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Review: GENTLEMAN JACK, Sadler's Wells

At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations. That’s not to say they have a uniform quality - Rambert’s Peaky Blinders: The Redemption Of Thomas Shelby blew the roof off Sadler’s Wells while Birmingham Royal Ballet’s tribute to Black Sabbath was an unholy mess. No, the main qualm is that it all smacks of hopping onto a passing bandwagon and hoping fervent fans of the source material fill the stalls.

Review: BROKEN LOVE at San Francisco Ballet

What did our critic think of BROKEN LOVE at San Francisco Ballet? BroadwayWorld reviews the program of two contrasting ballets that runs through April 18th at the War Memorial Opera House.

EMMA BOVARY and ONEGIN Come to The National Ballet of Canada

The world premiere of Emma Bovary will mark the first partnership between The National Ballet of Canada and award-winning choreographer, director and dancer, Helen Pickett. Learn more about the production and how to get tickets here!

Review: THE CRUCIBLE at Eisenhower Theater

What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source. Both try to make a new language to express the Salem witch trials of 1692 because those events were too extraordinary for regular English or garden-variety ballet.

Scottish Ballet Brings A STREETCAR NAMED DESIRE to Kirkwall

Following the hugely successful mainland tour of A Streetcar Named Desire, and an exciting US premiere tour of The Crucible, Scottish Ballet will take the full production of Streetcar to Kirkwall, as part of the St Magnus Festival, and then to Stornoway on Lewis.

Review: A STREETCAR NAMED DESIRE, Theatre Royal, Glasgow

In steamy 1940s New Orleans, fading Southern belle Blanche DuBois moves into her sister Stella's apartment. Stella's brutish husband Stanley sees that Blanche is not what she appears to be, and sets out to destroy her...

NEXT AT THE KENNEDY CENTER to Feature Ballet Hispánico's DONA PERON

PBS has announced that the next installment of NEXT AT THE KENNEDY CENTER, a series from the pubcaster's multi-year collaboration with the John F. Kennedy Center for the Performing Arts, will feature Ballet Hispánico's explosive portrait of Eva 'Evita' Perón.

MOMIX's ALICE! Inaugurates TPAC's 2022-23 International Dance Series This Weekend

Moses Pendleton, the founder and artistic director of MOMIX – the celebrated dance company that inaugurates Tennessee Performing Arts Center’s 2022-23 International Dance Series this weekend – readily admits that he’s had a lifelong affinity for Lewis Carroll and his fanciful tale of a young girl whose unexpected journey to Wonderland provides the inspiration for the company’s Alice! which will transport audiences from the James K. Polk Theatre on their own wondrously captivating journey.

Review: BALLET HISPÁNICO: DOÑA PERÓN at Kennedy Center

If you're going to do a history of Eva Perón based entirely on movement, you'd be sure to include that iconic pose of the Argentine First Lady hands aloft at the radio microphones before adoring thousands.

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