Rutherford and Son sees director Polly Findlay reunite with actors Justine Mitchell and Sam Troughton, the three having previously worked on Beginning. Sam discusses reuniting with the two, as well as his impressions of this 'haunted house of a play'.
Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords - a clan very much defined by their environment. It's an arresting image to open Polly Findlay's sure revival of Githa Sowerby's 1912 drama, inspired by Sowerby's own family's dealings in Tyneside glass manufacturing.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a drama about Europe to immersive Shakespeare and open-air opera, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
In a Northern industrial town, John Rutherford rules both factory and family with an iron will. But even as the furnaces burn relentlessly at the Glassworks, at home his children begin to turn against him.
In her comprehensive and insightful book Contemporary Women Stage Directors, Paulette Marty attempts to answer a pivotal question: 'How does gender influence the work of women directors?'
In a Northern industrial town, John Rutherford rules both factory and family with an iron will. But even as the furnaces burn relentlessly at the Glassworks, at home his children begin to turn against him.
he JMK Trust, in partnership with Birmingham Repertory Theatre, today announce that Will Ashford receives the inaugural JMK Bob Carlton Bursary, which through the generous support of Bob's family, will fund a role as an Assistant Director at Birmingham Rep. This bursary has been established in Bob's name as an opportunity for a new director with a connection to the Midlands, where Bob hailed from.
National Theatre has announced its listings for May - October 2019. Check out the full lineup below!
Already admired in the industry for her impressive range of work, actress Justine Mitchell enjoyed a breakout hit recently with David Eldridge's Beginning, which transferred from the National to the West End. She's now tackling Anne Washburn's new Donald Trump-era play, which begins next week at the Almeida.
The National Theatre has announced its upcoming lineup for the first half of 2019.
The Trustees of the JMK Trust today announce that from 2019 the JMK Award will enter a new partnership with the Orange Tree Theatre, with the winner's production forming a core part of the theatre's annual programming. At this new home, the JMK Award will offer one director the opportunity to direct a full-scale Orange Tree show with the production values and nurturing guidance the building is famous for. The JMK Award, which had previously been resident at the Young Vic for seven years, forms part of the national programme for the The JMK Trust, running alongside the Regional Directors Programme.
Embracing the darkness of the play and space, we are 'cabined, cribbed, confined, bound in to saucy doubts and fears' alongside Macbeth in Polly Findlay's terrifying and thoughtful production.
Good morning BroadwayWorld! Today's top stories: The Prom begins previews on Broadway, and more!
Edward Bennett returns to the Royal Shakespeare Company for his third season, appearing in Polly Findlay's Macbeth. As the production comes to London, Bennett gives us an insight into Findlay's rehearsal room, discusses how Macduff is similar to previous roles he's played here, and also shares his own superstitions surrounding the Scottish Play and theatre...
The National Theatre has today announced its new season
Shakespeare's Globe has announced full casting for Matt Hartley's new play Eyam, directed by Adele Thomas, opening in The Globe on Saturday 15 September. When the plague arrives surprisingly in the Derbyshire village of Eyam in 1665, the community face a moral dilemma. They must decide whether to flee and risk spreading the vicious disease, or stay, protect others from the risk, and face the potential of their own slow and painful death.
The bells, the bells! They're ringing out at the Donmar - ushering girls into class, and nuns into cloister. It's one of the creative ways in which director Polly Findlay reframes this beloved classic, although a new adaptation from David Harrower also rings the changes.
At Marcia Blaine School for Girls, Miss Jean Brodie presides over her 'set', her chosen few. In return for their absolute devotion, Miss Brodie will provide an education far beyond the confines of the curriculum.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a ground-breaking musical to a mighty modern classic, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!
The Donmar Warehouse presents an arresting new stage adaptation of Muriel Spark's iconic novel The Prime of Miss Jean Brodie by Scottish playwright David Harrower, in the 100th anniversary year of Muriel Spark's birth. The production will star Lia Williams in the title role, with rising talent Rona Morison, alongside a cast including Nicola Coughlan, Emma Hindle, Edward Mackliam, Grace Saif, Sylvestra Le Touzel, Helena Wilson, Angus Wright and Kit Young. The Prime of Miss Jean Brodie will be directed by Polly Findlay, who returns to the Donmar following her acclaimed production of Limehouse.
