On the morning of May 11, 2009, 50 years after that momentous occasion, Lincoln Center will begin a year-long celebration of its 50th anniversary with a special ceremony in the newly-transformed Alice Tully Hall. New York Philharmonic Music Director Alan Gilbert, acclaimed violinist Itzhak Perlman with alumni from The Perlman Music Program, Tony Award-winning opera star Paulo Szot, jazz icon Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra, and The Juilliard Orchestra are among those scheduled to perform in a program that celebrates the past 50 years and looks to the next generation of Lincoln Center's artists and audiences. In the audience of this private event will be elected officials, performing artists, civic and community representatives, and leaders from all 12 Lincoln Center resident organizations.
Peter Gelb News
With three sold-out performances remaining in its 125th anniversary season, the Metropolitan Opera has hit its original box office projection for this season, selling 87.9% of paid capacity for the 33-week season of performances. In addition, ticket sales to The Met: Live in HD, the company's live, high-definition transmissions into movie theaters and other venues in 36 countries around the world, surged to 1.6 million, an increase of 43% over the previous year.
The Metropolitan Opera announced plans for its free outdoor events this summer, which will take place in the Lincoln Center Plaza and in parks throughout New York City. In a brand new initiative, the Met's Summer HD Festival will feature screenings of ten productions from the Met's Peabody and Emmy Award-winning Live in HD series in Lincoln Center Plaza on consecutive nights, beginning Saturday, August 29.
El?na Garan?a sings the title role of La Cenerentola, Rossini's charming version of the Cinderella story, for the first time with the company beginning May 1. The Latvian mezzo-soprano made her highly acclaimed Met debut last season as Rosina in Il Barbiere di Siviglia.
On the morning of May 11, 2009, 50 years after that momentous occasion, Lincoln Center will begin a year-long celebration of its 50th anniversary with a special ceremony in the newly-transformed Alice Tully Hall. New York Philharmonic Music Director Alan Gilbert, acclaimed violinist Itzhak Perlman with alumni from The Perlman Music Program, Tony Award-winning opera star Paulo Szot, jazz icon Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra, and The Juilliard Orchestra are among those scheduled to perform in a program that celebrates the past 50 years and looks to the next generation of Lincoln Center's artists and audiences. In the audience of this private event will be elected officials, performing artists, civic and community representatives, and leaders from all 12 Lincoln Center resident organizations.
Donizetti's comic masterpiece L'Elisir d'Amore returns to the Met with Angela Gheorghiu reprising her acclaimed portrayal of Adina and three tenors singing the role of Nemorino for the first time with the company: Massimo Giordano, Rolando Villazón, and Joseph Calleja. Other members of the cast also making role debuts include Franco Vassallo as Belcore and Simone Alaimo as the quack Doctor Dulcamara.
The Metropolitan Opera celebrates its 125th anniversary year with a unique gala performance on March 15, 2009 at 6:00 p.m., featuring Met stars in recreations of historic classic productions and high points in the company's past. Music Director James Levine conducts the evening of 26 staged scenes that, with the use of projections, and scenic and costume recreations, will evoke the Met's illustrious history.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).
Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.
Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.
This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.
Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company. Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12. A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast. About the performers
Kirsten Chavez will sing the role of Orfeo in Gluck's Orfeo ed Euridice at the Met on January 14, replacing Stephanie Blythe, who is ill.
Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.
After an absence of 82 years, Puccini's bittersweet romance La Rondine returns to the Met in a new production with a gala premiere performance on New Year's Eve. La Rondine stars Angela Gheorghiu as Magda, the Parisian socialite, and Roberto Alagna as Ruggero, her lover. Lisette Oropesa, Marius Brenciu, in his Met debut, and Samuel Ramey are the other principal singers. Marco Armiliato conducts.
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