centre and Future Arts Centres. Supported using public funding by Arts Council England and the Garrick Trust.
Chekhov's iconic characters are relocated to Nigeria in this bold new adaptation in the Lyttelton at the National Theatre from 3 December. Owerri, 1967, on the brink of the Biafran Civil War. Lolo, Nne Chukwu and Udo are grieving the loss of their father. Months before, two ruthless military coups plunged the country into chaos.
Fuelled by foreign intervention, the conflict encroaches on their provincial village and the sisters long to return to their former home, Lagos.
Camden People's Theatre is set to turn 25 in 2019, celebrating its trailblazing beginnings with a jam-packed programme championing new work, amplifying diverse voices and unearthing local stories. A stalwart of the London independent theatre scene since 1994, CPT has been the birthplace of some of the country's most exciting experimental theatre, supporting artists and companies from Chris Goode to shunt and will continue to pave a way for bold new voices.
The seven-strong cast includes award-winning actor Maria de Lima (NATIONAL THEATRE OF SCOTLAND and ALMEIDA THEATRE), Yorgos Karmalegos (Founder of TMESIS THEATRE COMPANY and COMPLICITE collaborator) and Racheal Ofori (playwright and poet PORTRAIT produced by FUEL and SO MANY REASONS headliner at CALM DOWN DEAR FESTIVAL, CPT).
As the UK marks the centenary of women's victory in the fight for suffrage, for which hundreds of women were imprisoned, Fuel presents three specially commissioned sound installations exploring different aspects of female incarceration. Working with leading academics on the history of women's imprisonment at the University of Warwick and award-winning sound designer Gareth Fry, whose recent work includes Harry Potter and the Cursed Child on the West End and Broadway, Fuel will present the installations at a week-long exhibition at Tate Modern before touring the UK (dates tbc) and being made available online as a podcast series.
Told through the eyes of a British Ghanaian woman, So Many Reasons explores the unique influence our mothers have on how we understand the world. Inspired by the current cultural and generational shifts in women's perspective of themselves and each other, this bold, passionate new show asks what happens when we realise mums don't always know best.